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Editorial Reviews

Soprano Sandrine Piau writes in the program notes that there is no narrative or theme unifying the songs on this album, only the quality they share of being evocative of something beyond themselves. The late Romantic songs are indeed understated and suggestive rather than emphatic, many written in elegiac moods of hushed happiness or subdued yearning. The centerpiece is Richard Strauss' four song cycle, Mädchenblumen, written when the composer was 26, which provided Piau with the initial inspiration for this collection. It's immensely appealing, and its generous lyricism makes it a work that deserves to be widely sung and known.

Piau's interpretations are revelatory, above reproach. Her voice is ideal for this repertoire -- warm, but incisive when necessary, with velvety legato, flawless intonation and absolutely pristine tone. She expresses a genuine connection with the songs, singing with caressingly personal attention to the emotional colors of each. It's difficult to single out particular songs as highlights, since Piau's performances are of such a consistently high level of accomplishment. Some especially transcendent moments, though, are the places in the Strauss and Debussy songs where she floats ethereally in her highest register. Pianist Susan Manoff is a worthy partner, playing with sensitivity and finesse. Naïve's sound is warm and present, with excellent balance between Piau and Manoff. The CD should be of interest to fans of bel canto singing of the highest order, and of the late Romantic song repertoire. Stephen Eddins, All Music Guide

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