An Other Cup

1	Midday (Avoid City After Dark) 4:24
2	Heaven/Where True Love Goes 4:49
3	Maybe There's a World 3:06
4	One Day at a Time 4:54
5	When Butterflies Leave 0:41
6	In the End 4:02
7	Don't Let Me Be Misunderstood 3:22
8	I Think I See the Light 5:34
9	Whispers from a Spiritual Garden 2:04
10	The Beloved 4:51
11	Green Fields, Golden Sands 3:27

Barnes & Noble

The artist formerly known as Cat Stevens has gone through myriad changes in his personal and spiritual life over the 25-plus years since he last released an album, but this return to recording in the secular arena reveals a surprisingly linear artistic development. The singer-songwriter (who set aside his chosen last name of "Islam" for this release) always gave voice to his religious beliefs through compositions like "Moonshadow" and covers of traditional Christian hymns like "Morning Has Broken," so it's hardly surprising that he'd do the same with the Muslim faith he adopted in the '70s. Yet the welcoming An Other Cup is anything but dour and doctrinaire. Songs like "Maybe There's a World" and "One Day at a Time" retain the spare, folksy charm and dramatic depth of Yusuf's work circa Teaser and the Firecat, with his surprisingly youthful-sounding voice drifting dreamily over gently plucked acoustic melodies. Yusuf maintains a warm, intimate vibe even when the arrangements are busier and the lyrics more bitter than one might expect, as on a dark-hued, classically skewed cover of "Don't Let Me Be Misunderstood" -- a clever choice, given the fact that the singer has for years been defending himself against charges that he supports terrorist activities. Longtime Cat Stevens fans will revel in his revisiting "I Think I See the Light," with a renewed energy. And while there are a few heavy-handed moments here, such as the fire-and-brimstone "In the End," An Other Cup is the sort of vessel that invites, and rewards, repeated drinks. David Sprague

All Music Guide

Yusuf Islam's last recording as Cat Stevens, released in 1978, was Back to Earth, a record full of lost and disillusioned emotions and the desire to be whole and to find something more. Now 28 years later, Yusuf gives listeners An Other Cup, a recording that reveals the benefits and the gifts that his conversion to the religion of Islam gave him. With co-producer Rick Nowels, old mates like guitarist Alun Davies, Jean Roussel, and bassist Danny Thompson, and new ones like Youssou N'Dour, Islam returns to the folk-pop idiom of Catch Bull at Four, the aforementioned album, and moments of Foreigner. While the production on this record is full, it feels more stripped down than most of his work. And what's so interesting is that while he may have left behind the minutely detailed searching scenarios his songs related for more spiritual and general sense impressions, it's about the only thing that's changed. His voice is warm, rich, and inviting, his melodies are as irresistible as ever, and his way of relating his experience is direct. It's true there are a lot more holistic themes on this set, deeply spiritual tomes that offer advice, but they also enthusiastically relate the benefits of what he's found. Is it preachy? Yep, a bit, but so was Bob Dylan's Slow Train Coming. That's not to equate this record in terms of its profundity, but more to say that anyone who appreciates what Stevens did in a previous life can rejoice in the subjective truths related here. Songs like "Maybe There's a World," "In the End," the horn-drenched opener "Midday (Avoid the City After Dark)," and "Greenfields, Golden Sands" are memorable and delightful for their simplicity and directness. There is also a curious cover on this set: a string-drenched arrangement of "Don't Let Me Be Misunderstood" that's about as far from the Animals' version as one can get. It's a bit over the top, and it's more in your face than anything else here and therefore doesn't work. It's downright sappy. Otherwise, this record is a minor but pleasantly unexpected surprise. It also lends a more human face to the man's often distorted life as a devout pilgrim on his way to seeking God. Doing that in a pop setting is a tightrope walk, but Islam obviously doesn't really care, and he keeps his record free from the trappings of trying too hard. If you missed Cat Stevens, meet Yusuf Islam. On An Other Cup, he delivers what you've been waiting for. Thom Jurek

Billboard

This record is uplifting enough to satisfy even a 30-year thirst. Mark Sutherland