Beethoven: Violin Concerto, Kreutzer Sonata

Disc 1
1	Violin Concerto in D majo
2	Violin Concerto in D majo
3	Violin Concerto in D majo
Disc 2
1	Sonata for Violin and Pia
2	Sonata for Violin and Pia
3	Sonata for Violin and Pia
Beethoven: Violin Concerto, Kreutzer Sonata
1.	Violin Concerto in D major, Op. 61 45:47
	Composed by Ludwig van Beethoven
	Performed by Vienna Philharmonic Orchestra and Vadim Repin
	Conducted by Riccardo Muti
2.	Sonata for violin & piano No. 9 in A major ("Kreutzer"), Op. 47 38:17
	Composed by Ludwig van Beethoven
	Performed by Martha Argerich and Vadim Repin

All Music Guide

Now this is the way to re-launch a violinist: a two-disc set of Beethoven's two most virtuosic works for violin -- the concerto and the "Kreutzer Sonata" -- performed with two of the finest accompanists in the world -- the Wiener Philharmoniker under Riccardo Muti in the concerto and Martha Argerich in the sonata. Still, young Russian violinist Vadim Repin has a clutch of first-class recordings for Erato to his credit, including terrific couplings of Shostakovich and Prokofiev's concertos. But he had previously stayed away from recording these two core repertoire works.

Until now, that is. And it was totally worth the wait. Repin's clear intonation, sweet tone, and brilliant technique prove ideally appropriate for Beethoven's music. His concerto is quintessentially lyrical in execution, with intensely expressive but wonderfully graceful legato lines running through in all three movements. His sonata, on the other hand, is fabulously virtuosic with a searing opening Presto, a silken central Andante, and a headlong closing Presto. With old friend Muti, the Wiener Philharmoniker accompanies Repin with an effortless elegance that is as to the manor born. The always astounding Argerich has recorded the "Kreutzer" many times before, and her recording of the work with Gidon Kremer is one of the most exciting performances of anything ever made. But this performance with Repin, although very different, is surely in the same league. Repin's technique matches Kremer's and though he may not quite equal Kremer in overwhelming power, he might exceed him in sheer beauty of tone. Both works are superbly recorded with sound so clear it could hardly be said to be there at all.

Anyone who knows Repin's work will have to hear these performances. And anyone who doesn't already know Repin's work will have to hear these performances. James Leonard

Los Angeles Times

These are muscular performances, aggressive and astounding.

Philadelphia Inquirer

1/2 [This] disc may become a classic: Though the violinist hasn't the most effortless technique, he has depth in a performance full of romantic-era emotionalism, seconded by his glamorous collaborators. David Patrick Stearns

Dallas Morning News

[Grade: A-] A deeply moving performance. Lawson Taitte

The Guardian

[Repin's] account is wonderfully thoughtful and expressively supple.... Muti's contributions are a model of tact and discrimination.... The account of Beethoven's largest-scale violin sonata is a true meeting of minds, too. Andrew Clements

Daily Telegraph

Few contemporary violinists field a sweeter, more alluring tone than Vadim Repin.... Repin and the combustible Argerich make for an intriguing and surprisingly successful partnership. Richard Wigmore