Barnes & Noble
Weighing in at a gargantuan 26 discs and encompassing over 109 years of pop, classical, jazz, rock, country, R&B, and stage and screen hits, Sony Music's SOUNDTRACK FOR A CENTURY is an unprecedented achievement. Gorgeously packaged, this box is essentially a tribute to the Epic, Okeh, Columbia, Vocalion, and many other labels marketed by CBS and Sony over the last hundred years. With four discs of classical, six of pop, two each for jazz, country, rock, movie music, Broadway, and the catch-alls "R&B," "international" and "folk, gospel, and blues," you'll find hundreds of songs you probably didn't own -- and many you didn't want to. That's because, unlike other archival, history-minded collections -- AMERICAN POP: AN AUDIO HISTORY or THE ANTHOLOGY OF AMERICAN FOLK MUSIC -- the main theme behind the compilers' picks is the unknowable logic of the marketplace. This is as much a history of American popular taste as it is a celebration of a recording conglomerate. So Meat Loaf precedes Elvis Costello, the theme from M*A*S*H goes right next to Dylan's theme from PAT GARRET & BILLY THE KID, "Knocking On Heaven's Door." No, you won't like every one of the 547 songs here. But throw any ten of 'em in your disc-changer and you'll get some astounding historical juxtapositions. Like John Philip Sousa conducting the boomin' United States Marine Band in 1890 and Public Enemy sandblasting American jingoism 100 years later. Perhaps you'll reconsider the 1903 Grand Opera performing Rossini's "Largo al factotum" as a precursor to modern vocal giants Barbra Streisand and Celine Dion. Variety makes the best discs the ones filed under "pop" -- which means anything from the California Ramblers' "The Peanut Vendor," to Dinah Shore's "Buttons and Bows," to Bob Dylan's "Like a Rolling Stone," Looking Glass's "Brandy You're a Fine Girl," Lauryn Hill's "Doo-Wop (That Thing)," and a lot more. All in all, this is as fun and fascinating as any pop collection ever recorded. Jon Dolan
All Music Guide
To commemorate the end of the century, Sony Music assembled the gargantuan 26-disc box set Sony Music 100 Years: Soundtrack for a Century. The title was imposing, as was the idea behind it -- to chronicle the life of the oldest record label in the music industry. To be clear, Sony Music has not existed for 100 years, but the heart of its catalog, Columbia Records, was founded early in the 20th century. Sony acquired Columbia and its various subsidiaries in the late '80s, purchasing one of the richest catalogs in pop history, as the box set proves again and again. Sony realized that most consumers wouldn't invest in a 26-disc box, no matter how impressive it was, so they simultaneously released a series of 12 genre-specific double-disc sets that culled highlights from the box. That left two discs exclusive to the box, which was appropriate, since anyone who spends over 300 dollars on an album deserves a little bonus. As it turns out, those two discs aren't the only bonus on this 547-track collection. Sony Music 100 Years also boasts a 308-page, hardcover, full-color book that essentially tells the history of pop music and the recording industry in the 20th century through one group of labels. That's what the music does too -- and it does so remarkably well. There may not be any Beatles or Stones here, and some genres may be given short shrift -- electric blues and prog rock, for example, never had much of a showcase at Columbia and its subsidiaries -- but the amazing thing is that they're not missed, because the set tells the basic history, providing narratives in each genre. It's certainly a herculean task getting through the entire set, but it's hard not to be impressed, even overwhelmed, at the end result. If any one album tells the history of pop music -- albeit in the course of 26 discs -- it's this one. That doesn't mean it's essential for every music library, since most serious collectors will have much of this material, but that doesn't diminish the set and its accomplishment. Sony Music 100 Years really does present the history of pop music in a reasonably concise fashion -- and it proves that no other label, not even Warner Brothers, could manage such a feat. Stephen Thomas Erlewine