March 16-20, 1992 [Bonus Tracks] Uncle Tupelo

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CD - Remastered / Bonus Tracks

  • Release Date: 04/15/2003
  • Original Release: 1992
  • Sales Rank: 18,978
  • Label: SONY
  • UPC: 696998642621

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  • Overview
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  • Editorial Reviews
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Track List
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March 16-20, 1992 [Bonus Tracks]

1LISTENGrindstone 3:16
2LISTENCoalminers 2:33
3LISTENWait Up 2:09
4LISTENCriminals 2:20
5LISTENShaky Ground 2:49
6LISTENSatan, Your Kingdom Must Come Down 1:53
7LISTENBlack Eye 2:19
8LISTENMoonshiner 4:23
9LISTENI Wish My Baby Was Born 1:38
10LISTENAtomic Power 1:52
11LISTENLilli Schull 5:15
12LISTENWarfare 3:38
13LISTENFatal Wound 4:09
14LISTENSandusky 3:43
15LISTENWipe the Clock 2:37
16LISTENTake My Word Bonus Track 2:03
17LISTENGrindstone Bonus Track / 1991 Longview Farm Acoustic Demo 3:57
18LISTENAtomic Power previously unreleased / Bonus Track / 1991 Longview Farm Acoustic Demo 1:35
19LISTENI Wanna Be Your Dog previously unreleased / Bonus Track / 1991 Longview Farm Acoustic Demo 3:51
20LISTENMoonshiner /The Walton's (Theme) [1991 Longview Farm 7:18

Special Features:

This 2003 reissue of Uncle Tupelo's third and final album, the all-acoustic March 16-20, 1992, restores to print all 15 original tracks -- all newly remastered -- along with 5 bonus cuts. Among those, 3 were previously unreleased -- "Grindstone (1991 Longview Farm Acoustic Demo)," the Louvin Brothers' "Atomic Power (1991 Longview Farm Acoustic Version)," and the Stooges' "I Wanna Be Your Dog (1991 Longview Farm Acoustic Demo)" -- and another appears on CD for the first time ("Take My Word"). The booklet features many unseen photos along with new liner notes by David Fricke.

About this Artist

Editorial Reviews

While Uncle Tupelo's first two albums occasionally nodded toward the quieter side of traditional country music, they were dominated by tough, guitar-driven rock & roll which stylistically split the difference between the Minutemen and Neil Young. So Uncle Tupelo's third album, March 16-20, 1992, came as a bit of a surprise to their fans when it first hit the racks; almost entirely acoustic, the album stripped the group's sound to the bone and focused at once on the framework of Jay Farrar and Jeff Tweedy's songwriting and the traditional folk music which had contributed to their musical (and political) world view. Seven of the album's 15 tunes were covers, and with the exception of the Louvin Brothers' much-covered "Atomic Power," all were traditional Appalachian ballads, some of which dealt with the politics of rural poverty ("Coalminers"), while others documented the everyday tragedies of life along America's margins ("Lilli Schull," "I Wish My Baby Was Born"). As for the group's originals, the different songwriting approaches of Farrar and Tweedy were becoming more telling on March 16-20; while Farrar's tunes were solid, somber, and resonant, Tweedy began investigating more angular melodic approaches and stylized lyrics (most notably on "Black Eye" and "Wait Up"). However, if the passion and belief which informed Uncle Tupelo's music was presented in quieter and more subtle form on March 16-20, 1992, it was still very much in evidence, and this album helped to reaffirm the importance of acoustic music and folk's roots in the growing alt-country movement. Columbia/Legacy's 2003 reissue boasted new mastering which boosts the clarity and transparence of these sessions, while including six bonus tracks, including the previously unheard instrumental "Take My Word," covers of "I Wanna Be Your Dog" (different from the version on 89/93: An Anthology), and the theme from The Waltons, and homemade demos of three tunes which later appeared on the album. Mark Deming, All Music Guide

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