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CD - Bonus DVD
Disc
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Disc
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| 1 | I Will Sing Bonus Track / DVD |
| 2 | Sing Your Praise to the Lord Bonus Track / DVD |
| 3 | If I Stand Bonus Track / DVD |
| 4 | Calling Out Your Name Bonus Track / DVD |
| 5 | Elijah Bonus Track / DVD |
| 6 | Awesome God Bonus Track / DVD |
| 7 | We Are Not as Strong as We Think We Are Bonus Track / DVD |
| 8 | Let Mercy Lead Bonus Track / DVD |
| 9 | Boy Like Me/Man Like You Bonus Track / DVD |
| 10 | F Major Invention Bonus Track / DVD |
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Rich Mullins's death in a 1997 car accident shook the CCM community to its core, and as this collection of previously unreleased material shows, there is good reason to mourn. Few artists are so esteemed in their genre as Mullins, who was beloved for his insightful, folk-pop compositions and also the spiritual convictions that led him to eschew recording success and spend his last years teaching Native American children. Now, nearly five years after his death, Mullins's name and his songs lend instant credibility to a variety of projects (Mullins would no doubt be amused at how many leading CCM lights today claim to have been friends with the artist, who went to great pains to separate himself from the Christian music industry). So it's only natural to approach the arrival of Here in America with some skepticism. True, the producers have worked hard to dispel the notion that they are capitalizing on Mullins's legacy. But there's a bit of discomfort in listening to the material here and on the bonus DVD, all of which are culled from a variety of sources: song demos, recordings of concerts, appearances at spiritual retreats, and so forth. Much of this material will only be interesting to the Mullins aficionado; two passages in which Mullins instructs a youth group in a sing-along are overly long and uninteresting as an audio passage. Better are those in which Mullins tells the stories behind some of his best-loved songs or offers his own perspective on the Christian faith. Many of the CD's live recordings suffer from extremely poor audio quality (Mullins recorded shows on cassette in order to critique his performance). All of which makes this type of audio voyeurism feel a little creepy -- would Mullins himself have wanted to release these cassette tracks, many of which sound like he was performing inside a fruit jar? On the other hand, one does emerge from Here in America with a better notion of who Rich Mullins was and what he believed in, and surely the artist himself would have applauded that. Lisa Zhito, Barnes & Noble