Mozart: The Violin Sonatas by Itzhak Perlman: CD Cover
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Mozart: The Violin Sonatas Itzhak Perlman, Daniel Barenboim

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CD - Special Edition / 4-Disc Set

  • Release Date: 10/28/2003
  • 4 Disc Set
  • Sales Rank: 41,845
  • Label: DEUTSCHE GRAMMOPHON
  • UPC: 028946374924

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Mozart: The Violin Sonatas

1. Sonata for violin & piano No. 18 in G major, K. 301 (K. 293a) 13:25
Composed by Wolfgang Amadeus Mozart
Performed by Itzhak Perlman and Daniel Barenboim
2. Sonata for violin & piano No. 19 in E flat major, K. 302 (K. 293b) 12:01
Composed by Wolfgang Amadeus Mozart
Performed by Itzhak Perlman and Daniel Barenboim
3. Sonata for violin & piano No. 20 in C major, K. 303 (K. 293c) 10:24
Composed by Wolfgang Amadeus Mozart
Performed by Itzhak Perlman and Daniel Barenboim
4. Sonata for violin & piano No. 22 in A major, K. 305 (K. 293d) 14:51
Composed by Wolfgang Amadeus Mozart
Performed by Itzhak Perlman and Daniel Barenboim
5. Sonata for violin & piano No. 17 in C major, K. 296 16:37
Composed by Wolfgang Amadeus Mozart
Performed by Itzhak Perlman and Daniel Barenboim
6. Sonata for violin & piano No. 21 in E minor, K. 304 (K. 300c) 11:08
Composed by Wolfgang Amadeus Mozart
Performed by Itzhak Perlman and Daniel Barenboim

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About Itzhak Perlman

About Daniel Barenboim

Editorial Reviews

Originally released in the 1980s as separate albums and as a box set in 1991, Mozart's "Violin Sonatas" have been reissued here as a special collector's edition. Aside from the changed packaging, this sleek four-disc set is identical to the first but provides greater value at the reduced price. In these sonatas for keyboard and violin, the piano dominates as the violin often tags along in unison with the piano's melody, rarely departing from it except in an ornamental capacity. Even so, Itzhak Perlman brings his customary good humor and energy to these pieces, and through his vibrant and spirited playing makes the violin's obbligato more or less equal to the pianist's elaborate part. Daniel Barenboim displays a great deal of verve and spontaneity in his ever-shifting roles as soloist and accompanist. His playing is clean and always precise, yet genuine warmth comes through, no doubt because playing with Perlman must have been an unalloyed joy. The friendship and communication between these two musicians clearly contributed to the success of these exemplary performances, which remain an essential offering in the catalog. Deutsche Grammophon's recordings are excellent throughout and offer a full, natural sound even on the early DDD recordings from 1983. Blair Sanderson, All Music Guide

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