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Of all the lieder at which Elisabeth Schwarzkopf excelled -- Schubert's, Schumann's, even Mozart's -- perhaps more than any other, she excelled at Wolf's lieder. Her tone, her technique but most of all her understanding of the dramatic potential of every song makes her performances models of Wolf singing. In this lavishly filled two disc set drawn from six LPs recorded between 1956 and 1965, EMI has in effect given sopranos and other singers a master class in Wolf. Part of the appeal here is the superb piano playing of Gerald Moore who is as much a partner as an accompanist; part of the appeal is the superlative production of Walter Legge who is as much a collaborator as a sound engineer. But most of the appeal is Schwarzkopf's way with Wolf. Her gleamingly burnished tone makes the most of his melodies; her elegant technique makes the most of his phrasing; but -- with the aid of Moore and especially Legge -- it is her supremely studied but wholly sympathetic interpretations that makes her performances unsurpassed as emotional experience. Listen to any song here from the Mignon Lieder that opens the first disc through the Mörike Lieder that opens and the songs from the Italian Song Book that fill out the second disc: Schwarzkopf's interpretations seems to comprehend the full meaning of the composer's incomparable fusion of text and music. For anyone who loves lieder singing in general and Wolf singing in particular, this set will be indispensable. James Leonard, All Music Guide
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Wolf: Lieder | ||
| 1. | Mignon I ("Heiß mich nicht reden"), song for voice & piano (Goethe Lieder) 4:01 | |
| Composed by Hugo Wolf | ||
| Performed by Gerald Moore and Elisabeth Schwarzkopf | ||
| 2. | Mignon II ("Nur wer die Sehnsucht kennt"), song for voice & piano (Goethe Lieder) 2:19 | |
| Composed by Hugo Wolf | ||
| Performed by Gerald Moore and Elisabeth Schwarzkopf | ||
| 3. | Mignon III ("So lasst mich scheinen"), song for voice & piano (Goethe Lieder) 4:10 | |
| Composed by Hugo Wolf | ||
| Performed by Gerald Moore and Elisabeth Schwarzkopf | ||
| 4. | Philine ("Singet nicht in Trauertönen"), song for voice & piano (Goethe Lieder) 3:18 | |
| Composed by Hugo Wolf | ||
| Performed by Gerald Moore and Elisabeth Schwarzkopf | ||
| 5. | Mignon ("Kennst du das Land"), song for voice & piano (Goethe Lieder) 6:57 | |
| Composed by Hugo Wolf | ||
| Performed by Gerald Moore and Elisabeth Schwarzkopf | ||
| 6. | Epiphanias ("Die Heiligen drei König'"), song for voice & piano (Goethe Lieder) 4:39 | |
| Composed by Hugo Wolf | ||
| Performed by Gerald Moore and Elisabeth Schwarzkopf | ||
| 7. | Sankt Nepomuks Vorabend ("Lichtlein schwimmen auf dem Strome"), song for voice and piano (Goethe Lieder) 3:01 | |
| Composed by Hugo Wolf | ||
| Performed by Gerald Moore and Elisabeth Schwarzkopf | ||
| 8. | Der Schäfer ("Es war ein fauler Schäfer"), song for voice & piano (Goethe Lieder) 2:22 | |
| Composed by Hugo Wolf | ||
| Performed by Gerald Moore and Elisabeth Schwarzkopf | ||
| 9. | Blummengruss ("Der Strauss, den ich gepflücket"), song for voice & piano (Goethe Lieder) 1:23 | |
| Composed by Hugo Wolf | ||
| Performed by Gerald Moore and Elisabeth Schwarzkopf | ||
| 10. | Gleich und Gleich ("Ein Blumenglöcken vom Boden"), song for voice & piano (Goethe Leider) 0:54 | |
| Composed by Hugo Wolf | ||
| Performed by Gerald Moore and Elisabeth Schwarzkopf | ||
| 11. | Die Spröde ("An dem reinsten Frühlingsmorgen"), song for voice & piano (Goethe Lieder) 2:00 | |
| Composed by Hugo Wolf | ||
| Performed by Gerald Moore and Elisabeth Schwarzkopf | ||
| 12. | Die Bekehrte ("Bei dem Glanz der Abendröte"), song for voice & piano (Goethe Lieder) 2:51 | |
| Composed by Hugo Wolf | ||
| Performed by Gerald Moore and Elisabeth Schwarzkopf | ||
| 13. | Frühling übers Jahr ("Das Beet, shon lockert sich's"), song for voice & piano (Goethe Lieder) 1:58 | |
| Composed by Hugo Wolf | ||
| Performed by Gerald Moore and Elisabeth Schwarzkopf | ||
| 14. | Anakreons Grab ("Wo die Rose hier blüht"), song for voice & piano (Goethe Lieder) 3:02 | |
| Composed by Hugo Wolf | ||
| Performed by Gerald Moore and Elisabeth Schwarzkopf | ||
| 15. | Hochbeglückt in deiner Liebe, song for voice & piano (Goethe Lieder) 1:56 | |
| Composed by Hugo Wolf | ||
| Performed by Gerald Moore and Elisabeth Schwarzkopf | ||
| 16. | Als ich auf dem Euphrat schiffte, song for voice & piano (Goethe Lieder) 1:37 | |
| Composed by Hugo Wolf | ||
| Performed by Gerald Moore and Elisabeth Schwarzkopf | ||
| 17. | Nimmer will ich dich verlieren, song for voice & piano (Goethe Lieder) 1:11 | |
| Composed by Hugo Wolf | ||
| Performed by Gerald Moore and Elisabeth Schwarzkopf | ||
| 18. | Ganymed ("Wie im Morgenglanze"), song for voice & piano (Goethe Lieder) 5:10 | |
| Composed by Hugo Wolf | ||
| Performed by Gerald Moore and Elisabeth Schwarzkopf | ||
| 19. | Sechs Lieder für eine Frauenstimme, for voice & piano 14:22 | |
| Composed by Hugo Wolf | ||
| Performed by Gerald Moore and Elisabeth Schwarzkopf | ||
| 20. | Die Zigeunerin ("Am Kreuzweg, da lausche ich"), song for voice & piano (Eichendorff Lieder) 3:05 | |
| Composed by Hugo Wolf | ||
| Performed by Gerald Moore and Elisabeth Schwarzkopf | ||
| 21. | Im Frühling ("Hier lieg ich"), song for voice & piano (Möricke Lieder) 5:12 | |
| Composed by Hugo Wolf | ||
| Performed by Gerald Moore and Elisabeth Schwarzkopf | ||
| 22. | Elfenlied ("Bei Nacht im Dorf der Wächter reif"), song for voice & piano (Möricke Lieder) 1:59 | |
| Composed by Hugo Wolf | ||
| Performed by Gerald Moore and Elisabeth Schwarzkopf | ||
| 23. | Auf eine Christblume I ("Tochter des Walds"), song for voice & piano (Mörike Lieder) 5:17 | |
| Composed by Hugo Wolf | ||
| Performed by Gerald Moore and Elisabeth Schwarzkopf | ||
| 24. | In dem Schatten meiner Locken, song for voice & piano (Spanisches Liederbuch) 2:28 | |
| Composed by Hugo Wolf | ||
| Performed by Gerald Moore and Elisabeth Schwarzkopf | ||
| 25. | Wenn du zu den Blumen gehst, song for voice & piano (Spanische Liederbuch) 2:48 | |
| Composed by Hugo Wolf | ||
| Performed by Gerald Moore and Elisabeth Schwarzkopf | ||
| 26. | Alte Weisen (6 Poems by Keller), for voice & piano 12:25 | |
| Composed by Hugo Wolf | ||
| Performed by Gerald Moore and Elisabeth Schwarzkopf | ||
| 27. | Italienisches Liederbuch (Books 1 & 2), for voice & piano: Part 1. Auch kleine Dinge 2:38 | |
| Composed by Hugo Wolf | ||
| Performed by Gerald Moore and Elisabeth Schwarzkopf | ||
| 28. | Italienisches Liederbuch (Books 1 & 2), for voice & piano: Part 1. Mir ward gesagt, du reisest in die Ferne 2:04 | |
| Composed by Hugo Wolf | ||
| Performed by Gerald Moore and Elisabeth Schwarzkopf | ||
| 29. | Italienisches Liederbuch (Books 1 & 2), for voice & piano: Part 1. Wer rief dich denn? 1:19 | |
| Composed by Hugo Wolf | ||
| Performed by Gerald Moore and Elisabeth Schwarzkopf | ||
| 30. | Italienisches Liederbuch (Books 1 & 2), for voice & piano: Part 1. Nun laß uns Frieden schließen 1:53 | |
| Composed by Hugo Wolf | ||
| Performed by Gerald Moore and Elisabeth Schwarzkopf | ||
| 31. | Italienisches Liederbuch (Books 1 & 2), for voice & piano: Part 1. Du denkst mit einem Fädchen 1:17 | |
| Composed by Hugo Wolf | ||
| Performed by Gerald Moore and Elisabeth Schwarzkopf | ||
| 32. | Italienisches Liederbuch (Books 1 & 2), for voice & piano: Part 1. Wie lange schon war immer mein Verlangen 2:20 | |
| Composed by Hugo Wolf | ||
| Performed by Gerald Moore and Elisabeth Schwarzkopf | ||
| 33. | Italienisches Liederbuch (Books 1 & 2), for voice & piano: Part 1. Nein, junger Herr 0:53 | |
| Composed by Hugo Wolf | ||
| Performed by Gerald Moore and Elisabeth Schwarzkopf | ||
| 34. | Italienisches Liederbuch (Books 1 & 2), for voice & piano: Part 1. Mein Liebster ist so klein 1:32 | |
| Composed by Hugo Wolf | ||
| Performed by Gerald Moore and Elisabeth Schwarzkopf | ||
| 35. | Italienisches Liederbuch (Books 1 & 2), for voice & piano: Part 1. Ihr jungen Leute 1:08 | |
| Composed by Hugo Wolf | ||
| Performed by Gerald Moore and Elisabeth Schwarzkopf | ||
| 36. | Italienisches Liederbuch (Books 1 & 2), for voice & piano: Part 1. Wir haben beide 2:22 | |
| Composed by Hugo Wolf | ||
| Performed by Gerald Moore and Elisabeth Schwarzkopf | ||
| 37. | Italienisches Liederbuch (Books 1 & 2), for voice & piano: Part 1. Mein Liebster singt 1:43 | |
| Composed by Hugo Wolf | ||
| Performed by Gerald Moore and Elisabeth Schwarzkopf | ||
| 38. | Italienisches Liederbuch (Books 1 & 2), for voice & piano: Part 1. Man sagt mir, deine Mutter woll' es night 0:53 | |
| Composed by Hugo Wolf | ||
| Performed by Gerald Moore and Elisabeth Schwarzkopf | ||
| 39. | Italienisches Liederbuch (Books 1 & 2), for voice & piano: Part 2. Ich esse nun mein Brot nicht trocken mehr 1:48 | |
| Composed by Hugo Wolf | ||
| Performed by Gerald Moore and Elisabeth Schwarzkopf | ||
| 40. | Italienisches Liederbuch (Books 1 & 2), for voice & piano: Part 2. Mein Liebster hat zu Tische mich geladen 1:00 | |
| Composed by Hugo Wolf | ||
| Performed by Gerald Moore and Elisabeth Schwarzkopf | ||
| 41. | Italienisches Liederbuch (Books 1 & 2), for voice & piano: Part 2. Ich ließ mir sagen 1:40 | |
| Composed by Hugo Wolf | ||
| Performed by Gerald Moore and Elisabeth Schwarzkopf | ||
| 42. | Italienisches Liederbuch (Books 1 & 2), for voice & piano: Part 2. Du sangst mir, daß ich keine Fürstin sei 1:13 | |
| Composed by Hugo Wolf | ||
| Performed by Gerald Moore and Elisabeth Schwarzkopf | ||
| 43. | Italienisches Liederbuch (Books 1 & 2), for voice & piano: Part 2. Wohl kenn' ich Euren Stand 1:56 | |
| Composed by Hugo Wolf | ||
| Performed by Gerald Moore and Elisabeth Schwarzkopf | ||
| 44. | Italienisches Liederbuch (Books 1 & 2), for voice & piano: Part 2. Wie soll ich fröhlich sein 1:38 | |
| Composed by Hugo Wolf | ||
| Performed by Gerald Moore and Elisabeth Schwarzkopf | ||
| 45. | Italienisches Liederbuch (Books 1 & 2), for voice & piano: Part 2. Was soll der Zorn 1:52 | |
| Composed by Hugo Wolf | ||
| Performed by Gerald Moore and Elisabeth Schwarzkopf | ||
| 46. | Italienisches Liederbuch (Books 1 & 2), for voice & piano: Part 2. Wenn du, mein Liebster, steigst zum Himmel 1:45 | |
| Composed by Hugo Wolf | ||
| Performed by Gerald Moore and Elisabeth Schwarzkopf | ||
| 47. | Italienisches Liederbuch (Books 1 & 2), for voice & piano: Part 2. Gesegnet sei das Grün 1:32 | |
| Composed by Hugo Wolf | ||
| Performed by Gerald Moore and Elisabeth Schwarzkopf | ||
| 48. | Italienisches Liederbuch (Books 1 & 2), for voice & piano: Part 2. O wär' dein Haus durchsichtig wie ein Glas 1:36 | |
| Composed by Hugo Wolf | ||
| Performed by Gerald Moore and Elisabeth Schwarzkopf | ||
| 49. | Italienisches Liederbuch (Books 1 & 2), for voice & piano: Part 2. Schweig einmal still 1:08 | |
| Composed by Hugo Wolf | ||
| Performed by Gerald Moore and Elisabeth Schwarzkopf | ||
| 50. | Italienisches Liederbuch (Books 1 & 2), for voice & piano: Part 2. Verschling' der Abgrund 1:18 | |
| Composed by Hugo Wolf | ||
| Performed by Gerald Moore and Elisabeth Schwarzkopf | ||
| 51. | Italienisches Liederbuch (Books 1 & 2), for voice & piano: Part 2. Ich hab' in Penna einen Liebsten wohnen 1:02 | |
| Composed by Hugo Wolf | ||
| Performed by Gerald Moore and Elisabeth Schwarzkopf | ||
| 52. | Sonne der Schlummerlosen, song for voice & piano (Vier Gedichte) 2:42 | |
| Composed by Hugo Wolf | ||
| Performed by Gerald Moore and Elisabeth Schwarzkopf | ||
Of all the lieder at which Elisabeth Schwarzkopf excelled -- Schubert's, Schumann's, even Mozart's -- perhaps more than any other, she excelled at Wolf's lieder. Her tone, her technique but most of all her understanding of the dramatic potential of every song makes her performances models of Wolf singing. In this lavishly filled two disc set drawn from six LPs recorded between 1956 and 1965, EMI has in effect given sopranos and other singers a master class in Wolf. Part of the appeal here is the superb piano playing of Gerald Moore who is as much a partner as an accompanist; part of the appeal is the superlative production of Walter Legge who is as much a collaborator as a sound engineer. But most of the appeal is Schwarzkopf's way with Wolf. Her gleamingly burnished tone makes the most of his melodies; her elegant technique makes the most of his phrasing; but -- with the aid of Moore and especially Legge -- it is her supremely studied but wholly sympathetic interpretations that makes her performances unsurpassed as emotional experience. Listen to any song here from the Mignon Lieder that opens the first disc through the Mörike Lieder that opens and the songs from the Italian Song Book that fill out the second disc: Schwarzkopf's interpretations seems to comprehend the full meaning of the composer's incomparable fusion of text and music. For anyone who loves lieder singing in general and Wolf singing in particular, this set will be indispensable. James Leonard
Of all the lieder at which Elisabeth Schwarzkopf excelled -- Schubert's, Schumann's, even Mozart's -- perhaps more than any other, she excelled at Wolf's lieder. Her tone, her technique, but most of all her understanding of the dramatic potential of every song make her performances models of Wolf singing. In this lavishly filled two-disc set drawn from six LPs recorded between 1956 and 1965, EMI has in effect given sopranos and other singers a master class in Wolf. Part of the appeal here is the superb piano playing of Gerald Moore who is as much a partner as an accompanist; part of the appeal is the superlative production of Walter Legge who is as much a collaborator as a sound engineer. But most of the appeal is Schwarzkopf's way with Wolf. Her gleamingly burnished tone makes the most of his melodies; her elegant technique makes the most of his phrasing; but -- with the aid of Moore and especially Legge -- it is her supremely studied but wholly sympathetic interpretations that make her performances unsurpassed as an emotional experience. Listen to any song here from the "Mignon Lieder" that opens the first disc through the "Mörike Lieder" that opens and the songs from the "Italian Song Book" that fill out the second disc: Schwarzkopf's interpretations seems to comprehend the full meaning of the composer's incomparable fusion of text and music. For anyone who loves lieder singing in general and Wolf singing in particular, this set will be indispensable. James Leonard
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