Why Not Now [Bonus Tracks] Ray Russell

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CD - Bonus Tracks

  • Release Date: 04/12/2005
  • Original Release: 1999
  • Sales Rank: 144,793
  • Label: ANGEL AIR
  • UPC: 5055011701786
 
  • Overview
  • Tracks
  • Editorial Reviews
  • Details & Credits
Track List
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Why Not Now [Bonus Tracks]

1LISTENOutland / Frank Ricotti 5:14
2LISTENPrelude 1 0:48
3LISTENPour Me a Fish 3:43
4LISTENBlue Shoes / Tony Hymas 3:18
5LISTENLunday Island 2:45
6LISTENThe Pan Piper / Frank Ricotti 6:33
7LISTENChildscape / Tony Hymas 5:01
8LISTENPoint Perfect 3:42
9LISTENPrelude 2 / Mark Isham 0:31
10LISTENIf Only... 3:14
11LISTENMurmurs in Reverse 4:33
12LISTENSketches of Gil / Gil Evans 2:41
13LISTENAvian / Ray Warleigh Bonus Track 8:08
14LISTENNo Step / Gary Kettel Bonus Track 8:55
15LISTENSnow (A Passing Phase) / Tommy Eyre From the Film Colorado 6:43
16LISTENA Table Near the Band / Tony Hymas Bonus Track 8:39

About this Artist

Editorial Reviews

Why Not Now is a remastered reissue of an album by British jazz guitarist Ray Russell. Recorded in 1987 and originally released on the tiny Theta label under the name Childscape, Why Not Now is a unique blend of progressive jazz and space rock that manages to escape the clichés of new age music (despite the presence of some extremely dated synthesizer sounds) in favor of a calm, hallucinatory stillness that owes much to Gil Evans' '50s charts for Miles Davis. Evans, in fact, appears on the album, playing electric piano on his own composition, "The Pan Piper," and serving as the subject of the lovely closer "Sketches of Gil," completed shortly before the master arranger's death. The other ten tracks are similarly placid, built on overdubbed layers of Russell's Bill Nelson-like treated guitar soundscapes and the ambient keyboards of Mark Isham and Tony Hymas, over which Russell (and occasionally Isham, who doubles on trumpet) spins delicate, crystalline solos unencumbered by the sort of fast-fingered showiness that usually ruins this sort of outing. This is not a "player" album, but it's also not quite melodically minimal enough to truly be ambient music. Perhaps the closest comparison is to David Sylvian's quiet art pop, or the post-minimalist experiments of Michael Nyman. [This version of the album includes bonus material.] ~ Stewart Mason, All Music Guide All Music Guide

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