White Sand Paul Brown

BUY THIS ITEM

  • $18.99 List price
    $14.89 Online price
    (Save 21%)
    $13.40 Member price
  • skip to cart
  • Add To List uiAction=GetAllLists&page=List&pageType=list&ean=888072301474&productCode=MU&maxCount=100&threshold=3

GET FREE SHIPPING ON ORDERS OF $25 OR MORE

DELIVERY & GIFT DETAILS:

Usually ships within 24 hours

Delivery Time and Shipping Rates

Eligible for gift wrap & gift message.

Enter a zip code

CD

  • Release Date: 02/27/2007
  • Sales Rank: 49,842
  • Label: PEAK RECORDS
  • UPC: 888072301474

Listener Rating: (1 ratings)

Detailed Rating: "Sound Quality" See All

 
  • Overview
  • Tracks
  • Editorial Reviews
  • Details & Credits
Track List
Click on LISTEN or link to hear an audio clip.
To listen to samples you'll need a Windows Media Player

White Sand

1LISTENWhite Sand / Jessy J 4:24
2LISTENThe Rhythm Method 4:03
3LISTENMakes Me Feel So Good 4:09
4LISTENOl' Skoolin' 4:27
5LISTENMercy, Mercy, Mercy 4:20
6LISTENR 'N' B Bump 4:29
7LISTENI Say a Little Prayer / Lina 3:40
8LISTENMore or Les Paul / Euge Groove 4:41
9LISTENFor What It's Worth 3:39
10LISTENMr. Cool 4:09

About this Artist

Editorial Reviews

Smooth jazz producer, arranger, and songwriter Paul Brown made the transition to recording artist with 2004's Up Front, which, like its successor, 2005's The City, was a Top Ten hit on the Contemporary Jazz chart. With a switch from GRP to Peak Records, Brown should continue his popular ways with his third solo album White Sand. He has enlisted more guests than usual this time, to the point that the disc is practically one of those "and friends" duets collections. Al Jarreau sings on "Make Me Feel So Good," Bobby Caldwell on a cover of "Mercy Mercy Mercy," and Lina on a cover of "I Say a Little Prayer." Among the star instrumentalists, Boney James is heard on "Ol' Skoolin'," David Benoit on "R 'n' B Bump," Euge Groove on "More or Less Paul," Rick Braun on "Mr. Cool," and saxophone newcomer Jessy J on the title track. The guests simply augment the contributions of the leader, however; Brown's guitar is a dominant instrument, and he has a vocal on a cover of "For What It's Worth." As the familiar titles indicate, he has taken inspiration from the '60s, but his rhythm tracks often have a current hip-hop sound, and the well-known lyrics and melodies will only serve to make the album more palatable for radio. Brown isn't interested in making any changes to smooth jazz except the occasional tweak to keep it sounding current, and this is another album that will please his own fans, and fans of the guest artists (whose discs were sometimes produced by him). William Ruhlmann, All Music Guide

Customer Reviews

  • Listener Rating:
  • Ratings: 1
Be the first to write a review!