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Using his thumb rather than a pick on the strings, and playing melodic lines voiced in octaves, Wes Montgomery transformed the very sound of jazz guitar. His recordings on Verve also display just how funky a player Montgomery was. His playing on tracks like "Bumpin' on Sunset," "Road Song," "Tequila," and a host of others in this collection are the ultimate in finesse and soul. Montgomery's incredibly rhythmic and deeply expressive playing allowed him to overcome such debatable choice of material as the pop hits "A Day in the Life," "Sunny," and "Goin' Out of My Head." Give him a blues ("Bumpin," "Twisted Blues,") or a modal groover ("Milestones," "Impressions") and Montgomery goes to town. Backed by such heavyweights as drummer Grady Tate, pianist Herbie Hancock, and conga player Ray Barretto, Montgomery could rip it up in style and comfort. Contemporary guitar giants including George Benson, Lee Ritenour and Russell Malone, all revere Wes; here's 16 reasons why. William Pearl, Barnes & Noble