Weapons of Mass Destruction CLEAN VERSION Xzibit

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CD

  • Release Date: 12/14/2004
  • Sales Rank: 126,175
  • Label: SONY
  • UPC: 827969283820
 
  • Overview
  • Tracks
  • Editorial Reviews
  • Details & Credits
Track List
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Weapons of Mass Destruction

1LISTENLax 3:44
2LISTENCold World 3:51
3LISTENSaturday Night Live / Jelly Roll 4:19
4LISTENMutha***** 2:55
5LISTENBeware of Us / Strong Arm Steady 4:10
6LISTENJudgement Day 3:22
7LISTENCriminal Set 3:16
8LISTENHey Now (Mean Muggin) / Keri Hilson 4:21
9LISTENRide or Die 4:00
10LISTENCrazy Ho / Strong Arm Steady 4:24
11LISTENBig Barking (Skit) 0:53
12LISTENTough Guy 4:25
13LISTENScent of a Woman 4:20
14LISTENKlack 5:14
15LISTENBack 2 the Way It Was 6:30

About this Artist

Editorial Reviews

Not nearly as star-studded as his past two albums, Restless (2000) and Man vs Machine (2002), Xzibit's fifth album, Weapons of Mass Destruction, is a more focused effort, boasting an aggressive tone, a high-quality production roster, and a potent club track by Timbaland, "Hey Now (Mean Muggin)." There are several other highlights, including "Lax," "Criminal Set," "Tough Guy," and "Klack," but there's also a substantial amount of filler. Xzibit clearly is trying to distance himself from his last album, Man vs Machine, which proved a bust commercially, despite its roll call of well-known talent, including Dr. Dre and DJ Premier. Weapons of Mass Destruction does sound a lot different from its predecessor, though it's not necessarily an improvement. Rather, it sounds as if Xzibit is unsure of which direction to head creatively: back to his roots as an underground rapper, or for a contemporary commercial sound that appeals to a mass audience? Parts of Weapons of Mass Destruction, particularly the Strong Arm Steady collaborations, are reminiscent of Xzibit's first two albums, At the Speed of Life (1996) and 40 Dayz & 40 Nightz (1998); yet other parts of the album, particularly tracks such as the aforementioned Timbaland collaboration, featuring R&B singer Keri Hilson, are reminiscent of his post-stardom albums, Restless and Man vs Machine, when he was shooting for the charts. The end result is an album that doesn't gel together well as a whole, albeit one that thankfully includes a handful of highlights worth checking out for fans. Jason Birchmeier, All Music Guide

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