Way Back Willie "Big Eyes" Smith

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CD

  • Release Date: 05/09/2006
  • Sales Rank: 86,283
  • Label: HIGHTONE RECORDS
  • UPC: 012928819121

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  • Overview
  • Tracks
  • Editorial Reviews
  • Details & Credits
Track List
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Way Back

1LISTENDon't Say That No More 4:11
2LISTENI Don't Trust You Man 4:21
3LISTENRead Way Back 3:05
4LISTENTell Me Mama 4:06
5LISTENIf You Don't Believe I'm Leaving 3:43
6LISTENLowdown Blues 4:51
7LISTENWoman's World 5:18
8LISTENDon't Start Me Talkin' 4:16
9LISTENBlues and Trouble 4:44
10LISTENI Want You to Love Me (Trust Me) 2:41
11LISTENEye to Eye / Willie Smith 6:36

About this Artist

Editorial Reviews

Willie "Big Eyes" Smith is most often recalled as the longtime drummer in the Muddy Waters Band (he occupied the drum chair in the group from 1961 through 1980), but he was a harmonica player well before he was a drummer (his hard-charging harmonica can be heard on Bo Diddley's "Diddy Wah Diddy" from 1955) and he has led his own blues ensembles from time to time. Way Back, a pleasant set recorded in 2005 and produced by Bob Corritore, puts Smith front and center, and while no one would accuse him of being the equal of Muddy Waters as a bandleader, the 73-year-old Smith projects an intangible joy through the 11 songs here, half of which he wrote. Backed by what amounts to a superstar blues band, with the great, unsung Bob Margolin on guitar, a seemingly ageless 93-year-old Pinetop Perkins on piano, and guest shots by James Cotton and others, Smith delivers several variations on the good, old and undeniably durable Chicago blues shuffle, including the opener, a cover of Jimmy Reed's "Don't Say That No More" and a gleeful version of Waters' "Read Way Back," both of which feature Smith's steady and somehow endearingly fragile vocals, and his strong, unhurried harmonica lines. Smith does play drums on a pair of tracks, "Lowdown Blues" and "I Want You to Love Me (Trust Me)," as well, but most of the drumming is from Kenny "Beady Eyes" Smith, Willie's son. The clear highlight is a wonderfully simple, atmospheric, and haunting Willie Smith original, "Blues and Trouble," which builds powerfully on just Smith's vocal and harmonica and Margolin's brilliant electric slide guitar playing. Nothing here is going to reshape the contemporary blues world, and truthfully, these kinds of Chicago blues shuffles have been done a thousand times by a thousand blues bands. But maybe that's the point, actually. Smith is one of the musicians who helped create and shape those rhythms, and this album is evidence that he still knows what to do with them. Steve Leggett, All Music Guide

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