About this Artist

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Editorial Reviews

The sequel to the popular The Girl from Ipanema anthology basically reshuffles the deck, duplicating nine of the earlier CD's songs and adding six new ones, using mostly the same performers with a few additions. The new wrinkle is that the artists perform different tunes, a game that one imagines could be continued indefinitely on future issues. Among the highlights: Ella Fitzgerald has a marvelous time bouncing to the rhythms of "So Danço Samba," Wes Montgomery -- the consummate musician -- scores again with a lovely "Amor Em Paz," and Oscar Peterson is a surreal speed demon on "Triste." Lowlight: Sarah Vaughan's awkwardly mannered "The Boy from Ipanema." Again, there is plenty of Stan Getz -- along with his tenor sax successor in matters Jobim, Joe Henderson -- plus Astrud and {|João Gilberto|}, Dizzy Gillespie, Toots Thielemans, Charlie Byrd, Herbie Hancock, Chick Corea, Pat Metheny, and Jobim himself. As a jazz buff's introduction to Jobim, either Songbook will do, but Verve's The Man from Ipanema triple album is the best, most comprehensively idiomatic choice overall. Richard S. Ginell, All Music Guide

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