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In recent years, {|Terence Blanchard|} has released the excellent concept albums THE HEART SPEAKS (1996), an interpretative collaboration with Brazilian composer-singer Ivan Lins, and JAZZ IN FILM (1999), on which he rescored and rearranged nine movie soundtrack classics with the help of an A-list ensemble. With WANDERING MOON, the 38-year-old trumpeter, an old hand at balancing the prerequisites of performing and composition, returns to original music, mixing members of his working band (Brice Winston, tenor sax; Aaron Fletcher, alto sax; Ed Simon, piano; Eric Harland, drums) with guest stars Branford Marsalis on tenor and Dave Holland on bass. The result is one of Blanchard's most satisfying sessions, one that blends the increasing maturity and sophistication of the leader's numerous soundtracks (Mo Better Blues, X, CLOCKERS) with a no-holds-barred improvisational attitude.
At this point, Blanchard seems able to execute almost any idea that enters his mind; he articulates with seamless fluency, swings with deft ease at all tempos, projects a rich sound throughout the trumpet's range, inflects phrases with deep emotion. Marsalis -- a New Orleanian who joined Blanchard on his eponymously titled inaugural recording and has appeared on numerous Blanchard soundtracks -- is an exemplary foil, while Holland and drum phenom Harland conjure deep, interlocking grooves with attention to minutest detail. The ever-maturing Simon, one of the strongest pianists of his generation, comps with intuitive intelligence and rhythmic ingenuity, solos compositionally with passionate elegance.It's hard to single out any one track on this consistent and diverse session. Blanchard has had a singular voice for some time; it's never appeared with such resonance as on WANDERING MOON.
Ted Panken, Barnes & Noble