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CD
Vivaldi wrote so brilliantly for instruments that one tends to overlook the high quality of his vocal writing. He clearly loved the sound of the human voice, and he knew how to show it off to great effect. Sometimes this is manifest in virtuoso passages, such as the final amen of the Nisi Dominus here, which demands both agility and lung power. But more often than not, the composer asks his singers to float an exquisite melody, using subtle shades of vocal coloring and a seamless legato -- enough to make a listener swoon. Countertenor David Daniels is certainly up to these challenges, and in showing off his own musical skill and sensitivity, he helps us to appreciate the beauty of Vivaldi's vocal writing. Of course, his voice is a wonder in and of itself -- thoroughly masculine and muscular yet with an appealing softness. He revels in the long, lyrical lines of the Stabat Mater, inflecting the phrases with a restrained expressiveness that surely would have made Vivaldi beam with pleasure. Add the accompaniment of violinist Fabio Biondi and Europa Galante, one of the leading Italian period instrument ensembles, and the result is an hour of musical bliss. Andrew Farach-Colton, Barnes & Noble