Enter a zip code
CD - Copy Protected
| More Formats | |
|---|---|
| Vinyl LP - Copy Protected | $20.99 |
| 1 | |
| 2 | |
| 3 | |
| 4 | |
| 5 | |
| 6 | |
| 7 | |
| 8 | |
| 9 | |
| 10 | |
| 11 | |
| 12 | |
| 13 | |
| 14 | |
| 15 | |
| 16 | |
Succeeding where the reclusive Lauryn Hill failed in a 2002 effort, Grammy winner Alicia Keys is the perfect performer to relaunch MTV's vaunted Unplugged series. She's a musician with impressive singing and compositional gifts that are even better appreciated in a live setting --particularly one as intimate as the vibe found here. Backed by a full band complete with horn and string sections and soulful background singers, Keys shines with a stage presence that's alternately warm and coy; think Aretha Franklin circa 1972. The New York native imbues whatever she touches with heartfelt vulnerability, be it a nod to Gladys Knight on a subtle, saxophone-accompanied version of "If I Was Your Woman," or her spirited, Stevie Wonderreminiscent piano playing on the hit "If I Ain't Got You." Fans will be pleased that Keys reaches back to her breakthrough debut, Songs in A Minor, and delivers a lush reading of "Fallin' " caressed by restrained orchestration, plus a reworked, gospel-kissed Prince nugget rechristened "How Come You Don't Call Me." Keys's range is impressive, and while her duet with Maroon 5's Adam Levine on the Rolling Stones classic "Wild Horses" is fairly boilerplate, her collaborations with Mos Def, Common, and others on the curtain-closing jam, "Love It or Leave It Alone," show why Alicia Keys is the new queen of hip-hop soul. Sorry, Mary J. Dave Gil de Rubio, Barnes & Noble