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CD - Slip Sleeve
Ultimate Classical Chill Out | ||
| 1. | Clair de lune, for orchestra or various other arrangements (from "Suite Bergamasque" for piano), L. 75/3 5:57 | |
| Composed by Claude Debussy | ||
| Conducted by Bernard Herrmann | ||
| Performed by London Philharmonic Orchestra | ||
| 2. | Nocturne for piano No. 2 in E flat major, Op. 9/2, CT. 109 4:32 | |
| Composed by Frédéric Chopin | ||
| Performed by Joseph Cooper | ||
| 3. | Lyric Suite for orchestra (orchestration of Op. 54): Nocturne 4:42 | |
| Composed by Edvard Grieg | ||
| Conducted by Stanley Black | ||
| Performed by London Symphony Orchestra | ||
| 4. | Dream Children, for small orchestra (or piano), Op. 43 7:50 | |
| Composed by Edward Elgar | ||
| Conducted by Raymond Agoult | ||
| Performed by New Symphony Orchestra of London | ||
| 5. | Piano Sonata No. 14 in C sharp minor ("Moonlight"), Op. 27/2: 1. Adagio sostenuto 7:12 | |
| Composed by Ludwig van Beethoven | ||
| Performed by Radu Lupu | ||
| 6. | La navarraise, lyric episode in 2 acts: Nocturne 3:28 | |
| Composed by Jules Massenet | ||
| Conducted by Richard Bonynge | ||
| Performed by London Symphony Orchestra | ||
View all tracks on this disc | ||
Ultimate Classical Chill Out | ||
| 1. | Clair de lune, for orchestra or various other arrangements (from "Suite Bergamasque" for piano), L. 75/3 5:57 | |
| Composed by Claude Debussy | ||
| Conducted by Bernard Herrmann | ||
| Performed by London Philharmonic Orchestra | ||
| 2. | Nocturne for piano No. 2 in E flat major, Op. 9/2, CT. 109 4:32 | |
| Composed by Frédéric Chopin | ||
| Performed by Joseph Cooper | ||
| 3. | Lyric Suite for orchestra (orchestration of Op. 54): Nocturne 4:42 | |
| Composed by Edvard Grieg | ||
| Conducted by Stanley Black | ||
| Performed by London Symphony Orchestra | ||
| 4. | Dream Children, for small orchestra (or piano), Op. 43 7:50 | |
| Composed by Edward Elgar | ||
| Conducted by Raymond Agoult | ||
| Performed by New Symphony Orchestra of London | ||
| 5. | Piano Sonata No. 14 in C sharp minor ("Moonlight"), Op. 27/2: 1. Adagio sostenuto 7:12 | |
| Composed by Ludwig van Beethoven | ||
| Performed by Radu Lupu | ||
| 6. | La navarraise, lyric episode in 2 acts: Nocturne 3:28 | |
| Composed by Jules Massenet | ||
| Conducted by Richard Bonynge | ||
| Performed by London Symphony Orchestra | ||
| 7. | Nocturne for string orchestra (arranged by Malcolm Sargent from String Quartet No. 2) 7:43 | |
| Composed by Alexander Borodin | ||
| Conducted by Stanley Black | ||
| Performed by Royal Philharmonic Orchestra | ||
| 8. | Nocturne for piano No. 15 in F minor, Op. 55/1, CT. 122 5:49 | |
| Composed by Frédéric Chopin | ||
| Performed by Ileana Vered | ||
| 9. | Much Ado About Nothing, suite from the incidental music for violin & piano, Op. 11: Garden Scene 4:42 | |
| Composed by Erich Wolfgang Korngold | ||
| Performed by London Festival Orchestra and Josef Sakonov | ||
| Additional Notes: transcribed for violin & orchestra | ||
| 10. | La Vierge, sacred legend in 4 acts: The Last Sleep of the Virgin 5:09 | |
| Composed by Jules Massenet | ||
| Conducted by Raymond Agoult | ||
| Performed by New Symphony Orchestra of London | ||
| 11. | Lyric Pieces (6) for piano, Book 5, Op. 54: Nocturne 4:15 | |
| Composed by Edvard Grieg | ||
| Performed by Alicia de Larrocha | ||
| 12. | A Midsummer Night's Dream, incidental music, Op. 61: Nocturne 6:48 | |
| Composed by Felix Mendelssohn Bartholdy | ||
| Conducted by Rafael Frühbeck de Burgos | ||
| Performed by New Philharmonia Orchestra of London | ||
| 13. | Pavane, for orchestra & chorus ad lib in F sharp minor, Op. 50 8:16 | |
| Composed by Gabriel Fauré | ||
| Conducted by Bernard Herrmann | ||
| Performed by London Philharmonic Orchestra | ||
| 14. | Water Music Suite No.1 for orchestra in F major, HWV 348: Hornpipe 4:03 | |
| Composed by George Frideric Handel | ||
| Conducted by Neville Marriner | ||
| Performed by Academy of St. Martin-in-the-Fields | ||
| 15. | Water Music Suite No.1 for orchestra in F major, HWV 348: Air 3:23 | |
| Composed by George Frideric Handel | ||
| Conducted by Neville Marriner | ||
| Performed by Academy of St. Martin-in-the-Fields | ||
| 16. | Water Music Suite No.1 for orchestra in F major, HWV 348: Gigue 1:33 | |
| Composed by George Frideric Handel | ||
| Conducted by Neville Marriner | ||
| Performed by Academy of St. Martin-in-the-Fields | ||
| 17. | Reflets dans l'eau, for piano, L. 110/1 5:06 | |
| Composed by Claude Debussy | ||
| Performed by Pascal Rogé | ||
| 18. | Lagunen-Walzer (Lagoon Waltz), for orchestra, Op. 411 (RV 411) 7:26 | |
| Composed by Johann Strauss II | ||
| Performed by Vienna Philharmonic Orchestra | ||
| Conducted by Willi Boskovsky | ||
| 19. | Jeux d'eau, for piano 5:57 | |
| Composed by Maurice Ravel | ||
| Performed by Pascal Rogé | ||
| 20. | Violin Concerto, for violin, strings & continuo in F minor ("L'inverno," The Four Seasons; "Il cimento" No. 4), Op. 8/4, RV 297: Largo 2:26 | |
| Composed by Antonio Vivaldi | ||
| Conducted by Neville Marriner | ||
| Performed by Academy of St. Martin-in-the-Fields and Alan Loveday | ||
| 21. | Vltava (The Moldau), symphonic poem (Má Vlast No. 2), JB 1:112/2 11:49 | |
| Composed by Bedrich Smetana | ||
| Performed by Israel Philharmonic Orchestra | ||
| Conducted by Walter Weller | ||
| 22. | Prelude for piano No. 15 in D flat major, Op. 28/15, CT. 180 5:25 | |
| Composed by Frédéric Chopin | ||
| Performed by Vladimir Ashkenazy | ||
| 23. | Die Forelle (II), transcription for piano (after Schubert, D. 550), S. 564 (LW A127) 3:50 | |
| Composed by Franz Liszt | ||
| Performed by Varda Nishry | ||
| 24. | The Swan Lake, suite, Op. 20a: Dance of the Swans ... Odette and the Prince ... S 7:37 | |
| Composed by Peter Ilich Tchaikovsky | ||
| Conducted by Richard Bonynge | ||
| Performed by Francisco Garbarro, Nation Philharmonic Orchestra and Mincho Minchev | ||
| 25. | Aquarelles (2), for strings (arr. by Fenby from 2 songs "to be sung on a summer night"): Gaily, but not too quick 2:39 | |
| Composed by Frederick Delius | ||
| Conducted by Benjamin Britten | ||
| Performed by English Chamber Orchestra | ||
| 26. | Auf dem Wasser zu singen, transcription for piano (after Schubert), S. 558/2 (LW A42/2) 5:16 | |
| Composed by Franz Liszt | ||
| Performed by Jorge Bolet | ||
| 27. | An der schönen, blauen Donau (On the Beautiful, Blue Danube), waltz for orchestra (with chorus ad lib), Op. 314 (RV 314) 7:56 | |
| Composed by Johann Strauss II | ||
| Performed by Vienna Philharmonic Orchestra, Vienna State Opera Chorus and Vienna State Opera Chorus | ||
| Conducted by Willi Boskovsky | ||
| 28. | Fantasia on Greensleeves, for harp, flute & strings (arranged by R. Greaves; from the opera "Sir John In Love") 4:24 | |
| Composed by Ralph Vaughan Williams | ||
| Conducted by Neville Marriner | ||
| Performed by Academy of St. Martin-in-the-Fields and William Bennett | ||
| 29. | Baďlčro, folksong for voice & orchestra (Chants d'Auvergne, Series 1, No. 2) 6:49 | |
| Composed by Joseph Canteloube | ||
| Performed by English Chamber Orchestra and Kiri Te Kanawa | ||
| Conducted by Jeffrey Tate | ||
| 30. | Symphony No. 6 in F major ("Pastoral"), Op. 68: By the Brook 12:35 | |
| Composed by Ludwig van Beethoven | ||
| Performed by Vienna Philharmonic Orchestra | ||
| Conducted by Hans Schmidt-Isserstedt | ||
| 31. | Quintet for piano, violin, viola, cello & double bass in A major ("Trout"), D. 667 (Op. posth. 114): 4. Theme and variations 8:21 | |
| Composed by Franz Schubert | ||
| Performed by Clemens Hagen, Lukas Hagen, Veronika Hagen, Alois Posch and András Schiff | ||
| 32. | Suite pastorale, for orchestra: Idylle 4:58 | |
| Composed by Emmanuel Chabrier | ||
| Conducted by Ernest Ansermet | ||
| Performed by L'Orchestre de la Suisse Romande | ||
| 33. | Woodland Sketches for piano, Op. 51: No. 1, To a Wild Rose 2:16 | |
| Composed by Edward MacDowell | ||
| Performed by Joseph Cooper | ||
| 34. | Nordic Melodies (2) for string orchestra (or piano or piano, 4 hands), Op. 63: Cowkeeper's Tune & Country Dance 2:40 | |
| Composed by Edvard Grieg | ||
| Conducted by Willi Boskovsky | ||
| Performed by Nation Philharmonic Orchestra | ||
| 35. | Suite No.7 for orchestra ("Scčnes alsaciennes"): Sous les tilleuls 4:16 | |
| Composed by Jules Massenet | ||
| Conducted by Richard Bonynge | ||
| Performed by Nation Philharmonic Orchestra | ||
| 36. | Prélude ŕ l'aprčs-midi d'un faune (Prelude to the Afternoon of a Faun), for orchestra, L. 86 10:48 | |
| Composed by Claude Debussy | ||
| Conducted by Charles Dutoit | ||
| Performed by Timothy Hutchins and Montreal Symphony Orchestra | ||
| 37. | Woodland Sketches for piano, Op. 51: No. 6, To a Water-lily 2:51 | |
| Composed by Edward MacDowell | ||
| Performed by Joseph Cooper | ||
| 38. | Rosamunde, Fürstin von Cypern, incidental music, D. 797 (Op. 26): Shepherd's Melody 1:34 | |
| Composed by Franz Schubert | ||
| Performed by Vienna Philharmonic Orchestra, Vienna State Opera Chorus and Vienna State Opera Chorus | ||
| Conducted by Karl Münchinger | ||
| 39. | Rosamunde, Fürstin von Cypern, incidental music, D. 797 (Op. 26): Shepherds' Chorus 4:11 | |
| Composed by Franz Schubert | ||
| Performed by Vienna Philharmonic Orchestra, Vienna State Opera Chorus and Vienna State Opera Chorus | ||
| Conducted by Karl Münchinger | ||
| 40. | Geschichten aus dem Wienerwald (Tales from the Vienna Woods), waltz for orchestra, Op. 325 (RV 325) 11:15 | |
| Composed by Johann Strauss II | ||
| Performed by Vienna Philharmonic Orchestra and Anton Karas | ||
| Conducted by Willi Boskovsky | ||
| 41. | Romeo and Juliet, fantasy-overture for orchestra in B minor (3 versions): Love Theme 3:17 | |
| Composed by Peter Ilich Tchaikovsky | ||
| Performed by Vienna Philharmonic Orchestra | ||
| Conducted by Herbert von Karajan | ||
| 42. | Liebesfreud (Love's Joy), for violin & piano 3:34 | |
| Composed by Fritz Kreisler | ||
| Conducted by Elgar Howarth | ||
| Performed by Erich Gruenberg and New Philharmonia Orchestra of London | ||
| Additional Notes: transcribed for violin & orchestra | ||
| 43. | The Walk To the Paradise Garden, for orchestra (Interlude from "A Village Romeo & Juliet") 8:51 | |
| Composed by Frederick Delius | ||
| Conducted by Neville Marriner | ||
| Performed by Academy of St. Martin-in-the-Fields | ||
| 44. | Liebesträume, notturno for piano No. 3 in A flat major ("O Lieb, so lang du lieben kannst"), S. 541/3 (LW A103/3) 4:56 | |
| Composed by Franz Liszt | ||
| Performed by Jorge Bolet | ||
| 45. | La Damnation de Faust, for mezzo-soprano, tenor, baritone, bass, chorus and orchestra, ("légende dramatique") H. 111 (Op. 24): D'amour l'ardente flamme 8:39 | |
| Composed by Hector Berlioz | ||
| Performed by Chicago Symphony Orchestra and Frederica Von Stade | ||
| Conducted by Georg Solti | ||
| 46. | Romeo and Juliet, ballet in 4 acts, Op. 64: Balcony Scene 7:44 | |
| Composed by Sergey Prokofiev | ||
| Conducted by Ernest Ansermet | ||
| Performed by L'Orchestre de la Suisse Romande | ||
| 47. | Salut d'amour, for violin & piano, Op. 12 3:05 | |
| Composed by Edward Elgar | ||
| Performed by Kyung-Wha Chung and Phillip Moll | ||
| 48. | Extase ("Sur un lys pâle"), song for voice & piano (or orchestra) 3:19 | |
| Composed by Henri Duparc | ||
| Conducted by Leopold Stokowski | ||
| Performed by David Gray and London Symphony Orchestra | ||
| Additional Notes: transcribed for horn & orchestra | ||
| 49. | Songs of the Auvergne, for voice & orchestra in 5 series: Pastourelle 3:28 | |
| Composed by Joseph Canteloube | ||
| Performed by English Chamber Orchestra and Kiri Te Kanawa | ||
| Conducted by Jeffrey Tate | ||
| 50. | Spartacus, ballet in 4 acts: Adagio of Spartacus and Phrygia 9:13 | |
| Composed by Aram Khachaturian | ||
| Conducted by Aram Khachaturian | ||
| Performed by Vienna Philharmonic Orchestra | ||
| 51. | Bagatelle for piano in A minor ("Für Elise"), WoO 59 3:04 | |
| Composed by Ludwig van Beethoven | ||
| Performed by Vladimir Ashkenazy | ||
| 52. | Liebesleid (Love's Sorrow), for violin & piano 3:45 | |
| Composed by Fritz Kreisler | ||
| Conducted by Elgar Howarth | ||
| Performed by Erich Gruenberg and New Philharmonia Orchestra of London | ||
| Additional Notes: transcribed for violin & orchestra | ||
| 53. | Samson et Dalila, opera in 3 acts, Op. 47: Mon cśur s'ouvre ŕ ta voix 6:36 | |
| Composed by Camille Saint-Saëns | ||
| Performed by Marilyn Horne and Vienna State Opera Orchestra | ||
| Conducted by Henry Lewis | ||
| 54. | Roméo et Juliette, for alto, tenor, bass, chorus & orchestra ("symphonie dramatique"), H.79 (Op. 17): Love Scene 4:58 | |
| Composed by Hector Berlioz | ||
| Performed by Vienna Philharmonic Orchestra | ||
| Conducted by Lorin Maazel | ||
| 55. | Les contes d'Hoffmann, opera in 4 acts: Barcarolle 4:16 | |
| Composed by Jacques Offenbach | ||
| Performed by Joan Sutherland, Choeur de la Radio de la Suisse Romande, L'Orchestre de la Suisse Romande, Pro Arte de Lausanne et du Brassus and Huguette Tourangeau | ||
| Conducted by Richard Bonynge | ||
| 56. | Serenade No. 6 for orchestra in D major ("Serenata Notturna"), K. 239: 2. Minuet & Trio 3:54 | |
| Composed by Wolfgang Amadeus Mozart | ||
| Conducted by Neville Marriner | ||
| Performed by Academy of St. Martin-in-the-Fields | ||
| 57. | Serenade for string orchestra in E major, B. 52 (Op. 22): 4. Larghetto 6:11 | |
| Composed by Antonin Dvorák | ||
| Conducted by Christopher Hogwood | ||
| Performed by London Philharmonic Orchestra | ||
| 58. | Nocturne for piano No. 8 in D flat major, Op. 27/2, CT. 115 5:57 | |
| Composed by Frédéric Chopin | ||
| Performed by Vladimir Ashkenazy | ||
| 59. | Serenade for strings in E flat, Op 6: 3. Adagio 8:44 | |
| Composed by Josef Suk | ||
| Conducted by Neville Marriner | ||
| Performed by Los Angeles Chamber Orchestra | ||
| 60. | Béatrice et Bénédict, opera, H. 138: Vous soupirez, madame? ... Nuit paisible et serein 4:43 | |
| Composed by Hector Berlioz | ||
| Conducted by Colin Davis | ||
| Performed by April Cantelo, London Symphony Orchestra and Helen Watts | ||
| 61. | Prelude for piano No. 7 in A major, Op. 28/7, CT. 172 0:57 | |
| Composed by Frédéric Chopin | ||
| Performed by Marisa Robles | ||
| 62. | Mazurka for piano No. 5 in B flat major, Op. 7/1, CT. 56 3:03 | |
| Composed by Frédéric Chopin | ||
| Performed by Marisa Robles | ||
| 63. | String Quartet in F major, (prev. attr. Haydn, Op.3/5): Serenade 4:05 | |
| Composed by Roman Hoffstetter | ||
| Performed by Stuttgart Chamber Orchestra | ||
| Conducted by Karl Münchinger | ||
| 64. | Dreaming, for piano, Op. 15/3 6:33 | |
| Composed by Amy Beach | ||
| Performed by Alan Feinberg | ||
| 65. | Concerto Grosso in G minor, Op.6/6, HWV 324: Musette 3:51 | |
| Composed by George Frideric Handel | ||
| Performed by Stuttgart Chamber Orchestra | ||
| Conducted by Karl Münchinger | ||
| 66. | Recuerdos de la Alhambra, for guitar 4:51 | |
| Composed by Francisco Tárrega | ||
| Performed by Eduardo Fernandez | ||
| 67. | Hänsel und Gretel, opera: Evening Prayer 3:11 | |
| Composed by Engelbert Humperdinck | ||
| Performed by Vienna Philharmonic Orchestra, Brigitte Fassbaender and Lucia Popp | ||
| Conducted by Georg Solti | ||
| 68. | Serenade for orchestra No. 2 in A major, Op. 16: 4. Quasi menuetto - Trio 5:06 | |
| Composed by Johannes Brahms | ||
| Conducted by István Kertész | ||
| Performed by London Symphony Orchestra | ||
| 69. | Czech Suite, for orchestra in D major, B. 93 (Op. 39): 4. Romanza 5:29 | |
| Composed by Antonin Dvorák | ||
| Conducted by Antal Dorati | ||
| Performed by Detroit Symphony Orchestra | ||
| 70. | Chanson dans la Nuit, versions for 1 or 2 harps 3:51 | |
| Composed by Carlos Salzedo | ||
| Performed by Marisa Robles | ||
| 71. | Brezairola (Berceuse), folksong for voice & orchestra (Chants d'Auvergne, Series 3, No. 4) 3:30 | |
| Composed by Joseph Canteloube | ||
| Performed by English Chamber Orchestra and Kiri Te Kanawa | ||
| Conducted by Jeffrey Tate | ||
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