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On her third disc, Try This, pop chameleon Pink mixes things up musically and once again positions herself as an artist to watch. The rebellious first single, "Trouble," reflects Pink's tough chick persona; "God Is a DJ" is a club thumper; "Oh My God!" is a confessional mid-tempo track; and "Catch Me While I'm Sleeping" is a soulful ballad. Barnes & Noble
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November 27, 2003: Pink has done it again!!! This is deffinitly her best CD!!! I havnt bought it yet but i've listened to all the songs and here are some of my favorites....Trouble, Unwind, Last to Know, Humble Neighborhoods, and my all time favorite.... God is a DJ.
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October 09, 2003: Pink's 3rd disc,Try This, is the most exciting album yet,her 1st single "Trouble" is off the hook,with production by Tim Armstrong,Linda Perry and Damion Elliot this album is yet another masterpiece!!!
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On her third disc, Try This, pop chameleon Pink mixes things up musically and once again positions herself as an artist to watch. The rebellious first single, "Trouble," reflects Pink's tough chick persona; "God Is a DJ" is a club thumper; "Oh My God!" is a confessional mid-tempo track; and "Catch Me While I'm Sleeping" is a soulful ballad.
Of all the dance-pop/teen pop singers to emerge in 1999, Pink seemed the least likely to have success. She didn't have an easy-to-market image like Britney or Christina, nor were her singles all that distinctive, so it was a real shock when she reinvented herself as a badass dance-rock chick for her second album, M!ssundaztood. It wasn't just that the album revealed a unique, forceful personality; it was that it crafted an original, dynamic sound from seemingly contradictory sources, as Pink hauled out forgotten 4 Non Blondes leader Linda Perry for her primary collaborator, piled on the hard rock riffs, and sharpened up the R&B rhythms, while writing as nakedly as a confessional singer/songwriter. It was a big surprise that Pink had an album like M!ssundaztood in her, but that surprise is nearly equalled by its successor, Try This, which proves that she can pull off the same trick twice -- an unpredictable giant leap forward, assisted by unlikely collaborators, that winds up being among the best pop music of its given year. While Perry is still around, she only collaborates on three tracks, since Pink has picked another left-field choice for her main co-writer/producer for Try This: Tim Armstrong, one of the lead singer/songwriters for the acclaimed neo-punk band Rancid. Armstrong co-writes and produces eight of the 13 songs here, and while it's true that he helps steer Pink into harder-rocking territory, the end result isn't quite as simple as Try This being a straight-up rock & roll album. Instead, hard rock is used as the foundation for the record (even some of the Perry-written tracks rock very hard), and then it stretches out into several different styles and sounds. Some are familiar -- there's a handful of dance-oriented tracks, a quiet ballad, such as the closer, "Love Song" -- but, like M!ssundaztood, this is pop music that knows no boundaries, borrowing ideas from punk, soul, ska, new wave, and electronica to create an exhilarating listen that crackles with energy and inventiveness. This music has reference points, some intentional and some not -- the similarities of "Trouble" and Nirvana's cover of the Vaselines' "Molly's Lips" may be on purpose, but the echoes of Blur's "Pressure on Julian" on "God Is a DJ" is surely coincidental -- but it's presentation is original and exceptionally well-written. This time around, she's not as consciously confessional, which makes for a nice fit for Armstrong's strong sense of songcraft and pop hooks, resulting in music that is immediately grabbing yet so sturdily crafted it only seems stronger, even catchier, with repeated listens. While Pink's peers take incremental, cautious artistic steps forward, she's slyly fearless, choosing the right collaborators that help her create pop music that has both style and substance to spare. Britney Spears, Pink's avowed arch-nemesis, may claim that she's taking advice from Madonna, but here Pink illustrates that she's the true heir to Madonna's throne, since she displays a restlessness similar to the Material Girl in the '80s, while never once sounding like Madonna -- or other spiritual predecessors like Pat Benatar, Stevie Nicks, or Debbie Harry, for that matter. With Try This, Pink has firmly established a voice of her own, and in doing so, she's made another tremendous modern pop record. [Try This was also released with a limited-edition bonus DVD, containing the video for "Trouble," an interview, and other assorted "behind the scenes" footage.] Stephen Thomas Erlewine
Loading...Album Credits | ||
| Performance Credits | ||
| Pink | Primary Artist, Background Vocals | |
| Steve Stevens | Guitar | |
| Tim Armstrong | Guitar, Percussion, Piano, Keyboards, Background Vocals, Loops, Acoustic Bass | |
| John Fields | Bass, Guitar, Percussion, Piano, Drums, Keyboards, Sitar, Background Vocals, Vocoder, wah wah guitar | |
| Matt Freeman | Bass | |
| Nick Lane | Trombone | |
| David Paich | Organ, Hammond Organ, Soloist | |
| Linda Perry | Guitar, Sitar, Mellotron | |
| Lon Price | Tenor Saxophone | |
| Brett Reed | Percussion, Drums | |
| Atticus Ross | Synthesizer, Percussion, Loops | |
| Eric Schermerhorn | Guitar | |
| Greg "Frosty" Smith | Baritone Saxophone | |
| Lee Thornburg | Trumpet | |
| Victor Ruggiero | Piano, Hammond Organ, Soloist | |
| Damon Elliott | Percussion, Keyboards | |
| Dave Carlock | Organ, Electric Bass, Keyboards, Background Vocals, Wurlitzer | |
| Dorian Crozier | Drums, Tambourine | |
| Matt Mahaffey | Synthesizer, Drums, Glockenspiel, Keyboards, Turntables, Omnichord | |
| Travis Barker | Percussion, Drums | |
| Janis Tanaka | Bass | |
| Grecco Buratto | Guitar | |
| Charlie Bisherat | Violin | |
| Galadriel Masterson | Background Vocals | |
| Joshua Seth Eagan | Percussion, Drums | |
| Bryan Keeling | Drums | |
| Hopey Rock | Background Vocals | |
| Jonathan Davis | Acoustic Guitar, Bass, Electric Guitar, Keyboards | |
| Paul III | Bass | |
| Technical Credits | ||
| Tim Armstrong | Sound Effects, Producer, Engineer | |
| John Fields | Programming, Producer, Engineer | |
| Brian Gardner | Mastering | |
| Linda Perry | Producer | |
| Lon Price | Horn Arrangements | |
| Atticus Ross | Engineer | |
| Steven Miller | Engineer | |
| Craig Logan | Executive Producer | |
| Jeri Heiden | Art Direction | |
| Damon Elliott | Programming, Producer | |
| Dave Carlock | Engineer, drum programming | |
| Rich Tapper | Engineer | |
| Pink | Executive Producer | |
| Glen Nakasako | Art Direction | |
| John "Silas" Cranfield | Engineer | |
| Dave Guererro | Engineer | |
| Padraic Kerin | Engineer | |
| Jonathan Davis | Arranger, Producer, Engineer, drum programming | |
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