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The unstoppable Toots Hibbert had the distinction of christening Jamaica's greatest cultural export with his 1968 single "Do the Reggay." But for the all the love that roots holdouts and spring-breaking frat boys have given him over the years, Toots is far from a household name. True Love is the kind of all-star rehabilitation project that's become easier and easier in the digital era (just ask Carlos Santana): 15 chart-toppers ranging from Eric Clapton and Keith Richards to No Doubt and the Roots to Willie Nelson lend their voices to duets with Toots on favorites from the Maytals catalog. Few of them sound as if they were in the same room with the electric vocalist; some of them don't even seem to be on the same planet. But you can't deny the heart in this set. A still vital Hibbert is front and center, and the tracks are all recognizably ska and reggae. Even jaded listeners, wary of the name-dropping bonanzas these kinds of tributes often are, will have to admit that Eric Clapton's guitar sounds pretty good on "Pressure Drop," and the meeting of Bootsy Collins and Toots (and the Roots, on "Funky Kingston") has a certain unassailable logic. Chalk it up to the charismatic main man, and the durable material. The best Maytals songs are party jams, and numbers like "54-46 Was My Number" are solid enough to support all manner of intrusion, from Jeff Beck's relentless guitar ad-libs to Willie Nelson's trademarked behind-the-beat delivery of "Still Is Still Moving to Me" (which seems less a duet than a rhyming argument). For all that ornament, True Love underscores how powerful Toots is on his own -- perhaps the celebrity consensus convened here will earn the hardest-working Jamaican in show business the R-E-S-P-E-C-T he deserves. Mark Schwartz, Barnes & Noble