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CD - Unabridged, 4 CDs
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| CD | $17.79 |
The History of Classical Music is an extremely affordable and accessible resource for the Listening and Appraising sections of the national curriculum. Robert Powell narrates a fascinating story of over a thousand years of Western classical music from Gregorian chant to Henryk Gorecki (the first living classical composer to get into the pop album charts).
Many musical expressions and musical forms are explained and illustrated by performances from some of the most highly praised recordings of recent years (all but a few taken from the Naxos and Marco Polo catalogues).
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History of Classical Music | ||
| 1. | Chant for Good Friday 4:53 | |
| Composed by Gregorian Chant | ||
| Performed by Jennifer Purvis, Jennifer Purvis, Kasia Elsner and Nova Schola Gregoriana | ||
| 2. | Ambrosian Chant for Epiphany: example 2:25 | |
| Composed by Anonymous | ||
| Performed by In Dulci Jubilo Children's Choir, Jennifer Purvis, Jennifer Purvis, Manuela Schenale and Kasia Elsner | ||
| 3. | Work(s) 2:06 | |
| Composed by Hildegard von Bingen | ||
| Performed by Oxford Camerata, Jennifer Purvis, Jennifer Purvis and Kasia Elsner | ||
| 4. | Presul nostri temporis (spurious?) 4:15 | |
| Composed by Pérotin | ||
| Performed by Gothic Voices, Jennifer Purvis, Jennifer Purvis and Kasia Elsner | ||
| 5. | Je Ne Puis . . . Amors Me Tienent . . . Veritatem, for consort 3:49 | |
| Composed by Anonymous | ||
| Performed by Gothic Voices, Jennifer Purvis, Jennifer Purvis and Kasia Elsner | ||
| 6. | A virgen que de Deus madre 5:40 | |
| Composed by Alfonso X (el Sabio) | ||
| Performed by Ensemble Unicorn, Jennifer Purvis, Jennifer Purvis and Kasia Elsner | ||
| 7. | Saltarello No. 1 (GB-LBl Add.29987) 2:43 | |
| Composed by Anonymous, Italian | ||
| Performed by Ensemble Unicorn, Jennifer Purvis, Jennifer Purvis and Kasia Elsner | ||
| 8. | Messe de Nostre Dame, mass for 4 voices: Gloria 5:16 | |
| Composed by Guillaume de Machaut | ||
| Performed by Oxford Camerata, Jennifer Purvis, Jennifer Purvis and Kasia Elsner | ||
| 9. | Per seguir la speranza, ballata for 3 voices, S. 112 9:52 | |
| Composed by Francesco Landini | ||
| Performed by Gothic Voices, Christopher Page, Jennifer Purvis, Jennifer Purvis and Kasia Elsner | ||
| 10. | Ce jour de l'an, rondeau for 3 voices 2:37 | |
| Composed by Guillaume Dufay | ||
| Performed by Ensemble Unicorn, Michael Posch, Jennifer Purvis, Jennifer Purvis and Kasia Elsner | ||
| 11. | Missa L'Homme armé, for 4 voices: L'homme arm 6:01 | |
| Composed by Guillaume Dufay | ||
| Performed by Oxford Camerata, Jennifer Purvis, Jennifer Purvis and Kasia Elsner | ||
| 12. | Intemerata Dei mater, motet for 5 voices 9:04 | |
| Composed by Johannes Ockeghem | ||
| Performed by Oxford Camerata, Jennifer Purvis, Jennifer Purvis and Kasia Elsner | ||
| 13. | Saltarello No. 2 (British Library Ms. 29987) 6:04 | |
| Composed by Anonymous, Italian | ||
| Performed by Ensemble Unicorn, Jennifer Purvis, Jennifer Purvis and Kasia Elsner | ||
| 14. | Deo gracias Anglia; Owr king went forth 6:24 | |
| Composed by Anonymous, English | ||
| Performed by Oxford Camerata, Jennifer Purvis, Jennifer Purvis and Kasia Elsner | ||
| 15. | Ave Maria gratia plena 3:11 | |
| Composed by Loyset Compere | ||
| Performed by Joseph Payne, Jennifer Purvis, Jennifer Purvis and Kasia Elsner | ||
| 16. | Missa Sine nomine (unspecified of 4): Kyrie 3:53 | |
| Composed by G.P. Da Palestrina | ||
| Performed by Jennifer Purvis, Jennifer Purvis and Kasia Elsner | ||
| 17. | O Lord, in thy wrath rebuke me not, anthem for 6 voices 9:38 | |
| Composed by Orlando Gibbons | ||
| Performed by Laurence Cummings, Oxford Camerata, Jennifer Purvis, Jennifer Purvis and Kasia Elsner | ||
| 18. | Mass, for 4 voices, P. 31: Sanctus 5:23 | |
| Composed by Thomas Tallis | ||
| Performed by Oxford Camerata, Jennifer Purvis, Jennifer Purvis and Kasia Elsner | ||
| 19. | Mass for 5 Voices (SATTB): Kyrie 2:04 | |
| Composed by William Byrd | ||
| Performed by Oxford Camerata, Jennifer Purvis, Jennifer Purvis and Kasia Elsner | ||
| 20. | Work(s) 4:17 | |
| Composed by William Byrd | ||
| Performed by Jennifer Purvis, Jennifer Purvis, Timothy Roberts and Kasia Elsner | ||
| 21. | Réveillez vous, cueurs endormis, chanson for 4 voices ("Le chant des oiseaux"), M. 2/67 5:57 | |
| Composed by Clément Janequin | ||
| Performed by Jennifer Purvis, Jennifer Purvis, Scholars of London and Kasia Elsner | ||
| 22. | Tribulationem et dolorem inveni, motet for 5 voices, W. 8/57 2:56 | |
| Composed by Carlo Gesualdo | ||
| Performed by Oxford Camerata, Jennifer Purvis, Jennifer Purvis and Kasia Elsner | ||
| 23. | Thule the period of cosmographie, madrigal in 2 sections for 6 voices 5:38 | |
| Composed by Thomas Weelkes | ||
| Performed by Oxford Camerata, Jennifer Purvis, Jennifer Purvis and Kasia Elsner | ||
| 24. | Flow, my tears, fall from your springs, for 2 voices & lute (Second Book of Songs) 2:35 | |
| Composed by John Dowland | ||
| Performed by Dorothy Linell, Jennifer Purvis, Jennifer Purvis, Steven Richards and Kasia Elsner | ||
| 25. | Oy voy 5:02 | |
| Composed by Anonymous | ||
| Performed by Jennifer Purvis, Jennifer Purvis, Ensemble Accentus and Kasia Elsner | ||
| 26. | Sacrae Symphoniae: No. 15: Sonata octavi toni for 12 parts 1:51 | |
| Composed by Giovanni Gabrieli | ||
| Performed by Members of the London Symphony Orchestra, Jennifer Purvis, Jennifer Purvis and Kasia Elsner | ||
| 27. | Thus the gloomy world at first began to shine (from "The Fairy Queen"), aria, Z. 629/43: Thus the gloomy world 2:51 | |
| Composed by Henry Purcell | ||
| Performed by Jennifer Purvis, Jennifer Purvis, Scholars Baroque Ensemble and Kasia Elsner | ||
| 28. | Work(s): Vi Ricorda 3:04 | |
| Composed by Claudio Monteverdi | ||
| Performed by Tom Phillips, Jennifer Purvis, Jennifer Purvis and Kasia Elsner | ||
| 29. | Lamento d'Arianna, for voice & continuo ("Lasciatemi morire"), SV 22 7:02 | |
| Composed by Claudio Monteverdi | ||
| Performed by Capella Musicale di S. Petronio di Bologna, Jennifer Purvis, Jennifer Purvis and Kasia Elsner | ||
| 30. | Combattimento di Tancredi e Clorinda, dramatic cantata (from Book 8), SV 153: excerpt 4:54 | |
| Composed by Claudio Monteverdi | ||
| Performed by Capella Musicale di S. Petronio di Bologna, Jennifer Purvis, Jennifer Purvis and Kasia Elsner | ||
| 31. | Work(s): Lamento de castrato 5:36 | |
| Composed by Claudio Monteverdi | ||
| Performed by Capella Musicale di S. Petronio di Bologna, Jennifer Purvis, Jennifer Purvis and Kasia Elsner | ||
| 32. | Te Deum Laudamus ("The Song of St. Ambrose" from Morning Service), for soloists, chorus & orchestra in D major, Z. 232/1 6:22 | |
| Composed by Henry Purcell | ||
| Performed by Jennifer Purvis, Jennifer Purvis and Kasia Elsner | ||
| 33. | When I am laid in earth (from "Dido and Aeneas"), soprano aria (Dido's Lament), Z. 626/38b 2:48 | |
| Composed by Henry Purcell | ||
| Performed by Jennifer Purvis, Jennifer Purvis, Scholars Baroque Ensemble and Kasia Elsner | ||
| 34. | Messiah, oratorio, HWV 56: Hallelujah Chorus 4:32 | |
| Composed by George Frideric Handel | ||
| Performed by Jennifer Purvis, Jennifer Purvis, Scholars Baroque Ensemble and Kasia Elsner | ||
| 35. | Cantata No. 208, "Was mir behagt," (Hunt Cantata), BWV 208 (BC G1, G3): Was mir behagt is nur die muntre Jagd 5:27 | |
| Composed by Johann Sebastian Bach | ||
| Conducted by Matyas Antal | ||
| Performed by Failoni Orchestra, Hungarian Radio Chorus, Jennifer Purvis, Jennifer Purvis and Kasia Elsner | ||
| 36. | Brandenburg Concerto No. 4 in G major, BWV 1049: Presto 1:23 | |
| Composed by Johann Sebastian Bach | ||
| Performed by Capella Istropolitana, Jennifer Purvis, Jennifer Purvis and Kasia Elsner | ||
| Conducted by Bohdan Warchal | ||
| 37. | Les Baricades mistérieuses, for harpsichord (Pičces de clavecin, II, 6e ordre) 2:52 | |
| Composed by François Couperin | ||
| Performed by Alan Cuckston, Jennifer Purvis, Jennifer Purvis and Kasia Elsner | ||
| 38. | Prelude and Fugue, for keyboard No. 1 in C major (WTC I/1), BWV 846 (BC L80) 3:56 | |
| Composed by Johann Sebastian Bach | ||
| Performed by Jenö Jandó | ||
| 39. | Toccata and fugue, for organ in D minor ("Dorian"), BWV 538 (BC J38) 3:24 | |
| Composed by Johann Sebastian Bach | ||
| Performed by Wolfgang Rubsam | ||
| 40. | Cello Concerto, for cello, strings & continuo in B flat major, RV 423: Allegro 2:55 | |
| Composed by Antonio Vivaldi | ||
| Conducted by Nicholas Kraemer | ||
| Performed by Raphael Wallfisch and City of London Sinfonia | ||
| 41. | Violin Concerto, for violin, strings & continuo in E major ("La Primavera," The Four Seasons; "Il cimento" No. 1), Op.8/1, RV 269 1:49 | |
| Composed by Antonio Vivaldi | ||
| Conducted by Stephen Gunzenhauser | ||
| Performed by Takako Nishizaki and City of London Sinfonia | ||
| 42. | Work(s): Sinfonia No. 4~Adagio non molto 3:11 | |
| Composed by Karl Ditters von Dittersdorf | ||
| Performed by Failoni Orchestra | ||
| Conducted by Hanspeter Gmur | ||
| 43. | Symphony No. 6 in D major ("Le Matin"), H. 1/6: Adagio--Allegro 2:25 | |
| Composed by Franz Joseph Haydn | ||
| Performed by Northern Chamber Orchestra | ||
| Conducted by Nicholas Ward | ||
| 44. | Symphony No. 96 in D major ("Miracle"), H. 1/96: Adagio 2:28 | |
| Composed by Franz Joseph Haydn | ||
| Performed by Capella Istropolitana | ||
| Conducted by Barry Wordsworth | ||
| 45. | String Quartet No. 42 in C major, Op. 54/2, H. 3/57 2:37 | |
| Composed by Franz Joseph Haydn | ||
| Performed by Kodaly Quartet | ||
| 46. | Piano Concerto No. 21 in C major ("Elvira Madigan") K. 467: Andante 5:25 | |
| Composed by Wolfgang Amadeus Mozart | ||
| Performed by Concentus Hungaricus and Jenö Jandó | ||
| 47. | String Quartet No. 1 in G major ("Lodi"), K. 80 (K. 73f): Adagio 4:34 | |
| Composed by Wolfgang Amadeus Mozart | ||
| Performed by Eder Quartet | ||
| 48. | Die Zauberflöte (The Magic Flute), opera, K. 620: Der Holle Rache 1:33 | |
| Composed by Wolfgang Amadeus Mozart | ||
| Performed by Failoni Orchestra, Hungarian Festival Choir and Donna Robin | ||
| Conducted by Michael Halász | ||
| 49. | Dance of the Blessed Spirits (Melody), arrangement (from "Orfeo ed Euridice") 2:00 | |
| Composed by Christoph Willibald Gluck | ||
| Performed by Capella Istropolitana | ||
| 50. | Don Giovanni, opera, K. 527: La ci darem la mano 3:13 | |
| Composed by Wolfgang Amadeus Mozart | ||
| Performed by Andreas Martin, Donna Robin and Vienna Mozart Orchestra | ||
| 51. | Cosě fan tutte, opera, K. 588: Soave sia il vento 1:20 | |
| Composed by Wolfgang Amadeus Mozart | ||
| Performed by Capella Istropolitana | ||
| Conducted by Johannes Wildner | ||
| 52. | Requiem for soloists, chorus, and orchestra, K. 626: Confutais maledictis 4:56 | |
| Composed by Wolfgang Amadeus Mozart | ||
| Conducted by Zdenek Kosler | ||
| Performed by Slovak Philharmonic Orchestra & Chorus | ||
| 53. | String Quartet No. 6 in B flat major, Op. 18/6: Allegro 1:43 | |
| Composed by Ludwig van Beethoven | ||
| Performed by Kodaly Quartet | ||
| 54. | Piano Sonata No. 14 in C sharp minor ("Moonlight"), Op. 27/2: Adagio sostenuto 1:39 | |
| Composed by Ludwig van Beethoven | ||
| Performed by Jenö Jandó | ||
| 55. | Symphony No. 9 in D minor ("Choral"), Op. 125: Ode to Joy 3:02 | |
| Composed by Ludwig van Beethoven | ||
| Conducted by Richard Edlinger | ||
| Performed by Zagreb Philharmonic Orchestra | ||
| 56. | Piano Concerto No. 5 in E flat major ("Emperor"), Op. 73: Allegro 2:16 | |
| Composed by Ludwig van Beethoven | ||
| Performed by Capella Istropolitana and Stefan Vladar | ||
| Conducted by Barry Wordsworth | ||
| 57. | Symphonie fantastique for orchestra ("Episode de la vie d'un Artiste...en cinq parties"), H.48 (Op. 14): Songe d'un nuit de Sabbat 2:17 | |
| Composed by Hector Berlioz | ||
| Performed by Czecho-Slovak Radio Symphony Orchestra | ||
| Conducted by Pinchas Steinberg | ||
| 58. | Harold en Italie (Harold in Italy), symphony for viola & orchestra, H. 68 (Op. 16): Allegro frenetico 5:00 | |
| Composed by Hector Berlioz | ||
| Performed by San Diego Symphony Orchestra | ||
| Conducted by Yoav Talmi | ||
| 59. | Seligkeit ("Freuden sonder Zahl"), song for voice & piano ("Minnelied"), D. 433 2:44 | |
| Composed by Franz Schubert | ||
| Performed by Peter H. Hill and Lynda Russell | ||
| 60. | Quintet for piano, violin, viola, cello & double bass in A major ("Trout"), D. 667 (Op. posth. 114): Theme with variations 3:20 | |
| Composed by Franz Schubert | ||
| Performed by Jenö Jandó and Kodaly Quartet | ||
| 61. | Symphony No. 8 in B minor ("Unfinished"), D. 759: Allegro moderato 1:49 | |
| Composed by Franz Schubert | ||
| Conducted by Michael Halász | ||
| Performed by Slovak Philharmonic Orchestra | ||
| 62. | Rondo for piano in C minor, Op. 1, CT. 192 4:27 | |
| Composed by Frédéric Chopin | ||
| Performed by Idil Biret | ||
| 63. | Polonaise for piano No. 3 in A major ("Military"), Op. 40/1, CT. 152 5:10 | |
| Composed by Frédéric Chopin | ||
| Performed by Idil Biret | ||
| 64. | Work(s): Merry Peasant 1:00 | |
| Composed by Robert Schumann | ||
| Performed by Balázs Szokolay | ||
| 65. | Cello Concerto in A minor, Op. 129: Langsam 3:19 | |
| Composed by Robert Schumann | ||
| Conducted by Andrew Constantine | ||
| Performed by Maria Kliegel and Irish National Symphony Orchestra | ||
| 66. | Work(s): Unspecified work 2:34 | |
| Composed by Antonin Dvorák | ||
| Conducted by Zdenek Kosler | ||
| Performed by Slovak Philharmonic Orchestra | ||
| 67. | Symphony No. 9 in E minor ("From the New World"), B. 178 (Op. 95) (first published as No. 5): Largo 2:56 | |
| Composed by Antonin Dvorák | ||
| Conducted by Stephen Gunzenhauser | ||
| Performed by Slovak Philharmonic Orchestra | ||
| 68. | Bryllupsdag pĺ Troldhaugen (Wedding Day at Troldhaugen), lyric piece for piano, Op. 65/6 4:04 | |
| Composed by Edvard Grieg | ||
| Performed by BBC Scottish Symphony Orchestra | ||
| Conducted by Jerzy Maksymiuk | ||
| Additional Notes: arranged for orchestra | ||
| 69. | Piano Concerto in A minor, Op. 16: Allegro molto moderato [excerpt] 0:52 | |
| Composed by Edvard Grieg | ||
| Performed by Budapest Symphony Orchestra and Jenö Jandó | ||
| Conducted by András Ligeti | ||
| 70. | Symphonic Variations, for piano & orchestra (also arr. for 2 pianos), M. 46: excerpt 2:11 | |
| Composed by César Franck | ||
| Conducted by Antonio de Almeida | ||
| Performed by Francois-Joël Thiollier and Irish National Symphony Orchestra | ||
| 71. | Prince Igor, opera (completed by Rimsky-Korsakov & Glazunov): Polovtsian Dances 3:46 | |
| Composed by Alexander Borodin | ||
| Performed by Slovak Philharmonic Orchestra | ||
| Conducted by Daniel Nazareth | ||
| 72. | Faust Symphony (I & II), for orchestra or soloist, male chorus & orchestra, S. 108 (LW G12): Final Chorus 2:02 | |
| Composed by Franz Liszt | ||
| Performed by Hungarian State Choir and Andras Molnar | ||
| Conducted by András Ligeti | ||
| 73. | Symphony No. 4 in E flat ("Romantic"), WAB 104: Scherzo 2:26 | |
| Composed by Anton Bruckner | ||
| Conducted by Gunter Neuhold | ||
| 74. | Symphony No. 1 in C minor, Op. 68: Un poco sostenuto 1:05 | |
| Composed by Johannes Brahms | ||
| Conducted by Alexander Rahbari | ||
| 75. | Das Lied von der Erde, for alto (or baritone), tenor & orchestra: Das Trinklied vom Jammer der Erde 1:07 | |
| Composed by Gustav Mahler | ||
| Conducted by Michael Halász | ||
| Performed by Thomas Harper Jr. and Irish National Symphony Orchestra | ||
| 76. | Adagietto, for orchestra (from the Symphony No. 5): Adagietto 2:52 | |
| Composed by Gustav Mahler | ||
| Performed by Polish Radio and Television National Symphony Orchestra | ||
| Conducted by Antoni Wit | ||
| 77. | Romeo and Juliet, fantasy-overture for orchestra in B minor (3 versions) 3:03 | |
| Composed by Peter Ilich Tchaikovsky | ||
| Conducted by Adrian Leaper and Antoni Wit | ||
| Performed by Royal Philharmonic Orchestra | ||
| 78. | Symphony No. 6 in B minor ("Pathétique"), Op. 74: Finale 4:06 | |
| Composed by Peter Ilich Tchaikovsky | ||
| Conducted by Antoni Wit | ||
| 79. | Violin Concerto in E minor, Op. 64: Allegro molto vivace 1:34 | |
| Composed by Felix Mendelssohn | ||
| Conducted by Kenneth Jean | ||
| Performed by Takako Nishizaki and Slovak Philharmonic Orchestra | ||
| 80. | Ein deutsches Requiem (A German Requiem), for soprano, baritone, chorus & orchestra, Op. 45: Herr, lehre doch mich 1:10 | |
| Composed by Johannes Brahms | ||
| Performed by Czecho-Slovak Radio Symphony Orchestra and Eduard Tumagian | ||
| Conducted by Alexander Rahbari | ||
| 81. | Il barbiere di Siviglia (The Barber of Seville), opera: Quintet from Act II 3:12 | |
| Composed by Gioachino Rossini | ||
| Performed by Failoni Orchestra and Hungarian Radio Chorus | ||
| Conducted by Will Humburg | ||
| 82. | Le prophčte, grand opera in 5 acts: Coronation March 6:30 | |
| Composed by Giacomo Meyerbeer | ||
| Conducted by Richard Hayman | ||
| Performed by Slovak Philharmonic Orchestra | ||
| 83. | I Puritani, opera: ui la voce sua soave 1:06 | |
| Composed by Vicenzo Bellini | ||
| Performed by Czecho-Slovak Radio Symphony Orchestra and Luba Orgonasova | ||
| Conducted by Will Humburg | ||
| 84. | L'Elisir d'amore, opera: Una furtiva lagrima 1:36 | |
| Composed by Gaetano Donizetti | ||
| Performed by Vincenzo la Scola and Hungarian State Opera Orchestra & Chorus | ||
| Conducted by Pier Giorgio Morandi | ||
| 85. | Work(s): Works~Can-Can & other Dances 1:51 | |
| Composed by Jacques Offenbach | ||
| Performed by Slovak Philharmonic Orchestra | ||
| Conducted by Johannes Wildner | ||
| 86. | Carmen, opera: Toreador en garde... 3:36 | |
| Composed by Georges Bizet | ||
| Performed by Czecho-Slovak Radio Symphony Orchestra | ||
| Conducted by Alexander Rahbari | ||
| 87. | Aida, opera: Chorus of the Hebrew Slaves 3:56 | |
| Composed by Giuseppe Verdi | ||
| Performed by Czecho-Slovak Radio Symphony Orchestra and Slovak Philharmonic Choir | ||
| Conducted by Oliver von Dohnanyi | ||
| 88. | Rigoletto, opera: La donna e mobile | |
| Composed by Giuseppe Verdi | ||
| Performed by Czecho-Slovak Radio Symphony Orchestra, Slovak Philharmonic Choir and Eduard Tumagian | ||
| Conducted by Alexander Rahbari | ||
| 89. | La bohčme, opera: Act I duet 2:16 | |
| Composed by Giacomo Puccini | ||
| Performed by Czecho-Slovak Radio Symphony Orchestra, Luba Orgonasova and Jonathon Welch | ||
| Conducted by Will Humburg | ||
| 90. | Der Freischütz, opera in 3 acts, J. 277: Huntsmen's Chorus 2:17 | |
| Composed by Carl Maria von Weber | ||
| Performed by Czecho-Slovak Radio Symphony Orchestra | ||
| Conducted by Alfred Walter | ||
| 91. | Tannhäuser, opera, WWV 70: Pilgrim's Chorus 5:00 | |
| Composed by Richard Wagner | ||
| Performed by Czecho-Slovak Radio Symphony Orchestra | ||
| Conducted by Alfred Walter | ||
| 92. | Tristan und Isolde, opera, WWV 90: Liebestod | |
| Composed by Richard Wagner | ||
| Performed by Polish Radio and Television National Symphony Orchestra | ||
| Conducted by Johannes Wildner | ||
| 93. | Le Sacre du printemps (The Rite of Spring), ballet in 2 parts for orchestra: Danse des Adolescents | |
| Composed by Igor Stravinsky | ||
| Conducted by Alexander Rahbari | ||
| 94. | La Mer (3), symphonic sketches for orchestra, L. 109: De l'aube a midi sur la mer 3:20 | |
| Composed by Claude Debussy | ||
| Conducted by Alexander Rahbari | ||
| 95. | L'oiseau de feu (The Firebird), ballet in 2 scenes for orchestra: Danse infernale du roi Kastchei 6:16 | |
| Composed by Igor Stravinsky | ||
| Conducted by Alexander Rahbari | ||
| 96. | Le Sacre du printemps (The Rite of Spring), ballet in 2 parts for orchestra: Danse des Adolescents | |
| Composed by Igor Stravinsky | ||
| Conducted by Alexander Rahbari | ||
| 97. | Little Pieces (6) for Piano, Op. 19 5:10 | |
| Composed by Arnold Schoenberg | ||
| Performed by Jennifer Purvis | ||
| 98. | Regards (20) sur l'enfant Jésus, for piano, I/27: Premiere communion de la Viege 1:00 | |
| Composed by Olivier Messiaen | ||
| 99. | Der Rosenkavalier, opera, Op. 59 (TrV 227): Waltz 3:19 | |
| Composed by Richard Strauss | ||
| Conducted by Zdenek Kosler | ||
| Performed by Slovak Philharmonic Orchestra | ||
| 100. | The Planets, suite for orchestra & female chorus, Op. 32, H. 125: Jupiter 2:34 | |
| Composed by Gustav Holst | ||
| Performed by Czecho-Slovak Radio Symphony Orchestra | ||
| Conducted by Adrian Leaper | ||
| 101. | Enigma Variations for orchestra, Op.36: Nimrod 2:56 | |
| Composed by Edward Elgar | ||
| Performed by Czecho-Slovak Radio Symphony Orchestra | ||
| Conducted by Adrian Leaper | ||
| 102. | Cello Concerto in E minor (also arr. as Viola Concerto by F.Salmond), Op. 85: Adagio | |
| Composed by Edward Elgar | ||
| Conducted by Michael Halász | ||
| Performed by Maria Kliegel and Royal Philharmonic Orchestra | ||
| 103. | The Swan of Tuonela, tone poem for orchestra (Lemminkäinen Suite No. 3), Op. 22/3 4:04 | |
| Composed by Jean Sibelius | ||
| Performed by Czecho-Slovak Radio Symphony Orchestra | ||
| Conducted by Kenneth Schermerhorn | ||
| 104. | Symphony No. 5 in E flat major, Op. 82: Allegro molto | |
| Composed by Jean Sibelius | ||
| Conducted by Adrian Leaper | ||
| Performed by Slovak Philharmonic Orchestra | ||
| 105. | Symphony No. 6 in E minor: Allegro 0:52 | |
| Composed by Ralph Vaughan Williams | ||
| Conducted by Kees Bakels | ||
| Performed by Bournemouth Sinfonietta and Bournemouth Symphony Orchestra | ||
| 106. | Piano Concerto No. 2 in C minor, Op. 18: Moderato 2:11 | |
| Composed by Sergey Rachmaninov | ||
| Performed by Bernd Glemser | ||
| Conducted by Jerzy Maksymiuk | ||
| 107. | Symphony No. 10 in E Minor, Op. 93: Moderato 3:46 | |
| Composed by Dmitry Shostakovich | ||
| Performed by Czecho-Slovak Radio Symphony Orchestra | ||
| Conducted by Ladislav Slovak | ||
| 108. | String Quartet No. 10 in A flat, Op. 118: Largo | |
| Composed by Dmitry Shostakovich | ||
| Performed by Eder Quartet | ||
| 109. | Symphony No. 1 in D major ("Classical"), Op. 25: Allegro 2:02 | |
| Composed by Sergey Prokofiev | ||
| Conducted by Stephen Gunzenhauser | ||
| Performed by Slovak Philharmonic Orchestra | ||
| 110. | Sonata for violin & piano, FP 119: Presto tragico 2:26 | |
| Composed by Francis Poulenc | ||
| Performed by Pascal Devoyon and Dong-Suk Kang | ||
| 111. | Symphony No.3 ("The Song of the Night"), Op. 27, M36: excerpt 2:12 | |
| Composed by Karol Szymanowski | ||
| Performed by Polish Chamber Philharmonic | ||
| Conducted by Karol Stryja | ||
| 112. | Concerto for Orchestra, for orchestra, Sz. 116, BB 127: Introduzione: Andante non troppo 2:52 | |
| Composed by Béla Bartók | ||
| Conducted by Alexander Rahbari | ||
| Performed by Belgian National Orchestra | ||
| 113. | Sinfonietta for orchestra ("Military," "Sokol Festival"), JW 6/18: Allegro 3:03 | |
| Composed by Leos Janácek | ||
| Performed by Slovak Radio Symphony Orchestra (Bratislava) | ||
| Conducted by Ondrej Lenard | ||
| 114. | Billy the Kid, orchestral suite from the ballet: excerpt 4:06 | |
| Composed by Aaron Copland | ||
| Performed by Czecho-Slovak Radio Symphony Orchestra | ||
| Conducted by Stephen Gunzenhauser | ||
| 115. | Bachianas Brasileiras No. 2, for orchestra, A. 247: El Trenecito (excerpt) 1:34 | |
| Composed by Heitor Villa-Lobos | ||
| Conducted by Enrique Bátiz | ||
| Performed by Mexico Festival Orchestra | ||
| 116. | Concierto de Aranjuez for guitar & orchestra: Adagio 4:22 | |
| Composed by Joaquín Rodrigo | ||
| Performed by Norbert Kraft and Northern Chamber Orchestra | ||
| Conducted by Nicholas Ward | ||
| 117. | Déserts for brass, percussion, piano, & tape: excerpt 6:30 | |
| Composed by Edgard Varčse | ||
| Performed by ASKO Ensemble | ||
| 118. | Work(s): Encore plus vif | |
| Composed by Pierre Boulez | ||
| Performed by Idil Biret | ||
| 119. | New York Counterpoint, for clarinet, bass clarinet & tape: excerpt 1:06 | |
| Composed by Steve Reich | ||
| Performed by Roger Heaton | ||
| 120. | Symphony, No 3, Op 36 ("Symphony of Sorrowful Songs"): Lento - Sostenuto tranquillo ma cantabile 1:36 | |
| Composed by Henryk Mikolaj Górecki | ||
| Performed by Zofia Kilanowicz and Polish Radio and Television National Symphony Orchestra | ||
| Conducted by Antoni Wit | ||
| 121. | Ritual Dances from "The Midsummer Marriage", for chorus ad lib & orchestra: Unspecified excerpt 1:51 | |
| Composed by Michael Tippett | ||
| Performed by BBC Scottish Symphony Orchestra | ||
| Conducted by George Hurst | ||
| 122. | War Requiem, for soprano, tenor, baritone, boys' voices, chorus, chamber orchestra, orchestra & organ, Op. 66: Dies Irae 3:36 | |
| Composed by Benjamin Britten | ||
| Performed by BBC Scottish Symphony Orchestra and Scottish Festival Chorus | ||
| Conducted by Martyn Brabbins | ||
| 123. | Cantus in Memory of Benjamin Britten, for string orchestra & bell 3:56 | |
| Composed by Arvo Pärt | ||
| Conducted by Tamás Benedek | ||
| Performed by Hungarian State Opera Orchestra | ||
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