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Not only is she the first woman to step out of the shadow of cultural oppression in her native land, Yungchen Lhamo is also the first Tibetan artist to make a presence on the world stage. And what a presence it is. With her waist-length black hair falling over her simple Buddhist robe, Lhamo's solo a cappella performances have riveted audiences from world music aficionados to mosh-pit fratboys at the Tibetan Freedom Concerts. On her first album (and its successor, COMING HOME, is just as estimable), Lhamo's voice is spectacularly unadorned, save for the occasional whistling of winds or sounding of bells and bowls. Its starkness is enrapturing, drawing the listener deep into a state of contemplation that is the essence of her Tibetan Buddhist faith. Indeed, the songs and chants are all devotional in nature. In a nonviolent war against cultural extinction, the sublime beauty and power of Yungchen Lhamo (named, as she is, the "Goddess of Song") is Tibet's secret weapon. Mark Schwartz, Barnes & Noble