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Seemingly re-energized on 2002's Another Way to Go, pioneering New Traditionalist Radney Foster (formerly half of the influential country pop duo Foster & Lloyd) returns with a report from the interior, chronicling mating rituals and the telltale markers of new love. And though he's engaged some top-drawer West Coast rockers for instrumental support -- providing a fresh edge that references traditional rock, pop, and country, sometimes all in the same song -- Foster's clear, warm tenor comes out country soul any way you cut it. Lyrically, he addresses love a-borning and the first physical and metaphysical stirrings of passion with Kristofferson-like explicitness; witness "Sweet and Wild," a song built on terse images and tense rhythms, with Foster's measured but urgent reading beautifully buttressed by Sarah Buxton's gritty, blue-eyed soul counterpoint. In the lilting, low-key "The Kindness of Strangers," Foster details, in direct, unambiguous terms, how the wages of sin (a prostitute's fee) help a lonely man get through the turmoil of divorce, when "love's turned to rust" -- a tale made doubly eerie by the presence of mournful violins and Emily West's Enya-like cooing wafting over a lone drum's heartbeat thump. A different take on a drinking song comes by way of "Half of My Mistakes," which features a searing, fuzzed-out guitar solo and Foster and Kim Richey recounting a series of bad judgments made while "stone cold sober," leading to "a lot of good things in my life." A master craftsman and literate to the hilt, Foster makes those O. Henry turnarounds seem as routine as breathing, and as surprising as the persistence of love itself. David McGee, Barnes & Noble