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| 1 |  The English Dancing Maste |
| 2 | The English Dancing Maste |
| 3 | The English Dancing Maste |
| 4 | The English Dancing Maste |
| 5 | The English Dancing Maste |
| 6 | The English Dancing Maste |
| 7 | Mistresse mine, well may |
| 8 | Kemp's Gigue |
| 9 | It was a lover and his la |
| 10 | My Lord of Oxenford's Mas |
| 11 | The Earle of Essex Gallia |
| 12 | Flow, my tears, fall from |
| 13 | Sir Henry Umpton's Funera |
| 14 | The First Booke of Consor |
| 15 | Now is the gentle season, |
| 16 | La Coranta (from "The Fir |
| 17 | Sing wee and chaunt it, m |
| 18 | The Earl of Pembrooke's G |
| 19 | Fain Would I Change That |
| 20 | De la Court |
| 21 | Johnson's flat masque |
| 22 | Have You Seen but a White |
| 23 | Sir Roger Bacon's masques |
| 24 | Sir Roger Bacon's masques |
| 25 | Pavan |
| 26 | Galliard |
| 27 | Cypress curtain of the ni |
| 28 | The Honie-Suckle, almain |
| 29 | The Cries of London, for |
|
This England |
| 1.
| The English Dancing Master: Stingo 1 1:56
|
| Composed by John Playford |
| Performed by David Douglass,
Robert Eisenstein,
Robert Eisenstein,
Folger Consort,
Grant Herreid,
Grant Herreid,
Scott Reiss,
Thomas Zajac,
Thomas Zajac,
Thomas Zajac,
Thomas Zajac,
Thomas Zajac,
Tina Chancey,
Tina Chancey,
Christopher Kendall,
Christopher Kendall and Christopher Kendall |
| 2.
| The English Dancing Master: Stingo 2 1:35
|
| Composed by John Playford |
| Performed by David Douglass,
Robert Eisenstein,
Robert Eisenstein,
Folger Consort,
Grant Herreid,
Grant Herreid,
Scott Reiss,
Thomas Zajac,
Thomas Zajac,
Thomas Zajac,
Thomas Zajac,
Thomas Zajac,
Tina Chancey,
Tina Chancey,
Christopher Kendall,
Christopher Kendall and Christopher Kendall |
| 3.
| The English Dancing Master: Newcastle 1:40
|
| Composed by John Playford |
| Performed by David Douglass,
Robert Eisenstein,
Robert Eisenstein,
Folger Consort,
Grant Herreid,
Grant Herreid,
Scott Reiss,
Thomas Zajac,
Thomas Zajac,
Thomas Zajac,
Thomas Zajac,
Thomas Zajac,
Tina Chancey,
Tina Chancey,
Christopher Kendall,
Christopher Kendall and Christopher Kendall |
| 4.
| The English Dancing Master: Moll Peatly 2:09
|
| Composed by John Playford |
| Performed by David Douglass,
Robert Eisenstein,
Robert Eisenstein,
Folger Consort,
Grant Herreid,
Grant Herreid,
Scott Reiss,
Thomas Zajac,
Thomas Zajac,
Thomas Zajac,
Thomas Zajac,
Thomas Zajac,
Tina Chancey,
Tina Chancey,
Christopher Kendall,
Christopher Kendall and Christopher Kendall |
| 5.
| The English Dancing Master: Nonesuch 0:49
|
| Composed by John Playford |
| Performed by David Douglass,
Robert Eisenstein,
Robert Eisenstein,
Folger Consort,
Grant Herreid,
Grant Herreid,
Scott Reiss,
Thomas Zajac,
Thomas Zajac,
Thomas Zajac,
Thomas Zajac,
Thomas Zajac,
Tina Chancey,
Tina Chancey,
Christopher Kendall,
Christopher Kendall and Christopher Kendall |
| 6.
| The English Dancing Master: Half Hannikin 1:37
|
| Composed by John Playford |
| Performed by David Douglass,
Robert Eisenstein,
Robert Eisenstein,
Folger Consort,
Grant Herreid,
Grant Herreid,
Scott Reiss,
Thomas Zajac,
Thomas Zajac,
Thomas Zajac,
Thomas Zajac,
Thomas Zajac,
Tina Chancey,
Tina Chancey,
Christopher Kendall,
Christopher Kendall and Christopher Kendall |
| 7.
| Mistresse mine, well may you fare (O Mistress Mine), song for voice with lute & bass viol 0:57
|
| Composed by Thomas Morley |
| Performed by Robert Eisenstein,
Robert Eisenstein,
Folger Consort,
Wendy Gillespie,
Wendy Gillespie,
Ann Monoyios,
Scott Reiss,
Mary Springfels,
Mary Springfels,
Brent Wissick,
Tina Chancey,
Tina Chancey,
Christopher Kendall,
Christopher Kendall and Christopher Kendall |
| 8.
| Kemp's Gigue 1:41
|
| Composed by Anonymous, English |
| Performed by Rogers Covey-Crump,
Robert Eisenstein,
Robert Eisenstein,
Folger Consort,
Scott Reiss,
Christopher Kendall,
Christopher Kendall and Christopher Kendall |
| 9.
| It was a lover and his lass, song for voice with lute & bass viol 4:13
|
| Composed by Thomas Morley |
| Performed by Rogers Covey-Crump,
Robert Eisenstein,
Robert Eisenstein,
Folger Consort,
Scott Reiss,
Christopher Kendall,
Christopher Kendall and Christopher Kendall |
| 10.
| My Lord of Oxenford's Mask (From Thomas Morley's "The First Booke of Consort Lessons") 2:46
|
| Composed by William Byrd |
| Performed by Robert Eisenstein,
Robert Eisenstein,
Folger Consort,
Wendy Gillespie,
Wendy Gillespie,
Ann Monoyios,
Scott Reiss,
Mary Springfels,
Mary Springfels,
Brent Wissick,
Tina Chancey,
Tina Chancey,
Christopher Kendall,
Christopher Kendall and Christopher Kendall |
| 11.
| The Earle of Essex Galliard, for 5 viols/violins & lute (from "Lachrimae") 1:31
|
| Composed by John Dowland |
| Performed by Robert Eisenstein,
Robert Eisenstein,
Folger Consort,
Wendy Gillespie,
Wendy Gillespie,
Ann Monoyios,
Scott Reiss,
Mary Springfels,
Mary Springfels,
Brent Wissick,
Tina Chancey,
Tina Chancey,
Christopher Kendall,
Christopher Kendall and Christopher Kendall |
| 12.
| Flow, my tears, fall from your springs, for 2 voices & lute (Second Book of Songs) 4:42
|
| Composed by John Dowland |
| Performed by Mark Bleeke,
Robert Eisenstein,
Robert Eisenstein,
Folger Consort,
Wendy Gillespie,
Wendy Gillespie,
Scott Reiss,
Mary Springfels,
Mary Springfels,
Brent Wissick,
Tina Chancey,
Tina Chancey,
Christopher Kendall,
Christopher Kendall and Christopher Kendall |
| 13.
| Sir Henry Umpton's Funerall, for lute 4:57
|
| Composed by John Dowland |
| Performed by Mark Bleeke,
Robert Eisenstein,
Robert Eisenstein,
Folger Consort,
Wendy Gillespie,
Wendy Gillespie,
Scott Reiss,
Mary Springfels,
Mary Springfels,
Brent Wissick,
Tina Chancey,
Tina Chancey,
Christopher Kendall,
Christopher Kendall and Christopher Kendall |
| 14.
| The First Booke of Consort Lessons (1599): La Volto 1:53
|
| Composed by Thomas Morley |
| Performed by Mark Bleeke,
Robert Eisenstein,
Robert Eisenstein,
Folger Consort,
Wendy Gillespie,
Wendy Gillespie,
Scott Reiss,
Mary Springfels,
Mary Springfels,
Brent Wissick,
Tina Chancey,
Tina Chancey,
Christopher Kendall,
Christopher Kendall and Christopher Kendall |
| 15.
| Now is the gentle season, madrigal in 2 sections for 4 voices 3:46
|
| Composed by Thomas Morley |
| Performed by Robert Eisenstein,
Robert Eisenstein,
Ensemble V-I,
Folger Consort,
Drew Minter,
Rosamund Morley,
Scott Reiss,
Webb Wiggins,
Thomas Zajac,
Thomas Zajac,
Thomas Zajac,
Thomas Zajac,
Tina Chancey,
Tina Chancey,
Tina Chancey,
Christopher Kendall,
Christopher Kendall,
Christopher Kendall,
Barbara Hollinshead,
Amanda Balestrieri,
Robert Craig and Guy Lushin |
| 16.
| La Coranta (from "The First Booke of Consort Lessons"), for consort of instruments 1:30
|
| Composed by Thomas Morley |
| Performed by Robert Eisenstein,
Robert Eisenstein,
Folger Consort,
Wendy Gillespie,
Wendy Gillespie,
Ann Monoyios,
Scott Reiss,
Mary Springfels,
Mary Springfels,
Brent Wissick,
Tina Chancey,
Tina Chancey,
Christopher Kendall,
Christopher Kendall and Christopher Kendall |
| 17.
| Sing wee and chaunt it, madrigal for 5 voices 2:06
|
| Composed by Thomas Morley |
| Performed by Robert Eisenstein,
Robert Eisenstein,
Ensemble V-I,
Folger Consort,
Drew Minter,
Rosamund Morley,
Scott Reiss,
Webb Wiggins,
Thomas Zajac,
Thomas Zajac,
Thomas Zajac,
Thomas Zajac,
Tina Chancey,
Tina Chancey,
Tina Chancey,
Christopher Kendall,
Christopher Kendall,
Christopher Kendall,
Barbara Hollinshead,
Amanda Balestrieri,
Robert Craig and Guy Lushin |
| 18.
| The Earl of Pembrooke's Galiard, for bass & ensemble 1:45
|
| Composed by Tobias Hume |
| Performed by Robert Eisenstein,
Robert Eisenstein,
Folger Consort,
Scott Reiss,
William Sharp,
Christopher Kendall,
Christopher Kendall and Christopher Kendall |
| 19.
| Fain Would I Change That Note for soprano & ensemble 2:13
|
| Composed by Tobias Hume |
| Performed by Robert Eisenstein,
Robert Eisenstein,
Folger Consort,
Scott Reiss,
William Sharp,
Christopher Kendall,
Christopher Kendall and Christopher Kendall |
| 20.
| De la Court 5:34
|
| Composed by Robert Parsons |
| Performed by Mark Bleeke,
Robert Eisenstein,
Robert Eisenstein,
Folger Consort,
Wendy Gillespie,
Wendy Gillespie,
Scott Reiss,
Mary Springfels,
Mary Springfels,
Brent Wissick,
Tina Chancey,
Tina Chancey,
Christopher Kendall,
Christopher Kendall and Christopher Kendall |
| 21.
| Johnson's flat masque 1:20
|
| Composed by Robert (ii) Johnson |
| Performed by Rogers Covey-Crump,
Robert Eisenstein,
Robert Eisenstein,
Folger Consort,
Scott Reiss,
Christopher Kendall,
Christopher Kendall and Christopher Kendall |
| 22.
| Have You Seen but a White Lily Grow? for voice & lute 1:25
|
| Composed by Robert (ii) Johnson |
| Performed by Rogers Covey-Crump,
Robert Eisenstein,
Robert Eisenstein,
Folger Consort,
Scott Reiss,
Christopher Kendall,
Christopher Kendall and Christopher Kendall |
| 23.
| Sir Roger Bacon's masques 2:30
|
| Composed by Anonymous |
| Performed by Rogers Covey-Crump,
Robert Eisenstein,
Robert Eisenstein,
Folger Consort,
Scott Reiss,
Christopher Kendall,
Christopher Kendall and Christopher Kendall |
| 24.
| Pavan 2:02
|
| Composed by Antony Holborne |
| Performed by Robert Eisenstein,
Robert Eisenstein,
Folger Consort,
Scott Reiss,
William Sharp,
Christopher Kendall,
Christopher Kendall and Christopher Kendall |
| 25.
| Galliard 1:30
|
| Composed by Antony Holborne |
| Performed by Robert Eisenstein,
Robert Eisenstein,
Folger Consort,
Scott Reiss,
William Sharp,
Christopher Kendall,
Christopher Kendall and Christopher Kendall |
| 26.
| Cypress curtain of the night 4:27
|
| Composed by Thomas Campion |
| Performed by Rogers Covey-Crump,
Robert Eisenstein,
Robert Eisenstein,
Folger Consort,
Scott Reiss,
Christopher Kendall,
Christopher Kendall and Christopher Kendall |
| 27.
| The Honie-Suckle, almain 1:21
|
| Composed by Antony Holborne |
| Performed by Robert Eisenstein,
Robert Eisenstein,
Ensemble V-I,
Folger Consort,
Drew Minter,
Rosamund Morley,
Scott Reiss,
Webb Wiggins,
Thomas Zajac,
Thomas Zajac,
Thomas Zajac,
Thomas Zajac,
Tina Chancey,
Tina Chancey,
Tina Chancey,
Christopher Kendall,
Christopher Kendall,
Christopher Kendall,
Barbara Hollinshead,
Amanda Balestrieri,
Robert Craig and Guy Lushin |
| 28.
| The Cries of London, for 5 voices 8:41
|
| Composed by Thomas Weelkes |
| Performed by Mark Bleeke,
Robert Eisenstein,
Robert Eisenstein,
Folger Consort,
Wendy Gillespie,
Wendy Gillespie,
Scott Reiss,
Mary Springfels,
Mary Springfels,
Brent Wissick,
Tina Chancey,
Tina Chancey,
Christopher Kendall,
Christopher Kendall and Christopher Kendall |
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