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The World's Greatest Composers [Collector's Edition Music Tin] | ||
| 1. | Variations (12) on "Ah, vous dirai-je maman," for piano in C major, K. 265 (K. 300e) 7:50 | |
| Composed by Wolfgang Amadeus Mozart | ||
| Performed by Walter Klien | ||
| 2. | Gymnopedie for piano No.3 2:20 | |
| Composed by Erik Satie | ||
| Performed by Frank Glazer | ||
| 3. | Piano Sonata No. 2 in B flat minor, Op. 35, CT. 202: 3. Marche funèbre - Lento 9:07 | |
| Composed by Frédéric Chopin | ||
| Performed by Abbey Simon | ||
| 4. | Kinderszenen No. 7 ("Träumerei"), for piano, Op. 15/7 3:02 | |
| Composed by Robert Schumann | ||
| Performed by Leonard Hokanson | ||
| 5. | Bagatelle for piano in A minor ("Für Elise"), WoO 59 2:49 | |
| Composed by Ludwig van Beethoven | ||
| Performed by Leonard Hokanson | ||
| 6. | Gaspard de la nuit, for piano: 3. Scarbo 9:48 | |
| Composed by Maurice Ravel | ||
| Performed by Abbey Simon | ||
| 7. | Golliwogg's Cakewalk, for piano (Children's Corner No. 6), L. 113/6 2:30 | |
| Composed by Claude Debussy | ||
| Performed by Peter Frankl | ||
| 8. | Impromptu for piano in A flat major, D. 899/4 (Op. 90/4) 7:10 | |
| Composed by Franz Schubert | ||
| Performed by Alfred Brendel | ||
| 9. | Rhapsody on a Theme of Paganini (Introduction and 24 Variations), for piano & orchestra in A minor, Op. 43: Variation No. 18 2:54 | |
| Composed by Sergey Rachmaninov | ||
| Performed by Saint Louis Symphony Orchestra and Abbey Simon | ||
| Conducted by Leonard Slatkin | ||
| 10. | Piano Sonata No. 8 in C minor ("Pathétique"), Op. 13: 2. Adagio Cantabile 5:44 | |
| Composed by Ludwig van Beethoven | ||
| Performed by Alfred Brendel | ||
| 11. | Miroirs, for piano (or orchestra): 3. Une barque sur l'ocean 7:01 | |
| Composed by Maurice Ravel | ||
| Performed by Abbey Simon | ||
| 12. | Fantasy-Impromptu for piano in C sharp minor, Op. 66, CT. 46 5:02 | |
| Composed by Frédéric Chopin | ||
| Performed by Abbey Simon | ||
| 13. | Double Concerto, for oboe & bassoon, strings & continuo in G major, RV 545: 1. Andante molto 3:59 | |
| Composed by Antonio Vivaldi | ||
| Performed by Virginio Bianchi, Gli Accademici di Milano and Alberto Cardoli | ||
| Conducted by Piero Santi | ||
| 14. | Trumpet Concerto in E flat major, H. 7e/1: 3. Finale (Allegro) 4:22 | |
| Composed by Franz Joseph Haydn | ||
| Conducted by Rolf Reinhardt | ||
| Performed by Walter Gleisle and Pro Musica Orchestra, Stuttgart | ||
| 15. | Clarinet Concerto in A major, K. 622: 2. Adagio 7:51 | |
| Composed by Wolfgang Amadeus Mozart | ||
| Conducted by Jörg Faerber | ||
| Performed by Gerhard Starke and Württemberg Chamber Orchestra | ||
| 16. | Solomon, oratorio, HWV 67: The Arrival of the Queen of Sheba 3:16 | |
| Composed by George Frideric Handel | ||
| Performed by Anne Briggs, Sato Moughalian and Mary Jane Newman | ||
| 17. | Adagio for 2 clarinets & 3 bassett horns in B flat major, K. 411 (K. 484a) 6:38 | |
| Composed by Wolfgang Amadeus Mozart | ||
| Performed by Horst Hajek, Josef Ortner, Alfred Rose, Richard Schonhofer and Erich Webner | ||
| 18. | Horn Concerto No. 1 in D major, K. 412/514 (K. 386b) 9:05 | |
| Composed by Wolfgang Amadeus Mozart | ||
| Conducted by Franz Bauer-Theussl | ||
| Performed by Vienna Volksoper Orchestra and Ernst Muhlbacher | ||
| 19. | Bassoon Concerto in B flat major, K. 191 (K. 186e): 1. Allegro 8:17 | |
| Composed by Wolfgang Amadeus Mozart | ||
| Conducted by Jörg Faerber | ||
| Performed by George Zuckerman and Württemberg Chamber Orchestra | ||
| 20. | Concerto for oboe, strings & continuo in D minor, SF. 935: 2. Adagio 3:44 | |
| Composed by Alessandro Marcello | ||
| Conducted by Paul Angerer | ||
| Performed by Helmut Hucke and Sout West German Chamber Orchestra | ||
| 21. | Sonata for trumpet, 2 violins, viola & continuo in D major, Z. 850 4:42 | |
| Composed by Henry Purcell | ||
| Performed by Mainz Chamber Orchestra and Heinz Zickler | ||
| Conducted by Günter Kehr | ||
| 22. | Adagio for 2 basset horns & bassoon in F major, K. 410 (K. 484d) 3:20 | |
| Composed by Wolfgang Amadeus Mozart | ||
| Performed by Leo Cermak, Richard Schonhofer and Erich Webner | ||
| 23. | Adagio and Rondo for glass harmonica, flute, oboe, viola & cello in C minor, K. 617 10:31 | |
| Composed by Wolfgang Amadeus Mozart | ||
| Performed by Jurgen Geise, Manfred Kautzky, Peter Maag, Wilfred Tachezi and Herbert Weissberg | ||
| 24. | Concerto for 2 clarinets, 2 oboes, strings & continuo in C Major, RV 560 11:08 | |
| Composed by Antonio Vivaldi | ||
| Conducted by Piero Santi | ||
| Performed by E. Schiani, Gli Accademici di Milano, Alberto Alverosi, Alberto Cardoli and Alfio Gerbi | ||
| 25. | Symphony No. 5 in E minor, Op. 64: 2. Andante cantabile, con alcuna licenza 12:44 | |
| Composed by Peter Ilich Tchaikovsky | ||
| Conducted by Maurice de Abravanel | ||
| Performed by Utah Symphony Orchestra | ||
| 26. | Bryllupsdag på Troldhaugen (Wedding Day at Troldhaugen), lyric piece for piano, Op. 65/6 5:19 | |
| Composed by Edvard Grieg | ||
| Conducted by Maurice de Abravanel | ||
| Performed by Utah Symphony Orchestra | ||
| 27. | Adagio, for violin, strings & organ in G minor, T. Mi 26 (composed by Remo Giazotto; not by Albinoni) 6:46 | |
| Composed by Tomaso Albinoni | ||
| Performed by Douglas Haas and Württemberg Chamber Orchestra | ||
| Conducted by Günter Kehr | ||
| 28. | Requiem, for 2 solo voices, chorus, organ & orchestra, Op. 48: Pie Jesu 3:08 | |
| Composed by Gabriel Fauré | ||
| Performed by Jocelyne Chamonin and Concerts Colonne Orchestra | ||
| Conducted by Louis Martini | ||
| 29. | Idyll for string orchestra, JW 6/3: 5. Adagio 3:18 | |
| Composed by Leos Janácek | ||
| Conducted by Paul Angerer | ||
| Performed by Sout West German Chamber Orchestra | ||
| 30. | Pavane pour une infante défunte, for piano (or orchestra) 6:59 | |
| Composed by Maurice Ravel | ||
| Conducted by Stanislaw Skrowaczewski | ||
| Performed by Minnesota Orchestra | ||
| 31. | Symphony No. 5 in C sharp minor: 4. Adagietto (Sehr langsam) 12:07 | |
| Composed by Gustav Mahler | ||
| Conducted by Harold Farberman | ||
| Performed by London Symphony Orchestra | ||
| 32. | Canon in D major, instrumental arrangement 5:55 | |
| Composed by Johann Pachelbel | ||
| Performed by Mainz Chamber Orchestra | ||
| Conducted by Günter Kehr | ||
| 33. | Prélude à l'après-midi d'un faune (Prelude to the Afternoon of a Faun), for orchestra, L. 86 9:30 | |
| Composed by Claude Debussy | ||
| Conducted by Louis de Froment | ||
| Performed by Luxemburg Radio Symphony Orchestra | ||
| 34. | Water Music Suite No.1 for orchestra in F major, HWV 348: Alla Hornpipe 3:22 | |
| Composed by George Frideric Handel | ||
| Performed by Mary Jane Newman and Thomas Hoyt | ||
| 35. | Music for the Funeral of Queen Mary, march and canzona for orchestra, Z. 860: Funeral March 1:39 | |
| Composed by Henry Purcell | ||
| Performed by The Philip Jones Brass Ensemble | ||
| 36. | Earl of Essex, his Galliard, for lute, P 89 1:43 | |
| Composed by John Dowland | ||
| Performed by English Consort of Viols | ||
| 37. | Cantiga de Santa María 10, Rosa das rosas e Fror das frores 3:30 | |
| Composed by Alfonso el Sabio | ||
| Performed by Rosalind Rees, Louise Schulman and New York Consort for Poetry and Music | ||
| 38. | Ah silly soul, consort song for soprano & 5 viols 3:22 | |
| Composed by Byrd | ||
| Performed by James Bowman and English Consort of Viols | ||
| 39. | Brandenburg Concerto No. 3 in G major, BWV 1048: 1. Allegro 6:43 | |
| Composed by Johann Sebastian Bach | ||
| Conducted by Jörg Faerber | ||
| Performed by Martin Galling and Württemberg Chamber Orchestra | ||
| 40. | Rondeau, for brass, strings & timpani (from Suite of Symphonies No. 1; "Masterpiece Theater" Theme) 1:53 | |
| Composed by Jean-Joseph Mouret | ||
| Performed by Edward Brewer, Edward Carroll and New York Trumpet Ensemble | ||
| Conducted by Edward Carroll | ||
| 41. | In Nomines a 5 (3), for consort (unidentified) 3:34 | |
| Composed by Orlando Gibbons | ||
| Performed by English Consort of Viols | ||
| 42. | My Lady Carey's Dompe (Royal, App. 58) 1:09 | |
| Composed by Anonymous, English | ||
| Performed by Gian Lyman-Silbiger | ||
| 43. | The Prince of Denmark's March (Trumpet Voluntary in D major) for brass, winds, & percussion (or keyboard or trumpet & organ) 2:21 | |
| Composed by Al Clarke | ||
| Performed by Mary Jane Newman and Musica Antiqua New York Chorus | ||
| 44. | Toccata and Fugue, for organ in D minor, BWV 565 (BC J37) 8:15 | |
| Composed by Johann Sebastian Bach | ||
| Performed by Walter Kraft | ||
| 45. | Fantasia á 5 No. 7 in C minor, VdGS 7 3:19 | |
| Composed by John Jenkins | ||
| Performed by English Consort of Viols | ||
| 46. | Magnificat, for 4 voices, P. 64: [Excerpt] 2:32 | |
| Composed by Thomas Tallis | ||
| Performed by George Little and Montreal Bach Choir Society | ||
| 47. | Es ist ein Ros entsprungen (Lo, How a Rose E'er Blooming), for chorus 2:29 | |
| Composed by Michael Praetorius | ||
| Conducted by Robert Shaw | ||
| Performed by Atlanta Symphony Chorus | ||
| 48. | Judas Maccabaeus, oratorio, HWV 63: See, the Conquering Hero Comes 5:42 | |
| Composed by George Frideric Handel | ||
| Performed by Vienna State Opera Orchestra and Vienna Academy Choir | ||
| Conducted by Thomas Scherman | ||
| 49. | Full Fathom Five (from "The Tempest"), prelude, soprano aria, and chorus, Z. 631/6 2:18 | |
| Composed by Henry Purcell | ||
| Conducted by John Williams [composer] | ||
| Performed by Choir of the Chapel Royal of St. Peter ad Vincula, Hurwitz Chamber Ensemble and Andrew Davis | ||
| 50. | Quam pulcra es, antiphon for 3 voices, MB 44 1:55 | |
| Composed by John Dunstable | ||
| Performed by Musica Reservata and Purcell Consort of Voices | ||
| 51. | In Nomine, for 4 parts (arrangements exist for consort & for keyboard) 2:06 | |
| Composed by John Taverner | ||
| Performed by The Consort of Viols | ||
| 52. | Hosanna to the son of David, anthem for 6 voices 2:33 | |
| Composed by Orlando Gibbons | ||
| Conducted by John Williams [composer] | ||
| Performed by Choir of the Chapel Royal of St. Peter ad Vincula | ||
| 53. | Ave Maria, gratia plena, motet for 8 voices & organ 2:17 | |
| Composed by Tomás Luis de Victoria | ||
| Conducted by Johannes Somary | ||
| Performed by Amor Artis Chamber Choir | ||
| 54. | Finlandia, tone poem for orchestra, Op. 26 7:34 | |
| Composed by Jean Sibelius | ||
| Performed by Cincinnati Pops Orchestra | ||
| Conducted by Erich Kunzel | ||
| 55. | Prodaná nevesta (The Bartered Bride), overture to the opera 7:13 | |
| Composed by Bedrich Smetana | ||
| Performed by Städtischen Oper Berlin Chorus and Städtischen Oper Berlin Orchestra | ||
| Conducted by Hans Lenzer | ||
| 56. | Peer Gynt Suite for orchestra (or piano or piano, 4 hands) No. 1, Op. 46: 4. In the Hall of the Mountain King 2:23 | |
| Composed by Edvard Grieg | ||
| Conducted by Maurice de Abravanel | ||
| Performed by Utah Symphony Orchestra | ||
| 57. | La Gioconda, opera in 4 acts: Dance of the Hours 8:49 | |
| Composed by Amilcare Ponchielli | ||
| Performed by Cincinnati Pops Orchestra | ||
| Conducted by Erich Kunzel | ||
| 58. | Symphony No. 94 in G major ("Surprise"/"The Drumstroke"/"Mit dem Paukenschlag"), H. 1/94: 2. Andante (Excerpt) 3:06 | |
| Composed by Franz Joseph Haydn | ||
| Conducted by Leopold Ludwig | ||
| Performed by NDR Symphony Orchestra (Hamburg) | ||
| 59. | Night on Bald Mountain (Noch' na Lïsoy gore), symphonic poem, edited by Stokowski: (Excerpt) 11:13 | |
| Composed by Modest Mussorgsky | ||
| Performed by Saint Louis Symphony Orchestra | ||
| Conducted by Leonard Slatkin | ||
| 60. | Der Rosenkavalier, waltz sequence for orchestra No. 2 (from Act 3 of opera) (TrV 227a) 3:24 | |
| Composed by Richard Strauss | ||
| Conducted by Louis de Froment | ||
| Performed by Luxembourg Radio Orchestra | ||
| 61. | Entry of the Gladiators (Einzug der Gladiatoren), march for orchestra, Op. 68 2:41 | |
| Composed by Julius Fucik | ||
| Performed by Cincinnati Pops Orchestra | ||
| Conducted by Erich Kunzel | ||
| 62. | Romeo and Juliet, Suite No. 2 for orchestra, Op. 64 ter: 1. Montagues & Capulets 5:25 | |
| Composed by Sergey Prokofiev | ||
| Conducted by Stanislaw Skrowaczewski | ||
| Performed by Minnesota Orchestra | ||
| 63. | Symphony No. 1 in D major ("Titan"): 1. Langsam schleppend 17:21 | |
| Composed by Gustav Mahler | ||
| Conducted by Harold Farberman | ||
| Performed by London Symphony Orchestra | ||
| 64. | Spanish Dances (12), in 4 volumes for piano, Op. 37, H. 142, DLR 1:2: No. 4. Villanesca 5:32 | |
| Composed by Enriqué Granados | ||
| Performed by Manuel Barrueco | ||
| 65. | Lute (Chamber) Concerto, for lute (or guitar), 2 violins & continuo in D major, RV 93: 1. Allegro 3:37 | |
| Composed by Antonio Vivaldi | ||
| Conducted by Paul Angerer | ||
| Performed by Konrad Ragossnig and Southwest German Chamber Orchestra (Pforzheim) | ||
| 66. | Mazurka-choro, for guitar (Suite populaire brésilienne No. 1), A. 20/1 2:11 | |
| Composed by Villa-Lobos-Duo | ||
| Performed by Manuel Barrueco | ||
| 67. | Schottische-Chôro, for guitar (Suite populaire brésilienne No. 2), A. 020/2 2:26 | |
| Composed by Villa-Lobos-Duo | ||
| Performed by Manuel Barrueco | ||
| 68. | Chôrinho, for guitar (Suite populaire brésilienne No. 5), A. 020/5 3:42 | |
| Composed by Villa-Lobos-Duo | ||
| Performed by Manuel Barrueco | ||
| 69. | Guitar Concerto in G major: 2. Larghetto 6:33 | |
| Composed by Johann Ludwig Krebs | ||
| Conducted by Paul Angerer | ||
| Performed by Konrad Ragossnig and Southwest German Chamber Orchestra (Pforzheim) | ||
| 70. | Partita for lute in C minor, BWV 997 (BC L170): 1. Preludio 2:58 | |
| Composed by Johann Sebastian Bach | ||
| Performed by Manuel Barrueco | ||
| 71. | Suite española No. 1, for piano, Op. 47, B. 7: Cataluna 3:30 | |
| Composed by Isaac Albéniz | ||
| Performed by Manuel Barrueco | ||
| 72. | Work(s): Concerto for Guitar, Violin and Orchestra in A maj 2:11 | |
| Composed by Giuseppe Torelli | ||
| Conducted by Wilfried Boettcher | ||
| Performed by Karl Scheit and Vienna Festival Chamber Orchestra | ||
| 73. | Work(s): Concerto for Guitar, Violin and Orchestra in A maj 3:31 | |
| Composed by Giuseppe Torelli | ||
| Conducted by Wilfried Boettcher | ||
| Performed by Karl Scheit and Vienna Festival Chamber Orchestra | ||
| 74. | Work(s): Concerto for Guitar, Violin and Orchestra in A maj 1:48 | |
| Composed by Giuseppe Torelli | ||
| Conducted by Wilfried Boettcher | ||
| Performed by Karl Scheit and Vienna Festival Chamber Orchestra | ||
| 75. | Partita for guitar in A minor 5:20 | |
| Composed by Johann Anton Logy | ||
| Performed by William Matthews | ||
| 76. | Guitar Concerto in D minor: 3. Un poco allegro 4:05 | |
| Composed by Johann Friedrich Fasch | ||
| Conducted by Paul Angerer | ||
| Performed by Konrad Ragossnig and Southwest German Chamber Orchestra (Pforzheim) | ||
| 77. | La maja de Goya, song for soprano & piano (Tonadillas al estilo antiguo, No. 8), H. 136/8 4:28 | |
| Composed by Enriqué Granados | ||
| Performed by Konrad Ragossnig | ||
| 78. | Work(s): Romance in A minor 4:16 | |
| Composed by Niccolò Paganini | ||
| Performed by Karl Scheit | ||
| 79. | Prince Igor, opera (completed by Rimsky-Korsakov & Glazunov): Polovtsian Dances (Excerpt) 2:12 | |
| Composed by Alexander Borodin | ||
| Performed by Alexander Konstantinovich Glazunov, Nikolai Rimsky-Korsakov, Vienna Symphony Orchestra and Vienna Symphony Orchestra | ||
| Conducted by Heinrich Hollreiser | ||
| 80. | Slavonic Dance No. 8 for piano, 4 hands in G minor, B. 78/8 (Op. 46/8) 3:45 | |
| Composed by Antonin Dvorák | ||
| Conducted by Antal Dorati | ||
| Performed by Bamberg Symphony Orchestra | ||
| 81. | Lyric Suite for orchestra (orchestration of Op. 54) 17:02 | |
| Composed by Edvard Grieg | ||
| Conducted by Maurice de Abravanel | ||
| Performed by Utah Symphony Orchestra | ||
| 82. | Der Freischütz, overture to the opera 9:28 | |
| Composed by Carl Maria von Weber | ||
| Conducted by Arthur Gruber | ||
| Performed by Philharmonia Hungarica | ||
| 83. | Estudiantina, waltz for orchestra, Op. 191 5:14 | |
| Composed by Emile Waldteufel | ||
| Performed by Cincinnati Pops Orchestra | ||
| Conducted by Erich Kunzel | ||
| 84. | España, rhapsody for orchestra, also arranged for 2 pianos 6:40 | |
| Composed by Emmanuel Chabrier | ||
| Performed by Cincinnati Pops Orchestra | ||
| Conducted by Erich Kunzel | ||
| 85. | The Snow Maiden (Snegurochka), suite for orchestra: Dance of the Tumblers 3:45 | |
| Composed by Nikolai Rimsky-Korsakov | ||
| Performed by Cincinnati Pops Orchestra | ||
| Conducted by Erich Kunzel | ||
| 86. | Daphnis et Chloé, suite No. 2 for orchestra: 3. Danse générale 4:35 | |
| Composed by Maurice Ravel | ||
| Conducted by Stanislaw Skrowaczewski | ||
| Performed by Minnesota Orchestra | ||
| 87. | Sylvia, ou La nymphe de Diane, ballet: Procession of Bacchus 5:58 | |
| Composed by Léo Delibes | ||
| Performed by Cincinnati Pops Orchestra | ||
| Conducted by Erich Kunzel | ||
| 88. | Miroirs, for piano (or orchestra): No. 3. Une barque sur l'océan 7:50 | |
| Composed by Maurice Ravel | ||
| Conducted by Stanislaw Skrowaczewski | ||
| Performed by Minnesota Orchestra | ||
| 89. | Africa, fantaisie for piano & orchestra in G minor, Op. 89 11:03 | |
| Composed by Camille Saint-Saëns | ||
| Conducted by Louis de Froment | ||
| Performed by Luxembourg Radio Orchestra and Gabriel Tacchino | ||
| 90. | Carmen Suite for orchestra No. 1 (assembled by Ernest Guirard): Prelude to Act 1 1:31 | |
| Composed by Georges Bizet | ||
| Performed by Bamberg Symphony Orchestra | ||
| Conducted by Marcel Couraud | ||
| 91. | Carmen Suite for orchestra No. 1 (assembled by Ernest Guirard): Aragonaise 2:14 | |
| Composed by Georges Bizet | ||
| Performed by Bamberg Symphony Orchestra | ||
| Conducted by Marcel Couraud | ||
| 92. | Carmen Suite for orchestra No. 1 (assembled by Ernest Guirard): Les toréadors 2:25 | |
| Composed by Georges Bizet | ||
| Performed by Bamberg Symphony Orchestra | ||
| Conducted by Marcel Couraud | ||
| 93. | Die Walküre (The Valkyrie), opera, WWV 86b: Ride of the Valkyries 5:32 | |
| Composed by Richard Wagner | ||
| Performed by Saint Louis Symphony Orchestra | ||
| Conducted by Jerzy Semkov | ||
| 94. | Hungarian Rhapsody, for piano, 4 hands No. 2 in C sharp minor, S. 621/2 (LW B41/2) 9:49 | |
| Composed by Franz Liszt | ||
| Performed by Cincinnati Pops Orchestra | ||
| Conducted by Erich Kunzel | ||
| 95. | Ritual Fire Dance, for orchestra (from "El Amor brujo") 3:45 | |
| Composed by Manuel de Falla | ||
| Performed by Vienna Symphony Orchestra | ||
| Conducted by Edouard van Remoortel | ||
| 96. | Danses sacrée et profane, for chromatic harp & string orchestra, L. 103 9:23 | |
| Composed by Claude Debussy | ||
| Performed by Paris Orchestra Chamber Academy and Marie-Claire Jamet | ||
| Conducted by Paul Kuentz | ||
| 97. | Ägyptischer (Egyptian March), march for orchestra, Op. 335 (RV 335) 4:07 | |
| Composed by Johann Strauss II | ||
| Conducted by Eduard Strauss | ||
| Performed by Innsbruck Symphony Orchestra | ||
| 98. | Requiem for soloists, chorus, and orchestra, K. 626: 2. Dies Irae 1:40 | |
| Composed by Wolfgang Amadeus Mozart | ||
| Conducted by Johannes Somary | ||
| Performed by Franz Xaver Süssmayr, Amor Artis Orchestra and AmorArtis Chorus | ||
| 99. | Samson et Dalila, opera in 3 acts, Op. 47: Bacchanale 2:38 | |
| Composed by Camille Saint-Saëns | ||
| Performed by Vienna Symphony Orchestra | ||
| Conducted by Jonel Perlea | ||
| 100. | Marche de Rákóczy (Rákóczy March), for orchestra (Le damnation de Faust), H. 109 4:34 | |
| Composed by Hector Berlioz | ||
| Performed by Cincinnati Pops Orchestra | ||
| Conducted by Erich Kunzel | ||
| 101. | L'oiseau de feu (The Firebird), ballet suite for orchestra: 7. Finale 3:07 | |
| Composed by Igor Stravinsky | ||
| Performed by SWR Baden-Baden and Freiburg Symphony Orchestra | ||
| Conducted by Jascha Horenstein | ||
| 102. | Pictures at an Exhibition (Kartinki s vïstavski), for orchestra, orchestrated by Ravel: 15. The Great Gate at Kiev 5:25 | |
| Composed by Modest Mussorgsky | ||
| Performed by Saint Louis Symphony Orchestra | ||
| Conducted by Leonard Slatkin | ||
| 103. | Liebesfreud "Love's Joy" for violin & piano 3:53 | |
| Composed by Fritz Kreisler | ||
| Performed by Eileen Flissler and Aaron Rosand | ||
| 104. | Symphonie espagnole, for violin and orchestra in D minor, Op. 21: 5. Rondo 8:07 | |
| Composed by Edouard Lalo | ||
| Performed by SWR Baden-Baden and Freiburg Symphony Orchestra and Aaron Rosand | ||
| Conducted by Tibor Szoke | ||
| 105. | Harp Concerto in C major: 2. Largo 4:12 | |
| Composed by François-Adrien Boieldieu | ||
| Performed by Paris Orchestra Chamber Academy and Marie-Claire Jamet | ||
| Conducted by Paul Kuentz | ||
| 106. | The Swan (from "Carnival of the Animals"), original (for 2 pianos & ensemble) and arrangements 3:11 | |
| Composed by Camille Saint-Saëns | ||
| Performed by Marylène Dosse, Annie Petit and Württemberg Chamber Orchestra | ||
| Conducted by Jörg Faerber | ||
| 107. | Concert Fantasy on themes from Bizet's "Carmen," for violin & orchestra (or piano), Op 25 11:27 | |
| Composed by Pablo de Sarasate | ||
| Performed by SWR Baden-Baden and Freiburg Symphony Orchestra and Aaron Rosand | ||
| Conducted by Rolf Reinhardt | ||
| 108. | Violin Concerto, for violin, strings & continuo in E major ("La Primavera," The Four Seasons; "Il cimento" No. 1), Op.8/1, RV 269: 1. Allegro 3:34 | |
| Composed by Antonio Vivaldi | ||
| Conducted by Jörg Faerber | ||
| Performed by Susanne Lautenbacher and Württemberg Chamber Orchestra | ||
| 109. | The Four Seasons (Il quattro stagione), concertos (4) for violin, strings & continuo ("Il cimento" Nos. 1-4) , Op. 8/1 - 4: 2. Largo 2:48 | |
| Composed by Antonio Vivaldi | ||
| Conducted by Jörg Faerber | ||
| Performed by Susanne Lautenbacher and Württemberg Chamber Orchestra | ||
| 110. | Violin Concerto, for violin, strings & continuo in E major ("La Primavera," The Four Seasons; "Il cimento" No. 1), Op.8/1, RV 269: 3. Allegro 4:03 | |
| Composed by Antonio Vivaldi | ||
| Conducted by Jörg Faerber | ||
| Performed by Susanne Lautenbacher and Württemberg Chamber Orchestra | ||
| 111. | Cello Concerto No. 1 in A minor, Op. 33: 1. Allegro non troppo 5:29 | |
| Composed by Camille Saint-Saëns | ||
| Conducted by Louis de Froment | ||
| Performed by Luxembourg Radio Orchestra and Lászlo Varga | ||
| 112. | Sonata for solo violin No. 1 in G minor, BWV 1001: 2. Fugue: Allegro 5:34 | |
| Composed by Johann Sebastian Bach | ||
| Performed by Aaron Rosand | ||
| 113. | Sonata for violin & piano No. 9 in A major ("Kreutzer"), Op. 47: 3. Finale: Presto 8:19 | |
| Composed by Ludwig van Beethoven | ||
| Performed by Eileen Flissler and Aaron Rosand | ||
| 114. | String Quartet No. 14 in D minor ("Death and the Maiden"), D. 810: 4. Presto 9:26 | |
| Composed by Franz Schubert | ||
| Performed by Sadao Harada, Kikuei Ikeda, Kazuhide Isomura, Peter Oundjian and Tokyo String Orchestra | ||
| 115. | The Sorcerer's Apprentice (L'apprenti sorcier), symphonic scherzo for orchestra 11:35 | |
| Composed by Paul Dukas | ||
| Performed by Vienna Symphony Orchestra | ||
| Conducted by Edouard van Remoortel | ||
| 116. | Slavonic March, for orchestra, Op. 31 8:47 | |
| Composed by Peter Ilich Tchaikovsky | ||
| Performed by Cincinnati Pops Orchestra | ||
| Conducted by Erich Kunzel | ||
| 117. | Vocalise, transcription for orchestra, Op. 34/14 7:28 | |
| Composed by Sergey Rachmaninov | ||
| Performed by Dallas Symphony Orchestra | ||
| Conducted by Donald Johanos | ||
| 118. | Die Meistersinger von Nürnberg, opera, WWV 96: 4. Prelude to Act 3 6:51 | |
| Composed by Richard Wagner | ||
| Conducted by Rudolf Kempe | ||
| Performed by Saxon State Orchestra | ||
| 119. | Symphony No. 6 in B minor ("Pathétique"), Op.74: 1. Adagio - Allegro non troppo 18:15 | |
| Composed by Peter Ilich Tchaikovsky | ||
| Conducted by Maurice de Abravanel | ||
| Performed by Utah Symphony Orchestra | ||
| 120. | Symphony in D minor, Op. 48: 3. Allegro non troppo 12:11 | |
| Composed by César Franck | ||
| Conducted by Edouard van Remoortel | ||
| Performed by Vienna Pro Musica Orchestra | ||
| 121. | Also sprach Zarathustra (Thus Spoke Zoroaster), tone poem for orchestra, Op. 30 (TrV 176): Introduction 1:42 | |
| Composed by Richard Strauss | ||
| Performed by Saint Louis Symphony Orchestra | ||
| Conducted by Walter Süsskind | ||
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