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In large part a reworking of Jerry Goldsmith's rejected score for the sci-fi thriller Alien Nation, The Russia House proves a far more potent effort than its mongrel pedigree may suggest. Despite the film's Soviet Union setting, Goldsmith largely eschews Russian musical conventions in favor of a taut, suspenseful approach utterly American in its orientation. Combining sleek electronics with a jazz trio led by saxophonist Branford Marsalis, the composer creates a series of mysterious, archly sophisticated themes simmering with tension. In short, with The Russia House Goldsmith effectively updates the classic espionage formula for the digital era, composing a score as vital and innovative as any in his long and distinguished career. It's an unexpected and under-recognized masterpiece. Jason Ankeny, All Music Guide