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This six-disc collection from the German label Deutsche Grammophon (now part of the Universal conglomerate) is intended for newcomers to classical music. As such, it raises a number of objections. The buyer is given only a narrow slice of the repertory -- for the most part, the program consists of Romantic favorites of the nineeenth century or what might be called honorary Romantic music ("Messiah," "Carmina Burana"). Much of the music is for full symphony orchestra, although there is one disc of piano music ("Nocturne") and one of opera ("Grand Opera"). The buyer who enjoys a particular selection will not find much help in pursuing similar music -- there is no booklet, and the track list identifies performers in only an abbreviated way (conductor Rafael Kubelik, for instance, is listed only as Kubelik). All this said, the conception of the set is original. Most sets of this size divide up the repertory by chronology or medium, but The Premium Collection offers six themes: "Meditation," "Orchestral Fireworks," "Invitation to the Dance," "Nocturne," "Pomp & Circumstance," and "Grand Opera." What's appealing about these is that they are not forced onto the music, as in the various classical lifestyle discs that infest discount-store bins, but are durable concepts within the classical tradition itself; the set offers music to have on hand for a variety of uses without doing violence to the music involved. There are many other ways of approaching the question of how to build a classical collection, but for someone who has attended a big symphonic performance at the local orchestra hall and found it enjoyable, this may be a good place to start. James Manheim, All Music Guide
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September 26, 2009: I recommend this box set. It is very convenient and portable and can be carried in a backpack on trips. it has the best of everything. The one thing it doesn't have are any Beethoven symphonies, but then, of course, you will doubtless be carrying a matching Beethoven symphonies box too! It does have some good Beethoven, however-- Moonlight sonata, etc.
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The Premium Collection: 75 Classical Masterworks [Box Set] | ||
| 1. | Peer Gynt, incidental music, Op. 23: Morning Mood 4:20 | |
| Composed by Edvard Grieg | ||
| Performed by Gothenburg Symphony Orchestra | ||
| Conducted by Neeme Jarvi | ||
| 2. | Canon in D major, instrumental arrangement 6:27 | |
| Composed by Johann Pachelbel | ||
| Performed by Festival Strings Lucerne | ||
| Conducted by Baumgartner | ||
| 3. | Carnival of the Animals, zoological fantasy for 2 pianos & ensemble: Le Cygne (The Swan) 2:56 | |
| Composed by Camille Saint-Saëns | ||
| Performed by Wolfgang Herzer, Alfons Kontarsky and Aloys Kontarsky | ||
| 4. | Pavane, for orchestra & chorus ad lib in F sharp minor, Op. 50 6:51 | |
| Composed by Gabriel Fauré | ||
| Performed by Boston Symphony Orchestra and Tanglewood Festival Chorus | ||
| Conducted by Seiji Ozawa | ||
| 5. | Concierto de Aranjuez for guitar & orchestra: Adagio 10:56 | |
| Composed by Joaquín Rodrigo | ||
| Performed by Orpheus Chamber Orchestra and Göran Söllscher | ||
| 6. | Orchestral Suite No. 3 in D major, BWV 1068: Air 4:44 | |
| Composed by Johann Sebastian Bach | ||
| Performed by Orpheus Chamber Orchestra | ||
| 7. | Symphony No. 5 in C sharp minor: Adagietto 9:51 | |
| Composed by Gustav Mahler | ||
| Conducted by Rafael Kubelik | ||
| Performed by Bavarian Radio Symphony Orchestra | ||
| 8. | Cello Concerto in E minor, Op. 85: Adagio 7:07 | |
| Composed by Edward Elgar | ||
| Performed by Berlin Philharmonic Orchestra and Pierre Fournier | ||
| Conducted by Alfred Wallenstein | ||
| 9. | Adagio in C minor for strings & organ (previously attributed to Tommaso Albinoni) 6:57 | |
| Composed by Remo Giazotto | ||
| Performed by Eduard Kaufmann, Walter Prystawski and Festival Strings Lucerne | ||
| Conducted by Baumgartner | ||
| 10. | Symphony No. 9 in E minor ("From the New World"), B. 178 (Op. 95) (first published as No. 5): Largo 5:14 | |
| Composed by Antonin Dvorák | ||
| Conducted by Rafael Kubelik | ||
| Performed by Berlin Philharmonic Orchestra | ||
| 11. | Les contes d'Hoffmann, opera in 4 acts: Barcarolle 4:41 | |
| Composed by Jacques Offenbach | ||
| Performed by Gothenburg Symphony Orchestra | ||
| Conducted by Neeme Jarvi | ||
| 12. | Carmen, opéra-comique in 4 acts: Les Toréadors 2:08 | |
| Composed by Georges Bizet | ||
| Performed by Bastille Opera Orchestra | ||
| Conducted by Chai-Dong Chung | ||
| 13. | Carmina Burana, scenic cantata for soloists, choruses & orchestra: O Fortuna 2:39 | |
| Composed by Carl Orff | ||
| Conducted by Eugen Jochum | ||
| Performed by Deutschen Opernorchester and Deutschen Opernchor Berlin | ||
| 14. | Peer Gynt, incidental music, Op. 23: In the Hall of the Mountain King 3:02 | |
| Composed by Edvard Grieg | ||
| Performed by Gothenburg Symphony Orchestra | ||
| Conducted by Neeme Jarvi | ||
| 15. | The Four Seasons (Il quattro stagione), concertos (4) for violin, strings & continuo ("Il cimento" Nos. 1-4) , Op. 8/1 - 4: Winter 7:57 | |
| Composed by Antonio Vivaldi | ||
| Performed by English Consort and Simon Standage | ||
| Conducted by Trevor Pinnock | ||
| 16. | Pictures at an Exhibition (Kartinki s vďstavski), for orchestra, orchestrated by Ravel: Promenade 1:54 | |
| Composed by Modest Mussorgsky | ||
| Conducted by Carlo Maria Giulini | ||
| Performed by Chicago Symphony Orchestra | ||
| 17. | 1812 -- Festival Overture, for orchestra in E flat major, Op. 49: [Excerpt] 4:13 | |
| Composed by Peter Ilich Tchaikovsky | ||
| Performed by Gothenburg Symphony Orchestra | ||
| Conducted by Neeme Jarvi | ||
| 18. | Romeo and Juliet, ballet in 4 acts, Op. 64: The Knights' Dance 5:27 | |
| Composed by Sergey Prokofiev | ||
| Performed by Boston Symphony Orchestra | ||
| Conducted by Seiji Ozawa | ||
| 19. | Requiem Mass, for soloists, chorus & orchestra (Manzoni Requiem): Dies irae 2:49 | |
| Composed by Giuseppe Verdi | ||
| Conducted by Carlo Maria Giulini | ||
| Performed by Berlin Philharmonic Orchestra and Men of the Ernst Senff Chor | ||
| 20. | Die Walküre (The Valkyrie), opera, WWV 86b: Der Walkürenritt (The Ride of the Valkyries) 4:59 | |
| Composed by Richard Wagner | ||
| Conducted by Daniel Barenboim | ||
| Performed by Orchestre de Paris | ||
| 21. | Also sprach Zarathustra (Thus Spoke Zoroaster), tone poem for orchestra, Op. 30 (TrV 176): [Excerpt] 2:02 | |
| Composed by Richard Strauss | ||
| Conducted by Steinberg | ||
| Performed by Boston Symphony Orchestra | ||
| 22. | Rhapsody in Blue, for piano & orchestra (orchestrated by F. Grofé) 15:58 | |
| Composed by George Gershwin | ||
| Performed by Leipzig Gewandhaus Orchestra, Kurt Hiltawsky and Siegfried Stockigt | ||
| Conducted by Kurt Masur | ||
| 23. | Boléro, ballet for orchestra (or piano) 15:02 | |
| Composed by Maurice Ravel | ||
| Performed by Boston Symphony Orchestra | ||
| Conducted by Seiji Ozawa | ||
| 24. | Invitation to the Dance (Aufforderung zum Tanze), for orchestra (orchestrated by Berlioz) 10:28 | |
| Composed by Carl Maria von Weber | ||
| Conducted by Ferenc Fricsay | ||
| Performed by Berlin Radio Symphony Orchestra | ||
| 25. | Hungarian Dances (21) for orchestra, WoO 1: Hungarian Dances Nos. 1, 3 & 6 8:26 | |
| Composed by Johannes Brahms | ||
| Performed by Vienna Philharmonic Orchestra | ||
| Conducted by Claudio Abbado | ||
| 26. | Nutcracker, ballet, Op. 71: Dance of the Sugar Plum Fairy / Waltz of the Flowe 8:55 | |
| Composed by Peter Ilich Tchaikovsky | ||
| Performed by Berlin Philharmonic Orchestra | ||
| Conducted by Leitner | ||
| 27. | Gaîté Parisienne, ballet (music by Offenbach arranged by Manuel Rosenthal): Vivo 1:01 | |
| Composed by Jacques Offenbach | ||
| Performed by Boston Symphony Orchestra | ||
| Conducted by Seiji Ozawa | ||
| 28. | Peer Gynt, incidental music, Op. 23: Anitra's Dance 3:43 | |
| Composed by Edvard Grieg | ||
| Performed by Gothenburg Symphony Orchestra | ||
| Conducted by Neeme Jarvi | ||
| 29. | Water Music Suite No.2 for orchestra in D major, HWV 349: Alla Hornpipe 4:19 | |
| Composed by George Frideric Handel | ||
| Performed by English Consort | ||
| Conducted by Trevor Pinnock | ||
| 30. | Horn Concerto No. 4 in E flat major, K. 495: Rondo 3:43 | |
| Composed by Wolfgang Amadeus Mozart | ||
| Performed by Orpheus Chamber Orchestra and David Jolley | ||
| 31. | An der schönen, blauen Donau (On the Beautiful, Blue Danube), waltz for orchestra (with chorus ad lib), Op. 314 (RV 314) 9:46 | |
| Composed by Johann Strauss II | ||
| Conducted by Ferenc Fricsay | ||
| Performed by Berlin Radio Symphony Orchestra | ||
| 32. | Prodaná nevesta (The Bartered Bride), opera, JB 1:100: Polka / Furiant / Dance of the Comedians 13:16 | |
| Composed by Bedrich Smetana | ||
| Performed by Vienna Philharmonic Orchestra | ||
| Conducted by James Levine | ||
| 33. | Prince Igor, opera (completed by Rimsky-Korsakov & Glazunov): Polovtsian Dances 11:29 | |
| Composed by Alexander Borodin | ||
| Performed by Gothenburg Symphony Chorus, Gothenburg Symphony Orchestra and Torgny Sporsen | ||
| Conducted by Neeme Jarvi | ||
| 34. | Radetzky-Marsch, for orchestra, Op. 228 2:20 | |
| Composed by Johann Strauss I | ||
| Conducted by Ferenc Fricsay | ||
| Performed by Berlin Radio Symphony Orchestra | ||
| 35. | Piano Concerto No. 21 in C major ("Elvira Madigan") K. 467: Andante 7:19 | |
| Composed by Wolfgang Amadeus Mozart | ||
| Performed by Géza Anda and Camerata Academica Salzburg | ||
| Conducted by Géza Anda | ||
| 36. | Nocturne for piano No. 5 in F sharp major, Op. 15/2, CT. 112 3:58 | |
| Composed by Frédéric Chopin | ||
| Performed by Daniel Barenboim | ||
| 37. | Kinderszenen No. 7 ("Träumerei"), for piano, Op. 15/7 2:59 | |
| Composed by Robert Schumann | ||
| Performed by Martha Argerich | ||
| 38. | Bagatelle for piano in A minor ("Für Elise"), WoO 59 4:03 | |
| Composed by Ludwig van Beethoven | ||
| Performed by Anatol Ugorski | ||
| 39. | Suite bergamasque, for piano, L. 75: Clair de lune 5:08 | |
| Composed by Claude Debussy | ||
| Performed by Alexis Weissenberg | ||
| 40. | Piano Sonata No. 14 in C sharp minor ("Moonlight"), Op. 27/2: Adagio sostenuto 6:06 | |
| Composed by Ludwig van Beethoven | ||
| Performed by Emil Gilels | ||
| 41. | Prelude for piano No.21 in B minor, Op. 32/10 5:03 | |
| Composed by Sergey Rachmaninov | ||
| Performed by Lilya Zilberstein | ||
| 42. | Ballad aus Der fliegende Holländer (after Wagner), for piano, S. 441 (LW A259) 5:55 | |
| Composed by Franz Liszt | ||
| Performed by Daniel Barenboim | ||
| 43. | Prelude for piano No. 15 in D flat major, Op. 28/15, CT. 180 5:38 | |
| Composed by Frédéric Chopin | ||
| Performed by Christoph Eschenbach | ||
| 44. | Préludes (12) for piano, Book I, L. 117: La fille aux cheveux de lin 2:39 | |
| Composed by Claude Debussy | ||
| Performed by Alexis Weissenberg | ||
| 45. | Prelude for piano No.23 in G sharp minor, Op. 32/12 2:31 | |
| Composed by Sergey Rachmaninov | ||
| Performed by Lilya Zilberstein | ||
| 46. | Moment musical for piano in A flat major, D. 780/2 (Op. 94/2) 5:47 | |
| Composed by Franz Schubert | ||
| Performed by Wilhelm Kempff | ||
| 47. | Piano Concerto No. 23 in A major, K. 488: Adagio 6:58 | |
| Composed by Wolfgang Amadeus Mozart | ||
| Performed by Géza Anda and Camerata Academica Salzburg | ||
| Conducted by Géza Anda | ||
| 48. | Messiah, oratorio, HWV 56: "Hallelujah" Chorus 4:05 | |
| Composed by George Frideric Handel | ||
| Performed by Choir of the English Consort and English Consort | ||
| Conducted by Trevor Pinnock | ||
| 49. | Fantasia on Greensleeves, for harp, flute & strings (arranged by R. Greaves; from the opera "Sir John In Love") 4:32 | |
| Composed by Ralph Vaughan Williams | ||
| Performed by Orpheus Chamber Orchestra | ||
| 50. | Vltava (The Moldau), symphonic poem (Má Vlast No. 2), JB 1:112/2 12:02 | |
| Composed by Bedrich Smetana | ||
| Conducted by Rafael Kubelik | ||
| Performed by Boston Symphony Orchestra | ||
| 51. | Toccata and Fugue, for organ in D minor, BWV 565 (BC J37) 8:29 | |
| Composed by Johann Sebastian Bach | ||
| Performed by Simon Preston | ||
| 52. | Finlandia, tone poem for orchestra, Op. 26 9:06 | |
| Composed by Jean Sibelius | ||
| Performed by Gothenburg Symphony Orchestra | ||
| Conducted by Neeme Jarvi | ||
| 53. | The Planets, suite for orchestra & female chorus, Op. 32, H. 125: Jupiter, the Bringer of Jollity 8:05 | |
| Composed by Gustav Holst | ||
| Conducted by Steinberg | ||
| Performed by Boston Symphony Orchestra | ||
| 54. | Symphonic Dances (9) from "West Side Story", for orchestra (orchestrated with Ramin & Kostal): Prologue / Mambo / Finale 9:41 | |
| Composed by Leonard Bernstein | ||
| Conducted by Seiji Ozawa | ||
| Performed by San Francisco Symphony Orchestra | ||
| 55. | The Hebrides, overture for orchestra in B minor ("Fingal's Cave"), Op. 26 10:27 | |
| Composed by Felix Mendelssohn | ||
| Conducted by Claudio Abbado | ||
| Performed by London Symphony Orchestra | ||
| 56. | Pomp and Circumstance March No.1, for orchestra in D major, Op. 39/1 5:53 | |
| Composed by Edward Elgar | ||
| Conducted by Norman del Mar | ||
| Performed by Royal Philharmonic Orchestra | ||
| 57. | Turandot, opera: Nessun dorma 3:29 | |
| Composed by Giacomo Puccini | ||
| Performed by Vienna Philharmonic Orchestra, Vienna State Opera Chorus and Plácido Domingo | ||
| Conducted by Herbert von Karajan | ||
| 58. | L'elisir d'amore, opera: Una furtiva lagrima 4:42 | |
| Composed by Gaetano Donizetti | ||
| Conducted by Carlo Maria Giulini | ||
| Performed by Plácido Domingo and Los Angeles Philharmonic Orchestra | ||
| 59. | Il Trovatore, opera: Di quella pira 2:03 | |
| Composed by Giuseppe Verdi | ||
| Performed by Carlo Bergonzi, La Scala Theater Chorus, La Scala Theater Orchestra, Franco Ricciardi and Antonietta Stella | ||
| Conducted by Dora Serafin | ||
| 60. | Nabucco, opera (Nabucodonosor): Va, pensiero, sull'ali dorate 4:59 | |
| Composed by Giuseppe Verdi | ||
| Conducted by Giuseppe Sinopoli | ||
| Performed by Deutschen Opernorchester and Deutschen Opernchor Berlin | ||
| 61. | Carmen, opéra-comique in 4 acts: La fleur que tu m'afais jetée 4:01 | |
| Composed by Georges Bizet | ||
| Conducted by Carlo Maria Giulini | ||
| Performed by Plácido Domingo and Los Angeles Philharmonic Orchestra | ||
| 62. | Carmen, opéra-comique in 4 acts: L'amour est un oiseau rebelle 4:02 | |
| Composed by Georges Bizet | ||
| Performed by Berlin Radio Symphony Orchestra and Grace Bumbry | ||
| Conducted by Janos Kulka | ||
| 63. | La bohčme, opera: Che gelida manina 4:58 | |
| Composed by Giacomo Puccini | ||
| Performed by Sándor Kónya and Maggio Musicale Fiorentino Orchestra | ||
| Conducted by Antonino Votto | ||
| 64. | Il Trovatore, opera: Vedi! le fosche notturnespoglie 3:02 | |
| Composed by Giuseppe Verdi | ||
| Performed by La Scala Theater Chorus and La Scala Theater Orchestra | ||
| Conducted by Dora Serafin | ||
| 65. | Tristan und Isolde, opera, WWV 90: Mild und leise wie er lächelt 7:28 | |
| Composed by Richard Wagner | ||
| Performed by Dresden Staatskapelle and Margaret Price | ||
| 66. | Madama Butterfly (Madame Butterfly), opera: Un bel di vedremo 5:04 | |
| Composed by Giacomo Puccini | ||
| Conducted by Giuseppe Sinopoli | ||
| Performed by Mirella Freni and Philharmonia Orchestra | ||
| 67. | Aida, opera: Triumphal march 1:43 | |
| Composed by Giuseppe Verdi | ||
| Conducted by Claudio Abbado | ||
| Performed by La Scala Theater Orchestra | ||
| 68. | Aida, opera: Vieni, o guerriero vindice 2:31 | |
| Composed by Giuseppe Verdi | ||
| Conducted by Claudio Abbado | ||
| Performed by Nicolai Ghiaurov, La Scala Theater Chorus and La Scala Theater Orchestra | ||
| 69. | Il barbičre di Siviglia (The Barber of Seville), opera: Largo al factotum 4:40 | |
| Composed by Gioachino Rossini | ||
| Conducted by Claudio Abbado | ||
| Performed by London Symphony Orchestra and Hermann Prey | ||
| 70. | Die Zauberflöte (The Magic Flute), opera, K. 620: Der Vogelfängerbin ich ja 2:41 | |
| Composed by Wolfgang Amadeus Mozart | ||
| Performed by Berlin Philharmonic Orchestra and Dietrich Fischer-Dieskau | ||
| Conducted by Karl Bohm | ||
| 71. | Die Zauberflöte (The Magic Flute), opera, K. 620: O Isis und Osiris 3:00 | |
| Composed by Wolfgang Amadeus Mozart | ||
| Performed by Berlin Philharmonic Orchestra, RIAS-Kammerchor Berlin and Franz Crass | ||
| Conducted by Karl Bohm | ||
| 72. | Die Zauberflöte (The Magic Flute), opera, K. 620: Der Hölle Rache kocht in meinem Herzen 3:02 | |
| Composed by Wolfgang Amadeus Mozart | ||
| Performed by Berlin Philharmonic Orchestra and Roberta Peters | ||
| Conducted by Karl Bohm | ||
| 73. | Cavalleria rusticana, opera (melodramma) in 1 act: Intermezzo sinfonico 4:21 | |
| Composed by Pietro Mascagni | ||
| Conducted by Giuseppe Sinopoli | ||
| Performed by Philharmonia Orchestra | ||
| 74. | Guillaume Tell (William Tell), opera: Overture [excerpt] 3:28 | |
| Composed by Gioachino Rossini | ||
| Performed by Rome Opera House Orchestra | ||
| Conducted by Dora Serafin | ||
| 75. | Lohengrin, opera, WWV 75: Treulich geführt ziehet dahin 4:41 | |
| Composed by Richard Wagner | ||
| Performed by Bayreuther Festspiele Orchester | ||
| Conducted by Wilhelm Pitz | ||
This six-disc collection from the German label Deutsche Grammophon (now part of the Universal conglomerate) is intended for newcomers to classical music. As such, it raises a number of objections. The buyer is given only a narrow slice of the repertory -- for the most part, the program consists of Romantic favorites of the nineeenth century or what might be called honorary Romantic music ("Messiah," "Carmina Burana"). Much of the music is for full symphony orchestra, although there is one disc of piano music ("Nocturne") and one of opera ("Grand Opera"). The buyer who enjoys a particular selection will not find much help in pursuing similar music -- there is no booklet, and the track list identifies performers in only an abbreviated way (conductor Rafael Kubelik, for instance, is listed only as Kubelik). All this said, the conception of the set is original. Most sets of this size divide up the repertory by chronology or medium, but The Premium Collection offers six themes: "Meditation," "Orchestral Fireworks," "Invitation to the Dance," "Nocturne," "Pomp & Circumstance," and "Grand Opera." What's appealing about these is that they are not forced onto the music, as in the various classical lifestyle discs that infest discount-store bins, but are durable concepts within the classical tradition itself; the set offers music to have on hand for a variety of uses without doing violence to the music involved. There are many other ways of approaching the question of how to build a classical collection, but for someone who has attended a big symphonic performance at the local orchestra hall and found it enjoyable, this may be a good place to start. James Manheim
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