The Piper at the Gates of Dawn [40th Anniversary 2-CD Edition]

Disc 1
1	Astronomy Dominé 4:12
2	Lucifer Sam 3:07
3	Matilda Mother 3:08
4	Flaming 2:46
5	Pow R. Toc H. 4:26
6	Take up Thy Stethoscope and Walk 3:05
7	Interstellar Overdrive 9:41
8	The Gnome 2:13
9	Chapter 24 3:42
10	The Scarecrow 2:11
11	Bike 3:21
Disc 2
1	Astronomy Dominé (mono)
2	Lucifer Sam (mono)
3	Matilda Mother (mono)
4	Flaming (mono)
5	Pow R. Toc H. (mono)
6	Take up Thy Stethoscope and Walk (mono)
7	Interstellar Overdrive (mono)
8	The Gnome (mono)
9	Chapter 24 (mono)
10	The Scarecrow (mono)
11	Bike (mono)

Barnes & Noble

The album that established the genius of Syd Barrett, The Piper at the Gates of Dawn is a beautiful, plastic melding of psychedelic space and brilliant English pop. Side 1 features the joyful, spacey jam "Pow R. Toc H." and the driving, spy-movie inspired "Lucifer Sam." Side two, after the magnificent "Interstellar Overdrive," reveals Barrett in all his psych/pop glory -- the childlike whimsy of "The Gnome," the gorgeous simplicity of "The Scarecrow," and the fascinating, eerie hint of incipient insanity that is "Bike." Barrett's influence is felt everywhere here. And the structure he imposes on the extended jams is the restraint that gives them their shape and power -- the ponderous, indulgent excesses of Pink Floyd's post-Barrett "arena rock" career bear witness to this. Much has been written about Barrett's prodigious intake of LSD and his subsequent mental troubles. It's a tragedy that this visionary created so little that was actually recorded. Still, we're lucky to have The Piper at the Gates of Dawn; it's Syd Barrett's Pink Floyd at their transcendent best. Bill Lambertson

All Music Guide

This two-CD set is a well-intentioned (and, purely on its own terms, excellent) assembly of the two different mixes, stereo and mono, of Pink Floyd's 1967 debut album, The Piper at the Gates of Dawn, issued by EMI Records for the 40th anniversary of its release. And if it stood alone, with no other version of the album out there, it could be recommended without hesitation -- the original stereo and unedited mono versions of the album (of which the latter is totally new to CD) have been given state-of-the-art digital transfers, and those two mixes are different enough so that they're both worth hearing. The balances on the instruments on various songs is sometimes radically different, and it's clear that there were so many ideas tried in the mono mix (which was done first) that didn't make it to the stereo mix, and other ideas that were unique to the stereo version. The only problem with this two-CD set is that it stands distinctly in the shadow of a more expensive and ambitious Piper at the Gates of Dawn [3-CD Deluxe Edition], which includes a brace of outtakes plus the five single-only sides issued by the band during 1967. And anyone who would be interested in the stereo and mono mixes of Piper would almost certainly be a natural audience for that third CD of material. So most Floyd fans who would buy this double-CD set should just skip past it and go for the triple-disc set. The latter comes in a handsome hardcover book format and offers fans of the early Pink Floyd a chance to do something for the first time in the CD era (and for the first time since the year 1967 and maybe 1968) -- immerse themselves in the Syd Barrett-era Pink Floyd sound. That includes not only the stereo and mono mixes of the album on two separate digital platters, but also the band's three early singles, plus two previous unreleased alternate takes (an "alternative version" of "Matilda Mother" and "Take 6" of "Interstellar Overdrive"), plus a booklet replicating Syd Barrett's collage artwork from 1965. That's the way to hear this material -- this double-disc set should be left to the timid neophyte fans who, if they have any ears at all, will soon want to upgrade to the triple-set. ~ Bruce Eder & Stephen Thomas Erlewine, All Music Guide