The Last Dubber Ministry

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CD

  • Release Date: 09/15/2009
  • Sales Rank: 47,008
  • Label: 13TH PLANET RECORDS
  • UPC: 020286133728

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  • Overview
  • Tracks
  • Editorial Reviews
  • Details & Credits
Track List
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The Last Dubber

1LISTENWatch Yourself The Clocks Strike Thirteen Mix / Remix 4:29
2LISTENLife Is Good Neuroplasticity Mix / Remix 6:26
3LISTENThe Dick Song Straight Outta Lincoln Mix / Remix 4:47
4LISTENThe Last Sucker Icke Mix / Remix 3:44
5LISTENNo Glory Sandpaper Condom Mix / Remix 4:49
6LISTENDeath & Destruction A Vote of Non-Confidence Mix / Remix 5:08
7LISTENDie in a Crash Point of Impact Mix / Remix 5:21
8LISTENEnd of Days, Pt. 1 One Less Sparrow Mix / Remix 5:01
9LISTENEnd of Days, Pt. 2 Extreme Mayan Makeover Mix / Remix 4:50
10LISTENLet's Go /The Last Sucker [Hardware Revamp Mix Dawn of Oblivion Remix 4:37
11LISTENLet's Go La Fin du Monde Mix / Remix 5:56

About this Artist

Editorial Reviews

By the time The Last Dubber arrived, loyal Ministry fans had already experienced two years' worth of fringe releases, all coming after the "band" "retired" in 2007. This remix effort is the least desirable of all the live albums and other ephemera Al Jourgensen has released since laying his Ministry project to rest, but it's not a complete washout and serves a purpose for fanatics who thought The Last Sucker was just too tight. Here, that album gets chopped and stretched into a sprawling landscape of scrapes and thuds, none of it hitting as hard as the source material. A good example is how the opening "Clocks Strike Thirteen" mix of "Watch Yourself" doesn't catch fire until its last 41 seconds, although the crawl to get there is textured, interesting, and as druggy as the spliff-toking George W. on the cover implies. Just like on Ministry's Rio Grande Dub, Clayton Worbeck handles most of the remixing with John Bechdel and DJ Hardware getting one track each. With his hands mostly off the project, Jourgensen gets to stick by his retirement promise. Fans get that lone Ministry album which doesn't demand much attention and can actually slink into the background. David Jeffries, All Music Guide

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