false
![The Instruments of the Orchestra [Box Set] by Jeremy Siepmann: CD Cover](http://images.barnesandnoble.com/images/13950000/13954613.JPG)
The Instruments of the Orchestra [Box Set] Jeremy Siepmann
BUY THIS ITEM
- Add To List uiAction=GetAllLists&page=List&pageType=list&ean=636943804025&productCode=MU&maxCount=100&threshold=3
DELIVERY & GIFT DETAILS:
Usually ships within 24 hours
Delivery Time and Shipping Rates
Eligible for gift wrap & gift message.
Enter a zip code
CD
- Release Date: 12/03/2002
- 7 Disc Set
- Sales Rank: 23,190
- Label: NAXOS
- UPC: 636943804025
Customers who bought this also bought
The Instruments of the Orchestra [Box Set] | ||
| 1. | The Instruments of the Orchestra, narration with musical excerpts: Violin: "Oh! to be a conductor..." Includes excerp 2:06 | |
| Composed by Jeremy Siepmann | ||
| Performed by Ivar Andrésen, Bayreuther Festspiele Chor, Maria Muller, Bayreuther Festspiele Orchester, Jeremy Siepmann, Ruth Jost-Arden and Sigismund Pilinszky | ||
| Conducted by Karl Elmendorff | ||
| 2. | Domna, Pos Vos Ay Chausida: Excerpt 0:28 | |
| Composed by Anonymous, Troubadour | ||
| Performed by Ensemble Unicorn | ||
| Conducted by Michael Posch | ||
| 3. | The Instruments of the Orchestra, narration with musical excerpts: Violin: We don't merely use instruments, we play o 1:19 | |
| Composed by Jeremy Siepmann | ||
| Performed by Jeremy Siepmann | ||
| 4. | Hungarian Dances (21) for orchestra, WoO1: Hungarian Dance No. 7 1:39 | |
| Composed by Johannes Brahms | ||
| Conducted by Istvan Bogar | ||
| Performed by Budapest Symphony Orchestra | ||
| 5. | The Instruments of the Orchestra, narration with musical excerpts: Violin: The violin is one of the most tender and b 0:45 | |
| Composed by Jeremy Siepmann | ||
| Performed by Jeremy Siepmann | ||
| 6. | Violin Concerto in D major, Op. 77: Adagio (excerpt) 1:08 | |
| Composed by Johannes Brahms | ||
| Conducted by Stephen Gunzenhauser | ||
| Performed by Takako Nishizaki and Slovak Philharmonic Orchestra | ||
View all tracks on this disc | ||
The Instruments of the Orchestra [Box Set] | ||
| 1. | The Instruments of the Orchestra, narration with musical excerpts: Violin: "Oh! to be a conductor..." Includes excerp 2:06 | |
| Composed by Jeremy Siepmann | ||
| Performed by Ivar Andrésen, Bayreuther Festspiele Chor, Maria Muller, Bayreuther Festspiele Orchester, Jeremy Siepmann, Ruth Jost-Arden and Sigismund Pilinszky | ||
| Conducted by Karl Elmendorff | ||
| 2. | Domna, Pos Vos Ay Chausida: Excerpt 0:28 | |
| Composed by Anonymous, Troubadour | ||
| Performed by Ensemble Unicorn | ||
| Conducted by Michael Posch | ||
| 3. | The Instruments of the Orchestra, narration with musical excerpts: Violin: We don't merely use instruments, we play o 1:19 | |
| Composed by Jeremy Siepmann | ||
| Performed by Jeremy Siepmann | ||
| 4. | Hungarian Dances (21) for orchestra, WoO1: Hungarian Dance No. 7 1:39 | |
| Composed by Johannes Brahms | ||
| Conducted by Istvan Bogar | ||
| Performed by Budapest Symphony Orchestra | ||
| 5. | The Instruments of the Orchestra, narration with musical excerpts: Violin: The violin is one of the most tender and b 0:45 | |
| Composed by Jeremy Siepmann | ||
| Performed by Jeremy Siepmann | ||
| 6. | Violin Concerto in D major, Op. 77: Adagio (excerpt) 1:08 | |
| Composed by Johannes Brahms | ||
| Conducted by Stephen Gunzenhauser | ||
| Performed by Takako Nishizaki and Slovak Philharmonic Orchestra | ||
| 7. | The Instruments of the Orchestra, narration with musical excerpts: Violin: But for a long time it was seen as the ins 0:17 | |
| Composed by Jeremy Siepmann | ||
| Performed by Jeremy Siepmann | ||
| 8. | L'histoire du soldat (The Soldier's Tale), for 3 actors, dancer & 7 instruments: Triumphal March of the Devil (excerpt) 0:45 | |
| Composed by Igor Stravinsky | ||
| Performed by Northern Chamber Orchestra and Jonathan Keeble | ||
| Conducted by Nicholas Ward | ||
| 9. | The Instruments of the Orchestra, narration with musical excerpts: Violin: The manipulative seductiveness of the gyps 0:43 | |
| Composed by Jeremy Siepmann | ||
| Performed by Jeremy Siepmann | ||
| 10. | Csardas 3:33 | |
| Composed by Vittorio Monti | ||
| Performed by Ferenc Sánta & His Gypsy Band and Ferenc Sánta | ||
| 11. | The Instruments of the Orchestra, narration with musical excerpts: Violin: The violin and the imitation of nature 0:23 | |
| Composed by Jeremy Siepmann | ||
| Performed by Jeremy Siepmann | ||
| 12. | Violin Concerto ("La Primavera", The Four Seasons) for violin, strings & continuo in E ("Il cimento" No. 1), Op.8/1, RV 269: No. 1. (excerpt) 0:35 | |
| Composed by Antonio Vivaldi | ||
| Performed by Capella Istropolitana and Takako Nishizaki | ||
| Conducted by Stephen Gunzenhauser | ||
| 13. | The Instruments of the Orchestra, narration with musical excerpts: Violin: Birds are again evoked in the second conce 0:09 | |
| Composed by Jeremy Siepmann | ||
| Performed by Jeremy Siepmann | ||
| 14. | Violin Concerto ("L'estate", The Four Seasons) for violin, strings & continuo in G minor, Op. 8/2, RV 315: No. 1. (excerpt) 0:41 | |
| Composed by Antonio Vivaldi | ||
| Performed by Capella Istropolitana and Takako Nishizaki | ||
| Conducted by Stephen Gunzenhauser | ||
| 15. | The Instruments of the Orchestra, narration with musical excerpts: Violin: Like the devil, the violin is a master of 0:18 | |
| Composed by Jeremy Siepmann | ||
| Performed by Jeremy Siepmann | ||
| 16. | Schön Rosmarin for violin & piano 1:55 | |
| Composed by Fritz Kreisler | ||
| Performed by Jenö Jandó and Takako Nishizaki | ||
| 17. | The Instruments of the Orchestra, narration with musical excerpts: Violin: The menacing sensuality of Ravel's Tzigane 0:15 | |
| Composed by Jeremy Siepmann | ||
| Performed by Jeremy Siepmann | ||
| 18. | Tzigane, rhapsodie de concert for violin & piano (or orchestra): Excerpt 0:51 | |
| Composed by Maurice Ravel | ||
| Performed by Marat Bisengaliev and Polish Radio and Television National Symphony Orchestra | ||
| Conducted by Johannes Wildner | ||
| 19. | The Instruments of the Orchestra, narration with musical excerpts: Violin: Do we now have the true measure of this in 0:15 | |
| Composed by Jeremy Siepmann | ||
| Performed by Jeremy Siepmann | ||
| 20. | Caprice for solo violin in A minor (Theme & Variations), Op. 1/24, MS 25/24: Excerpt 0:48 | |
| Composed by Niccolň Paganini | ||
| Performed by Ilya Kaler | ||
| 21. | The Instruments of the Orchestra, narration with musical excerpts: Violin: The many effects of the string tremolando. 1:57 | |
| Composed by Jeremy Siepmann | ||
| Performed by Cologne Chamber Orchestra, Jeremy Siepmann, Eva Morsbach, Christine Pichlmeir, Nadja Schubert, Corinne Chapelle and Daniel Rothert | ||
| Conducted by Helmut Müller-Brühl | ||
| 22. | Variations on a Theme by Frank Bridge, for strings, Op. 10: No. 7 1:06 | |
| Composed by Benjamin Britten | ||
| Performed by Bournemouth Sinfonietta | ||
| Conducted by Richard Studt | ||
| 23. | The Instruments of the Orchestra, narration with musical excerpts: Violin: Prokofiev's tremolo in Romeo and Juliet sh 0:22 | |
| Composed by Jeremy Siepmann | ||
| Performed by Jeremy Siepmann | ||
| 24. | Romeo and Juliet, ballet in 4 acts, Op. 64: Act 4. (excerpt) 0:46 | |
| Composed by Sergey Prokofiev | ||
| Conducted by Andrew Mogrelia | ||
| Performed by National Symphony Orchestra of Ukraine | ||
| 25. | The Instruments of the Orchestra, narration with musical excerpts: Violin: Vivaldi uses it to illustrate the shiverin 0:14 | |
| Composed by Jeremy Siepmann | ||
| Performed by Jeremy Siepmann | ||
| 26. | Violin Concerto ("L'inverno", The Four Seasons), for violin, strings & continuo in F minor ("Il cimento" No. 4) Op. 8/4, RV 297: No. 1 (excerpt) 0:57 | |
| Composed by Antonio Vivaldi | ||
| Performed by Capella Istropolitana and Takako Nishizaki | ||
| Conducted by Stephen Gunzenhauser | ||
| 27. | The Instruments of the Orchestra, narration with musical excerpts: Violin: The violin muted 0:31 | |
| Composed by Jeremy Siepmann | ||
| Performed by Jeremy Siepmann | ||
| 28. | Clair de lune, for orchestra or other arrangement (from "Suite Bergamasque" for piano), L. 75/3 1:41 | |
| Composed by Claude Debussy | ||
| Conducted by Keith Clark | ||
| Performed by Slovak Radio Symphony Orchestra (Bratislava) | ||
| Additional Notes: arranged for orchestra | ||
| 29. | The Instruments of the Orchestra, narration with musical excerpts: Violin: The gentleness of muted strings persists e 0:30 | |
| Composed by Jeremy Siepmann | ||
| Performed by Jeremy Siepmann | ||
| 30. | Piano Concerto No. 21 in C major ("Elvira Madigan") K. 467: excerpt 1:26 | |
| Composed by Wolfgang Amadeus Mozart | ||
| Performed by Concentus Hungaricus | ||
| Conducted by András Ligeti | ||
| 31. | The Instruments of the Orchestra, narration with musical excerpts: Violin: The pizzicato violin 0:38 | |
| Composed by Jeremy Siepmann | ||
| Performed by Jeremy Siepmann | ||
| 32. | Pizzicato Polka for orchestra, Op 234 2:29 | |
| Composed by Johann II Strauss and Josef | ||
| 33. | The Instruments of the Orchestra, narration with musical excerpts: Violin: In Prokofiev's Second Violin Concerto, the 0:26 | |
| Composed by Jeremy Siepmann | ||
| Performed by Jeremy Siepmann | ||
| 34. | Violin Concerto No. 2 in G minor, Op. 63: Excerpt 2:02 | |
| Composed by Sergey Prokofiev | ||
| Performed by Polish Radio and Television National Symphony Orchestra and Tedi Papavrami | ||
| Conducted by Antoni Wit | ||
| 35. | The Instruments of the Orchestra, narration with musical excerpts: Violin: Varieties of pizzicato. Includes excerpt f 3:09 | |
| Composed by Jeremy Siepmann | ||
| Performed by Bournemouth Sinfonietta, National Symphony Orchestra of Ukraine, Polish National Symphony Orchestra, Lynda Russell, Jeremy Siepmann and Moscow Symphony Orchestra | ||
| Conducted by Vasil Jelvakov, Andrew Mogrelia, Richard Studt and Antoni Wit | ||
| 36. | The Planets, suite for orchestra & female chorus, Op. 32, H. 125: Mars - The bringer of War (excerpt) 1:27 | |
| Composed by Gustav Holst | ||
| Performed by Slovak Radio Symphony Orchestra (Bratislava) | ||
| Conducted by Adrian Leaper | ||
| 37. | The Instruments of the Orchestra, narration with musical excerpts: Violin: The technique of double-stopping enables t 2:09 | |
| Composed by Jeremy Siepmann | ||
| Performed by Jeremy Siepmann and Lucy van Dael | ||
| 38. | Hungarian Dances (21) for orchestra, WoO1: Hungarian Dance No. 4 3:51 | |
| Composed by Johannes Brahms | ||
| Conducted by Istvan Bogar | ||
| Performed by Budapest Symphony Orchestra | ||
| 39. | The Instruments of the Orchestra, narration with musical excerpts: Violin: Double-stopping is a standerd feature of a 0:14 | |
| Composed by Jeremy Siepmann | ||
| Performed by Jeremy Siepmann | ||
| 40. | Violin Concerto ("L'autunno", The Four Seasons), for violin, strings & continuo in F major ("Il cimento" No. 3), Op.8/3, RV 293: Movement 1. (excerpt) 0:37 | |
| Composed by Antonio Vivaldi | ||
| Performed by Capella Istropolitana and Takako Nishizaki | ||
| Conducted by Stephen Gunzenhauser | ||
| 41. | The Instruments of the Orchestra, narration with musical excerpts: Violin: Now the same technique, but the sound migh 0:30 | |
| Composed by Jeremy Siepmann | ||
| Performed by Jeremy Siepmann | ||
| 42. | Boléro, ballet for orchestra (or piano): Excerpt 0:49 | |
| Composed by Maurice Ravel | ||
| Conducted by Adrian Leaper | ||
| Performed by Royal Philharmonic Orchestra | ||
| 43. | The Instruments of the Orchestra, narration with musical excerpts: Violin: Double-stopping can only approximate the s 0:20 | |
| Composed by Jeremy Siepmann | ||
| Performed by Jeremy Siepmann | ||
| 44. | Cadenza for Brahms Violin Concerto: Excerpt 0:44 | |
| Composed by Joseph Joachim | ||
| Performed by Capella Istropolitana and Takako Nishizaki | ||
| Conducted by Stephen Gunzenhauser | ||
| 45. | The Instruments of the Orchestra, narration with musical excerpts: Violin: Now compare that with a real violin duet 0:12 | |
| Composed by Jeremy Siepmann | ||
| Performed by Jeremy Siepmann | ||
| 46. | Duos (44), for 2 violins, Volumes 1-4, Sz. 98, BB 104: No. 1: Teasing Song 0:52 | |
| Composed by Béla Bartók | ||
| Performed by Gyorgy Pauk and Kazuki Sawa | ||
| 47. | The Instruments of the Orchestra, narration with musical excerpts: Violin: Another Duo by Bartök, demonstrating the v 0:10 | |
| Composed by Jeremy Siepmann | ||
| Performed by Jeremy Siepmann | ||
| 48. | Duos (44), for 2 violins, Volumes 1-4, Sz. 98, BB 104: No. 2: Maypole Dance 0:40 | |
| Composed by Béla Bartók | ||
| Performed by Gyorgy Pauk and Kazuki Sawa | ||
| 49. | The Instruments of the Orchestra, narration with musical excerpts: Violin: And now what may be the most beautiful acc 0:17 | |
| Composed by Jeremy Siepmann | ||
| Performed by Jeremy Siepmann | ||
| 50. | Concerto for 2 violins & strings in D minor ("Double"), BWV 1043: Largo 6:43 | |
| Composed by Johann Sebastian Bach | ||
| Performed by Capella Istropolitana, Alexander Jablokov and Takako Nishizaki | ||
| Conducted by Oliver von Dohnanyi | ||
| 51. | The Instruments of the Orchestra, narration with musical excerpts: Violin: The soul of the violin is in song; but wha 0:42 | |
| Composed by Jeremy Siepmann | ||
| Performed by Jeremy Siepmann | ||
| 52. | Violin Concerto No. 1 in D major, Op. 19: Movement 2 (excerpt) 0:34 | |
| Composed by Sergey Prokofiev | ||
| Performed by Polish Radio and Television National Symphony Orchestra and Tedi Papavrami | ||
| Conducted by Antoni Wit | ||
| 53. | The Instruments of the Orchestra, narration with musical excerpts: Violin: The use of harmonics in the orchestra can 0:29 | |
| Composed by Jeremy Siepmann | ||
| Performed by Jeremy Siepmann | ||
| 54. | Symphony No. 1 in D major ("Titan"): Movement 1. (opening) 1:33 | |
| Composed by Gustav Mahler | ||
| Conducted by Michael Halász | ||
| Performed by Polish Radio and Television National Symphony Orchestra | ||
| 55. | The Instruments of the Orchestra, narration with musical excerpts: Violin: Tchaikovsky's use of harmonics in The Slee 0:11 | |
| Composed by Jeremy Siepmann | ||
| Performed by Jeremy Siepmann | ||
| 56. | The Sleeping Beauty, ballet, Op. 66: Act 2. No. 15. Entr'acte (excerpt) 0:33 | |
| Composed by Peter Ilich Tchaikovsky | ||
| Performed by Czecho-Slovak State Philharmonic Orchestra (Kosice) | ||
| Conducted by Andrew Mogrelia | ||
| 57. | The Instruments of the Orchestra, narration with musical excerpts: Violin: Ravel's harmonics in Mother Goose effect a 0:29 | |
| Composed by Jeremy Siepmann | ||
| Performed by Jeremy Siepmann | ||
| 58. | Ma mčre l'oye, for piano, 4 hands (or orchestra): Beauty and the Beast (excerpt) 0:36 | |
| Composed by Maurice Ravel | ||
| Performed by Slovak Radio Symphony Orchestra (Bratislava) and Johnny Morris | ||
| Conducted by Kenneth Jean | ||
| 59. | The Instruments of the Orchestra, narration with musical excerpts: Violin: Stravinsky's harmonies in The Firebirg tra 0:46 | |
| Composed by Jeremy Siepmann | ||
| Performed by BRT Philharmonic Orchestra and Jeremy Siepmann | ||
| Conducted by Alexander Rahbari | ||
| 60. | The Instruments of the Orchestra, narration with musical excerpts: Violin: The Natural upper notes of the violins hav 0:32 | |
| Composed by Jeremy Siepmann | ||
| Performed by Jeremy Siepmann | ||
| 61. | Also sprach Zarathustra (Thus Spoke Zoroaster), tone poem for orchestra, Op. 30: Of the Afterworldsmen (excerpt) 0:55 | |
| Composed by Richard Strauss | ||
| Conducted by Zdenek Kosler | ||
| Performed by Slovak Philharmonic Orchestra | ||
| 62. | The Instruments of the Orchestra, narration with musical excerpts: Violin: Still in their upper register, the violins 0:14 | |
| Composed by Jeremy Siepmann | ||
| Performed by Jeremy Siepmann | ||
| 63. | Variations on a Theme by Frank Bridge, for strings, Op. 10: No. 4 1:10 | |
| Composed by Benjamin Britten | ||
| Performed by Bournemouth Sinfonietta | ||
| Conducted by Richard Studt | ||
| 64. | The Instruments of the Orchestra, narration with musical excerpts: Violin: Elsewhere, Britten uses the same high regi 0:11 | |
| Composed by Jeremy Siepmann | ||
| Performed by Jeremy Siepmann | ||
| 65. | Sea Interludes (4), from Peter Grimes, for orchestra, Op. 33a: Dawn (excerpt) 1:08 | |
| Composed by Benjamin Britten | ||
| Conducted by Myer Fredman | ||
| Performed by New Zealand Symphony Orchestra | ||
| 66. | The Instruments of the Orchestra, narration with musical excerpts: Violin: To end this outing with the violins, a cha 0:12 | |
| Composed by Jeremy Siepmann | ||
| Performed by Jeremy Siepmann | ||
| 67. | Elfenreigen, for orchestra: Excerpt 1:29 | |
| Composed by Joseph Hellmesberger | ||
| Conducted by Christian Simonis | ||
| Performed by Gottinger Symphony Orchestra | ||
| 68. | The Instruments of the Orchestra, narration with musical excerpts: Lower Strings: Introduction to the viola 0:42 | |
| Composed by Jeremy Siepmann | ||
| Performed by Jeremy Siepmann | ||
| 69. | Concerto for viola, strings & continuo in G major, TWV51:G9: Movement 1 2:46 | |
| Composed by Georg Philipp Telemann | ||
| Performed by Capella Istropolitana | ||
| Conducted by Richard Edlinger | ||
| 70. | The Instruments of the Orchestra, narration with musical excerpts: Lower Strings: Khatchaturian gets a very different 0:14 | |
| Composed by Jeremy Siepmann | ||
| Performed by Jeremy Siepmann | ||
| 71. | Gayane Suite No.1, for orchestra: Armen's Solo (excerpt) 1:15 | |
| Composed by Aram Khachaturian | ||
| Performed by St. Petersburg State Symphony Orchestra | ||
| Conducted by André Anichanov | ||
| 72. | The Instruments of the Orchestra, narration with musical excerpts: Lower Strings: Very nearly the whole of the violin 0:39 | |
| Composed by Jeremy Siepmann | ||
| Performed by Jeremy Siepmann | ||
| 73. | Passacaglia (from Peter Grimes), for orchestra, Op. 33b: excerpt 1:00 | |
| Composed by Benjamin Britten | ||
| Conducted by Myer Fredman | ||
| Performed by New Zealand Symphony Orchestra | ||
| 74. | The Instruments of the Orchestra, narration with musical excerpts: Lower Strings: The viola can bring a special, rich 1:03 | |
| Composed by Jeremy Siepmann | ||
| Performed by Jeremy Siepmann, Lars Anders Tomter and Symphony Orchestra of Ireland | ||
| Conducted by Gerhard Markson | ||
| 75. | Harold en Italie (Harold in Italy), symphony for viola & orchestra, H. 68 (Op. 16): No. 4 (excerpt) 2:00 | |
| Composed by Hector Berlioz | ||
| Performed by Rivka Golani and San Diego Symphony Orchestra | ||
| Conducted by Yoav Talmi | ||
| 76. | The Instruments of the Orchestra, narration with musical excerpts: Lower Strings: The muted viola: intimate, gentle, 0:34 | |
| Composed by Jeremy Siepmann | ||
| Performed by Jeremy Siepmann | ||
| 77. | Cypresses (Ohlas písní [Echoes of Songs]), for string quartet (arr. from Cypresses, B. 11), B. 152: No. 9 3:00 | |
| Composed by Antonin Dvorák | ||
| Performed by Vlach Quartet Prague | ||
| 78. | The Instruments of the Orchestra, narration with musical excerpts: Lower Strings: The massed violas of the modern sym 0:40 | |
| Composed by Jeremy Siepmann | ||
| Performed by Jeremy Siepmann | ||
| 79. | Symphony No. 4 in G major: Movement 3 (excerpt) 1:13 | |
| Composed by Gustav Mahler | ||
| Performed by Polish Radio and Television National Symphony Orchestra and Lynda Russell | ||
| Conducted by Antoni Wit | ||
| 80. | The Instruments of the Orchestra, narration with musical excerpts: Lower Strings: The "period" viola in Bach 1:05 | |
| Composed by Jeremy Siepmann | ||
| Performed by Jeremy Siepmann | ||
| 81. | Brandenburg Concerto No. 6 in B flat major, BWV 1051: Allegro 5:18 | |
| Composed by Johann Sebastian Bach | ||
| Performed by Cologne Chamber Orchestra and Makoto Sudo | ||
| Conducted by Helmut Müller-Brühl | ||
| 82. | The Instruments of the Orchestra, narration with musical excerpts: Lower Strings: The cello: a voice of unique nobili 0:28 | |
| Composed by Jeremy Siepmann | ||
| Performed by Jeremy Siepmann | ||
| 83. | Suite for solo cello No. 1 in G major, BWV 1007: Prelude 2:30 | |
| Composed by Johann Sebastian Bach | ||
| Performed by Csaba Onczay | ||
| 84. | The Instruments of the Orchestra, narration with musical excerpts: Lower Strings: Brahms and the "soul" of the cello 0:19 | |
| Composed by Jeremy Siepmann | ||
| Performed by Jeremy Siepmann | ||
| 85. | Piano Concerto No. 2 in B flat major, Op. 83: Movement 3 (excerpt) 1:04 | |
| Composed by Johannes Brahms | ||
| Performed by Idil Biret and Polish Radio and Television National Symphony Orchestra | ||
| Conducted by Antoni Wit | ||
| 86. | The Instruments of the Orchestra, narration with musical excerpts: Lower Strings: Most orchestral composers tend to e 0:27 | |
| Composed by Jeremy Siepmann | ||
| Performed by Jeremy Siepmann | ||
| 87. | Cantata No. 147, "Herz und Mund und Tat und Leben," BWV 147: Aria: Bereite dir, Jesu 3:03 | |
| Composed by Johann Sebastian Bach | ||
| Conducted by Matyas Antal | ||
| Performed by Failoni Orchestra and Ingrid Kertesi | ||
| 88. | The Instruments of the Orchestra, narration with musical excerpts: Lower Strings: In the time of Beethoven the cello 0:14 | |
| Composed by Jeremy Siepmann | ||
| Performed by Jeremy Siepmann | ||
| 89. | Symphony No. 3 in E flat major ("Eroica"), Op. 55: Finale (excerpt) 0:46 | |
| Composed by Ludwig van Beethoven | ||
| Conducted by Bela Drahos | ||
| Performed by Nicolaus Esterházy Sinfonia | ||
| 90. | The Instruments of the Orchestra, narration with musical excerpts: Lower Strings: But the cello is not condemned to s 0:33 | |
| Composed by Jeremy Siepmann | ||
| Performed by Jeremy Siepmann | ||
| 91. | Elfentanz for cello & piano, Op 39 "Dance of the Elves" 2:55 | |
| Composed by David Popper | ||
| Performed by Helene Jeanney and Hai-Ye Ni | ||
| 92. | The Instruments of the Orchestra, narration with musical excerpts: Lower Strings: Not only in recital showpieces like 0:10 | |
| Composed by Jeremy Siepmann | ||
| Performed by Jeremy Siepmann | ||
| 93. | The Protecting Veil, for cello & orchestra: Opening (excerpt) 2:54 | |
| Composed by John Tavener | ||
| Performed by Maria Kliegel and Ulster Orchestra | ||
| Conducted by Takuo Yuasa | ||
| 94. | The Instruments of the Orchestra, narration with musical excerpts: Lower Strings: A cello with an identity-crisis: th 0:15 | |
| Composed by Jeremy Siepmann | ||
| Performed by Jeremy Siepmann | ||
| 95. | Flamenco 2:48 | |
| Composed by Huguety Tagell | ||
| Performed by Bernd Glemser and Maria Kliegel | ||
| 96. | The Instruments of the Orchestra, narration with musical excerpts: Lower Strings: Double-stopping in the lower reache 0:31 | |
| Composed by Jeremy Siepmann | ||
| Performed by Jeremy Siepmann | ||
| 97. | Suite for cello solo: Sardana (excerpt) 1:08 | |
| Composed by Gaspar Cassadó | ||
| Performed by Bernd Glemser and Maria Kliegel | ||
| 98. | The Instruments of the Orchestra, narration with musical excerpts: Lower Strings: It's in its middle register that th 0:21 | |
| Composed by Jeremy Siepmann | ||
| Performed by Jeremy Siepmann | ||
| 99. | Pieces (2), for cello & piano, Op. 2: No. 2, Oriental Dance (excerpt) 1:32 | |
| Composed by Sergey Rachmaninov | ||
| Performed by Bernd Glemser and Maria Kliegel | ||
| 100. | The Instruments of the Orchestra, narration with musical excerpts: Lower Strings: It was to the cellos that Beethoven 0:54 | |
| Composed by Jeremy Siepmann | ||
| Conducted by Bela Drahos | ||
| Performed by Jeremy Siepmann and Nicolaus Esterházy Sinfonia | ||
| 101. | Symphony No. 9 in D minor ("Choral") Op. 125: Finale (excerpt) 0:54 | |
| Composed by Ludwig van Beethoven | ||
| Performed by Ruxandra Donose, Claudio Otelli, Manfred Fink, Hasmik Papian, Nicolaus Esterházy Chorus and Nicolaus Esterházy Sinfonia | ||
| Conducted by Bela Drahos | ||
| 102. | The Instruments of the Orchestra, narration with musical excerpts: Lower Strings: Introduction to the double-bass 0:43 | |
| Composed by Jeremy Siepmann | ||
| Performed by Jeremy Siepmann | ||
| 103. | Carnival of the Animals, zoological fantasy for 2 pianos & ensemble, complete: The Elephant 1:32 | |
| Composed by Camille Saint-Saëns | ||
| Performed by Slovak Radio Symphony Orchestra (Bratislava) | ||
| Conducted by Ondrej Lenard | ||
| 104. | The Instruments of the Orchestra, narration with musical excerpts: Lower Strings: but the double-bass can be intensel 0:10 | |
| Composed by Jeremy Siepmann | ||
| Performed by Jeremy Siepmann | ||
| 105. | Elegia for double-bass & piano in D: excerpt 2:37 | |
| Composed by Giovanni Bottesini | ||
| Performed by Joel Quarrington and Andrew Burashko | ||
| 106. | The Instruments of the Orchestra, narration with musical excerpts: Lower Strings: The range of the double-bass is the 0:47 | |
| Composed by Jeremy Siepmann | ||
| Performed by Joel Quarrington, Jeremy Siepmann and Andrew Burashko | ||
| 107. | Capriccio Di Bravura for double-bass & piano: Excerpt 4:42 | |
| Composed by Giovanni Bottesini | ||
| Performed by Joel Quarrington and Andrew Burashko | ||
| 108. | The Instruments of the Orchestra, narration with musical excerpts: Lower Strings: Double-bass solos in orchestral sco 1:33 | |
| Composed by Jeremy Siepmann | ||
| Conducted by Michael Halász and Antoni Wit | ||
| Performed by Polish Radio and Television National Symphony Orchestra and Jeremy Siepmann | ||
| 109. | The Instruments of the Orchestra, narration with musical excerpts: Lower Strings: The Double-bass muted in Prokofiev. 2:25 | |
| Composed by Jeremy Siepmann | ||
| Conducted by Michael Halász and Antoni Wit | ||
| Performed by Polish Radio and Television National Symphony Orchestra and Jeremy Siepmann | ||
| 110. | Symphony No. 5 in C minor ("Fate") Op. 67: Movement 3 (excerpt) 1:20 | |
| Composed by Ludwig van Beethoven | ||
| Conducted by Bela Drahos | ||
| Performed by Nicolaus Esterházy Sinfonia | ||
| 111. | The Instruments of the Orchestra, narration with musical excerpts: Woodwinds: The antiquity and magic of the flute 0:20 | |
| Composed by Jeremy Siepmann | ||
| Performed by Jeremy Siepmann | ||
| 112. | Prélude ŕ l'aprčs-midi d'un faune (Prelude to the Afternoon of a Faun), for orchestra, L. 86: Excerpt 3:19 | |
| Composed by Claude Debussy | ||
| Performed by Judy Loman and Nora Shulman | ||
| 113. | The Instruments of the Orchestra, narration with musical excerpts: Woodwinds: The versatility and agility of the flut 0:21 | |
| Composed by Jeremy Siepmann | ||
| Performed by Jeremy Siepmann | ||
| 114. | Suite for orchestra No 2 in B minor, BWV 1067: Badinerie (excerpt) 1:18 | |
| Composed by Johann Sebastian Bach | ||
| Performed by Capella Istropolitana | ||
| Conducted by Jaroslav Dvorak | ||
| 115. | The Instruments of the Orchestra, narration with musical excerpts: Woodwinds: The flute in fifteenth-century Spain 0:24 | |
| Composed by Jeremy Siepmann | ||
| Performed by Jeremy Siepmann | ||
| 116. | Sa'dâwî: Excerpt 0:55 | |
| Composed by Anonymous | ||
| Conducted by Thomas Wimmer | ||
| Performed by Ensemble Accentus | ||
| 117. | The Instruments of the Orchestra, narration with musical excerpts: Woodwinds: Other flutes: the bass and alto 0:29 | |
| Composed by Jeremy Siepmann | ||
| Performed by Jeremy Siepmann | ||
| 118. | Chamber Music II, Op 41, for alto flute and string orchestra: excerpt 1:12 | |
| Composed by Aulis Sallinen | ||
| Conducted by Okko Kamu | ||
| Performed by Hanna Juutilainen, Mats Rondin and Finnish Chamber Orchestra | ||
| 119. | The Instruments of the Orchestra, narration with musical excerpts: Woodwinds: The piccolo - aptly named 0:19 | |
| Composed by Jeremy Siepmann | ||
| Performed by Jeremy Siepmann | ||
| 120. | La Naissance d'Osiris ou La Fęte Pamilie, acte de ballet: No. 6 (excerpt) 0:47 | |
| Composed by Jean-Philippe Rameau | ||
| Performed by Capella Savaria | ||
| Conducted by Mary Terey-Smith | ||
| 121. | The Instruments of the Orchestra, narration with musical excerpts: Woodwinds: From a piccolo of the eighteenth centur 0:09 | |
| Composed by Jeremy Siepmann | ||
| Performed by Jeremy Siepmann | ||
| 122. | Suite No. 1, for chamber orchestra: Valse (excerpt) 0:54 | |
| Composed by Igor Stravinsky | ||
| Performed by BRT Philharmonic Orchestra | ||
| Conducted by Alexander Rahbari | ||
| 123. | The Instruments of the Orchestra, narration with musical excerpts: Woodwinds: A variety of techniques 0:19 | |
| Composed by Jeremy Siepmann | ||
| Performed by Jeremy Siepmann | ||
| 124. | Chamber Music II, Op 41, for alto flute and string orchestra: excerpt 0:31 | |
| Composed by Aulis Sallinen | ||
| Conducted by Okko Kamu | ||
| Performed by Hanna Juutilainen, Mats Rondin and Finnish Chamber Orchestra | ||
| 125. | The Instruments of the Orchestra, narration with musical excerpts: Woodwinds: Flutter-tonguing. But Tchaikovsky got t 0:28 | |
| Composed by Jeremy Siepmann | ||
| Performed by Jeremy Siepmann | ||
| 126. | Nutcracker, ballet, Op.71: Act 2. No. 2. Scčne (excerpt) 0:44 | |
| Composed by Peter Ilich Tchaikovsky | ||
| Performed by Slovak Radio Symphony Orchestra (Bratislava) | ||
| Conducted by Ondrej Lenard | ||
| 127. | The Instruments of the Orchestra, narration with musical excerpts: Woodwinds: From the transverse to the vertical: th 0:40 | |
| Composed by Jeremy Siepmann | ||
| Performed by Jeremy Siepmann | ||
| 128. | Suite for recorder (or flute), strings & continuo in A minor, TWV 55:a2: Menuet II 2:12 | |
| Composed by Georg Philipp Telemann | ||
| Performed by Capella Istropolitana | ||
| Conducted by Richard Edlinger | ||
| 129. | The Instruments of the Orchestra, narration with musical excerpts: Woodwinds: An unfamiliar, early version of the ins 0:23 | |
| Composed by Jeremy Siepmann | ||
| Performed by Jeremy Siepmann | ||
| 130. | Needles, needles 1:09 | |
| Composed by Josquin Baston | ||
| Performed by Convivium Musicum Gothenburgense | ||
| 131. | The Instruments of the Orchestra, narration with musical excerpts: Woodwinds: The Bachian oboe 0:35 | |
| Composed by Jeremy Siepmann | ||
| Performed by Jeremy Siepmann | ||
| 132. | Cantata No. 80, "Ein feste Burg ist unser Gott," BWV 80: No. 7. Duetto (excerpt) 3:34 | |
| Composed by Johann Sebastian Bach | ||
| Conducted by Matyas Antal | ||
| Performed by Failoni Orchestra, Istvan Gati, Hungarian Radio Chorus, Ingrid Kertesi, Jozsef Mukk and Judit Nemeth | ||
| 133. | The Instruments of the Orchestra, narration with musical excerpts: Woodwinds: Introduction to the cor anglais or "Eng 0:41 | |
| Composed by Jeremy Siepmann | ||
| Performed by Jeremy Siepmann | ||
| 134. | Symphony No. 9 in E minor ("From the New World," first published as No. 5), B. 178 (Op. 95): Movement 2 (excerpt) 1:24 | |
| Composed by Antonin Dvorák | ||
| Conducted by Stephen Gunzenhauser | ||
| Performed by Slovak Philharmonic Orchestra | ||
| 135. | The Instruments of the Orchestra, narration with musical excerpts: Woodwinds: The loneliness of the cor anglais 0:11 | |
| Composed by Jeremy Siepmann | ||
| Performed by Jeremy Siepmann | ||
| 136. | The Swan of Tuonela, tone poem for orchestra (Lemminkäinen Suite No. 3), Op. 22/3: Excerpt 1:49 | |
| Composed by Jean Sibelius | ||
| Performed by Iceland Symphony Orchestra | ||
| Conducted by Petri Sakari | ||
| 137. | The Instruments of the Orchestra, narration with musical excerpts: Woodwinds: The cor anglais joins the French horn i 0:17 | |
| Composed by Jeremy Siepmann | ||
| Performed by Jeremy Siepmann | ||
| 138. | Symphony No. 22 in E flat major ("Philosopher"), H. 1/22: Opening (excerpt) 1:43 | |
| Composed by Franz Joseph Haydn | ||
| Performed by Northern Chamber Orchestra | ||
| Conducted by Nicholas Ward | ||
| 139. | The Instruments of the Orchestra, narration with musical excerpts: Woodwinds: Introduction to the oboe d'amore, belov 0:22 | |
| Composed by Jeremy Siepmann | ||
| Performed by Jeremy Siepmann | ||
| 140. | Boléro, ballet for orchestra (or piano): Excerpt 0:50 | |
| Composed by Maurice Ravel | ||
| Conducted by Adrian Leaper | ||
| Performed by Royal Philharmonic Orchestra | ||
| 141. | The Instruments of the Orchestra, narration with musical excerpts: Woodwinds: The Clarinet family: boxing the compass 0:37 | |
| Composed by Jeremy Siepmann | ||
| Performed by Slovak Radio Symphony Orchestra (Bratislava), Jeremy Siepmann, Moscow Symphony Orchestra and Moscow Symphony Choir | ||
| Conducted by Ondrej Lenard and William T. Stromberg | ||
| 142. | The Instruments of the Orchestra, narration with musical excerpts: Woodwinds: ... to the shrill and complaining.... I 1:38 | |
| Composed by Jeremy Siepmann | ||
| Performed by Slovak Radio Symphony Orchestra (Bratislava), Jeremy Siepmann, Moscow Symphony Orchestra and Moscow Symphony Choir | ||
| Conducted by Ondrej Lenard and William T. Stromberg | ||
| 143. | The Instruments of the Orchestra, narration with musical excerpts: Woodwinds: As the high clarinets tend to be loud, 0:18 | |
| Composed by Jeremy Siepmann | ||
| Performed by Jeremy Siepmann | ||
| 144. | Gayane Suite No.1, for orchestra: No. 5 (excerpt) 0:54 | |
| Composed by Aram Khachaturian | ||
| Performed by St. Petersburg State Symphony Orchestra | ||
| Conducted by André Anichanov | ||
| 145. | The Instruments of the Orchestra, narration with musical excerpts: Woodwinds: The bass clarinet is used by most compo 1:44 | |
| Composed by Jeremy Siepmann | ||
| Performed by BRT Philharmonic Orchestra, Slovak Radio Symphony Orchestra (Bratislava) and Jeremy Siepmann | ||
| Conducted by Kenneth Jean and Alexander Rahbari | ||
| 146. | The Instruments of the Orchestra, narration with musical excerpts: Woodwinds: The Range of the normal clarinet parts 0:14 | |
| Composed by Jeremy Siepmann | ||
| Performed by Jeremy Siepmann | ||
| 147. | The Snow Maiden, incidental music, Op. 12: Scene 5: Melodrama (excerpt) 1:17 | |
| Composed by Peter Ilich Tchaikovsky | ||
| Conducted by Igor Golovschin | ||
| Performed by Moscow Capella, Elena Okolycheva, Arkady Mishenkin and Moscow Symphony Orchestra | ||
| 148. | The Instruments of the Orchestra, narration with musical excerpts: Woodwinds: ... and quite low 0:05 | |
| Composed by Jeremy Siepmann | ||
| Performed by Jeremy Siepmann | ||
| 149. | Peter and the Wolf, children's tale for narrator & orchestra, Op. 67: The Cat (excerpt) 0:45 | |
| Composed by Sergey Prokofiev | ||
| Performed by Slovak Radio Symphony Orchestra (Bratislava) | ||
| Conducted by Ondrej Lenard | ||
| 150. | The Instruments of the Orchestra, narration with musical excerpts: Woodwinds: The clarinet as concerto soloist 0:19 | |
| Composed by Jeremy Siepmann | ||
| Performed by Jeremy Siepmann | ||
| 151. | Clarinet Concerto in A major, K. 622: Rondo (excerpt) 2:48 | |
| Composed by Wolfgang Amadeus Mozart | ||
| Performed by Ernst Ottensamer and Vienna Mozart Academy | ||
| Conducted by Johannes Wildner | ||
| 152. | The Instruments of the Orchestra, narration with musical excerpts: Woodwinds: but that's not the instrument Mozart wr 0:16 | |
| Composed by Jeremy Siepmann | ||
| Performed by Jeremy Siepmann | ||
| 153. | Clarinet Concerto in A major, K. 622: Rondo (excerpt) 2:47 | |
| Composed by Wolfgang Amadeus Mozart | ||
| Performed by English Chamber Orchestra and Thea King | ||
| Conducted by Jeffrey Tate | ||
| 154. | The Instruments of the Orchestra, narration with musical excerpts: Woodwinds: Introduction to the saxophone 1:06 | |
| Composed by Jeremy Siepmann | ||
| Performed by Jeremy Siepmann | ||
| 155. | Háry János-Suite, Op 35a/1-6, complete: No. 4 (excerpt) 1:03 | |
| Composed by Zoltán Kodály | ||
| Conducted by Matyas Antal | ||
| Performed by Hungarian State Symphony Orchestra | ||
| 156. | The Instruments of the Orchestra, narration with musical excerpts: Woodwinds: The Soprano saxophone has quite a diffe 0:09 | |
| Composed by Jeremy Siepmann | ||
| Performed by Jeremy Siepmann | ||
| 157. | L' Arlésienne, Suite I for orchestra, from the incidental music: Minuet (excerpt) 1:17 | |
| Composed by Georges Bizet | ||
| Performed by Slovak Philharmonic Orchestra | ||
| Conducted by Anthony Bramall | ||
| 158. | The Instruments of the Orchestra, narration with musical excerpts: Woodwinds: The little sopranino sax goes even high 0:12 | |
| Composed by Jeremy Siepmann | ||
| Performed by Jeremy Siepmann | ||
| 159. | Boléro, ballet for orchestra (or piano): Excerpt 0:53 | |
| Composed by Maurice Ravel | ||
| Conducted by Adrian Leaper | ||
| Performed by Royal Philharmonic Orchestra | ||
| 160. | The Instruments of the Orchestra, narration with musical excerpts: Woodwinds: The most famous use of the saxophone is 0:16 | |
| Composed by Jeremy Siepmann | ||
| Performed by Jeremy Siepmann | ||
| 161. | Pictures at an Exhibition (Kartinki s vďstavski), for orchestra, orchestrated by Ravel: The Old Castle (excerpt) 0:55 | |
| Composed by Modest Mussorgsky | ||
| Performed by Slovak Philharmonic Orchestra | ||
| Conducted by Daniel Nazareth | ||
| 162. | The Instruments of the Orchestra, narration with musical excerpts: Woodwinds: The saxophhone can be quite contagiousl 0:11 | |
| Composed by Jeremy Siepmann | ||
| Performed by Jeremy Siepmann | ||
| 163. | Sax-O-Phun for saxophone & piano: Excerpt 0:22 | |
| Composed by Rudy Wiedoeft | ||
| Performed by Rudy Wiedoeft | ||
| 164. | The Instruments of the Orchestra, narration with musical excerpts: Woodwinds: The puffa-puffa image of the bassoon 0:25 | |
| Composed by Jeremy Siepmann | ||
| Performed by Jeremy Siepmann | ||
| 165. | Peter and the Wolf, children's tale for narrator & orchestra, Op. 67: Grandfather (excerpt) 0:46 | |
| Composed by Sergey Prokofiev | ||
| Performed by Slovak Radio Symphony Orchestra (Bratislava) | ||
| Conducted by Ondrej Lenard | ||
| 166. | The Instruments of the Orchestra, narration with musical excerpts: Woodwinds: the Bachian bassoon, in accompanimental 0:20 | |
| Composed by Jeremy Siepmann | ||
| Performed by Jeremy Siepmann | ||
| 167. | Cantata No. 202, "Weichet nur, betrübte Schatten," ("Wedding Cantata"), BWV 202: Aria No. 1 (excerpt) 1:19 | |
| Composed by Johann Sebastian Bach | ||
| Conducted by Christian Brembeck | ||
| Performed by Capella Istropolitana and Friderike Wagner | ||
| 168. | The Instruments of the Orchestra, narration with musical excerpts: Woodwinds: Bizet leaves the puffa-puffa image out, 0:56 | |
| Composed by Jeremy Siepmann | ||
| Performed by Jeremy Siepmann and Slovak Philharmonic Orchestra | ||
| Conducted by Anthony Bramall | ||
| 169. | The Instruments of the Orchestra, narration with musical excerpts: Woodwinds: And Ravel, also in spanish mode, does l 0:16 | |
| Composed by Jeremy Siepmann | ||
| Performed by Jeremy Siepmann | ||
| 170. | Boléro, ballet for orchestra (or piano): Excerpt 0:59 | |
| Composed by Maurice Ravel | ||
| Conducted by Adrian Leaper | ||
| Performed by Royal Philharmonic Orchestra | ||
| 171. | The Instruments of the Orchestra, narration with musical excerpts: Woodwinds: The Bassoon as a voice of high seriousn 0:15 | |
| Composed by Jeremy Siepmann | ||
| Performed by Jeremy Siepmann | ||
| 172. | Symphony No.3: Opening (excerpt) 1:03 | |
| Composed by Arnold Bax | ||
| Conducted by David Lloyd-Jones | ||
| Performed by Royal Scottish National Orchestra | ||
| 173. | The Instruments of the Orchestra, narration with musical excerpts: Woodwinds: The eerie bassoon in its highest regist 0:15 | |
| Composed by Jeremy Siepmann | ||
| Performed by Jeremy Siepmann | ||
| 174. | Le Sacre du printemps (The Rite of Spring), ballet in 2 parts for orchestra: Opening (excerpt) 0:58 | |
| Composed by Igor Stravinsky | ||
| Performed by BRT Philharmonic Orchestra | ||
| Conducted by Alexander Rahbari | ||
| 175. | The Instruments of the Orchestra, narration with musical excerpts: Woodwinds: Stravinsky now draws on its lowest regi 0:21 | |
| Composed by Jeremy Siepmann | ||
| Performed by Jeremy Siepmann | ||
| 176. | L'oiseau de feu (The Firebird), concert suite for orchestra No. 2: Berceuse (excerpt) 1:01 | |
| Composed by Igor Stravinsky | ||
| Performed by BRT Philharmonic Orchestra | ||
| Conducted by Alexander Rahbari | ||
| 177. | The Instruments of the Orchestra, narration with musical excerpts: Woodwinds: The bassoon as concerto soloist, avoidi 0:14 | |
| Composed by Jeremy Siepmann | ||
| Performed by Jeremy Siepmann | ||
| 178. | Bassoon Concerto in G minor: Finale (excerpt) 2:02 | |
| Composed by Johann Melchior Molter | ||
| Conducted by Nicolas Pasquet | ||
| Performed by Stockholm Philharmonic Orchestra and Albrecht Holder | ||
| 179. | The Instruments of the Orchestra, narration with musical excerpts: Woodwinds: the deep-voiced contra-bassoon, as a fa 0:28 | |
| Composed by Jeremy Siepmann | ||
| Performed by Jeremy Siepmann | ||
| 180. | Ma mčre l'oye, for piano, 4 hands (or orchestra): Beauty and the Beast (excerpt) 1:30 | |
| Composed by Maurice Ravel | ||
| Performed by Slovak Radio Symphony Orchestra (Bratislava) and Johnny Morris | ||
| Conducted by Kenneth Jean | ||
| 181. | The Instruments of the Orchestra, narration with musical excerpts: Woodwinds: The French horn under its woodwind hat 0:25 | |
| Composed by Jeremy Siepmann | ||
| Performed by Jeremy Siepmann | ||
| 182. | Quintet for winds, Op 43/FS 100: Last movement (excerpt) 1:42 | |
| Composed by Carl Nielsen | ||
| Performed by Oslo Wind Ensemble | ||
| 183. | The Instruments of the Orchestra, narration with musical excerpts: Woodwinds: Now a more prominent role, in a woodwin 0:12 | |
| Composed by Jeremy Siepmann | ||
| Performed by Jeremy Siepmann | ||
| 184. | Woodwind Quintet in A minor, Op.100/5: No. 2 (excerpt) 1:32 | |
| Composed by Antoine Reicha | ||
| Performed by Michael Thompson Wind Quintet | ||
| 185. | The Instruments of the Orchestra, narration with musical excerpts: Woodwinds: The horn in harmonious blend with strin 0:16 | |
| Composed by Jeremy Siepmann | ||
| Performed by Jeremy Siepmann | ||
| 186. | Quintet for horn, violin, 2 violas & cello in E flat major, K. 407 (K. 386c): Finale 3:55 | |
| Composed by Wolfgang Amadeus Mozart | ||
| Performed by Jenö Keveházi and Kodaly Quartet | ||
| 187. | The Instruments of the Orchestra, narration with musical excerpts: Brass: The trumpet as virtuoso soloist 1:02 | |
| Composed by Jeremy Siepmann | ||
| Performed by Jeremy Siepmann | ||
| 188. | Brandenburg Concerto No. 2 in F major, BWV 1047: Allegro assai 2:37 | |
| Composed by Johann Sebastian Bach | ||
| Performed by Christian Hommel, Cologne Chamber Orchestra, Winfried Rademacher, Nadja Schubert and Jürgen Schuster | ||
| Conducted by Helmut Müller-Brühl | ||
| 189. | The Instruments of the Orchestra, narration with musical excerpts: Brass: The special brilliance of paired trumpets 0:19 | |
| Composed by Jeremy Siepmann | ||
| Performed by Jeremy Siepmann | ||
| 190. | Double Trumpet Concerto for 2 trumpets, strings & continuo in C Major, RV 537: No. 1 2:54 | |
| Composed by Antonio Vivaldi | ||
| Performed by Niklas Eklund, Jeffrey Segal and Wasa Baroque Ensemble | ||
| Conducted by Edward H. Tarr | ||
| 191. | The Instruments of the Orchestra, narration with musical excerpts: Brass: The ceremonial trumpet 0:36 | |
| Composed by Jeremy Siepmann | ||
| Performed by Jeremy Siepmann | ||
| 192. | Fanfare for the Common Man, for brass & percussion (from Symphony No. 3): Excerpt 1:25 | |
| Composed by Aaron Copland | ||
| Performed by Slovak Radio Symphony Orchestra (Bratislava) | ||
| Conducted by Stephen Gunzenhauser | ||
| 193. | The Instruments of the Orchestra, narration with musical excerpts: Brass: Trumpets and drums - an incomparable allian 0:34 | |
| Composed by Jeremy Siepmann | ||
| Performed by Jeremy Siepmann | ||
| 194. | Messiah, oratorio, HWV 56: The Trumpet Shall Sound 4:10 | |
| Composed by George Frideric Handel | ||
| Performed by Scholars Baroque Ensemble | ||
| 195. | The Instruments of the Orchestra, narration with musical excerpts: Brass: The versatility of the trumpet, from the mo 0:38 | |
| Composed by Jeremy Siepmann | ||
| Performed by Jeremy Siepmann | ||
| 196. | Concerto in F, for piano & orchestra: Excerpt 1:14 | |
| Composed by George Gershwin | ||
| Conducted by Richard Hayman | ||
| Performed by Slovak Radio Symphony Orchestra (Bratislava), Kathryn Selby and Slovak Philharmonic Orchestra | ||
| 197. | The Instruments of the Orchestra, narration with musical excerpts: Brass: The trumpet as the voice of the city. Inclu 2:05 | |
| Composed by Jeremy Siepmann | ||
| Conducted by Richard Hayman and Nicholas Ward | ||
| Performed by Slovak Radio Symphony Orchestra (Bratislava), Northern Chamber Orchestra, Kathryn Selby, Jeremy Siepmann, Slovak Philharmonic Orchestra, Jonathan Keeble and David Timson | ||
| 198. | Carmen Suite for orchestra, No. 2 (assembled by Ernest Guirard): Habanera (excerpt) 0:55 | |
| Composed by Georges Bizet | ||
| Performed by Slovak Philharmonic Orchestra | ||
| Conducted by Anthony Bramall | ||
| 199. | The Instruments of the Orchestra, narration with musical excerpts: Brass: The trumpet as the voice of strength and co 0:13 | |
| Composed by Jeremy Siepmann | ||
| Performed by Jeremy Siepmann | ||
| 200. | Carmen Suite for orchestra, No. 2 (assembled by Ernest Guirard): Toreador's Song (excerpt) 2:20 | |
| Composed by Georges Bizet | ||
| Performed by Slovak Philharmonic Orchestra | ||
| Conducted by Anthony Bramall | ||
| 201. | The Instruments of the Orchestra, narration with musical excerpts: Brass: The trumpet muted. Includes excerpt from St 1:41 | |
| Composed by Jeremy Siepmann | ||
| Performed by BRT Philharmonic Orchestra, Jeremy Siepmann and Slovak State Philharmonic | ||
| Conducted by Andrew Mogrelia and Alexander Rahbari | ||
| 202. | Billy the Kid, complete ballet: Excerpt 1:16 | |
| Composed by Aaron Copland | ||
| Performed by Slovak Radio Symphony Orchestra (Bratislava) | ||
| Conducted by Stephen Gunzenhauser | ||
| 203. | The Instruments of the Orchestra, narration with musical excerpts: Brass: The trumpet as a character actor 0:31 | |
| Composed by Jeremy Siepmann | ||
| Performed by Jeremy Siepmann | ||
| 204. | Pictures at an Exhibition (Kartinki s vďstavski), for orchestra, orchestrated by Ravel: No. 6 2:25 | |
| Composed by Modest Mussorgsky | ||
| Performed by Slovak Philharmonic Orchestra | ||
| Conducted by Daniel Nazareth | ||
| 205. | The Instruments of the Orchestra, narration with musical excerpts: Brass: The trumpet as the voice of God 0:15 | |
| Composed by Jeremy Siepmann | ||
| Performed by Jeremy Siepmann | ||
| 206. | Mass in B minor, BWV 232: Et exspecto 4:35 | |
| Composed by Johann Sebastian Bach | ||
| Conducted by Christian Brembeck | ||
| Performed by Capella Istropolitana, Hartmut Elbert, Marina Koppelstetter, Markus Schafer, Slovak Philharmonic Choir, Friderike Wagner and Faridah Schäfer-Subrata | ||
| 207. | The Instruments of the Orchestra, narration with musical excerpts: Brass: The birth of the trombone 0:38 | |
| Composed by Jeremy Siepmann | ||
| Performed by Jeremy Siepmann | ||
| 208. | Aenmerckt nu hier 1:36 | |
| Composed by Anonymous, Flemish | ||
| Performed by Convivium Musicum Gothenburgense | ||
| 209. | The Instruments of the Orchestra, narration with musical excerpts: Brass: The birth of the brass as a family 1:24 | |
| Composed by Jeremy Siepmann | ||
| Performed by Jeremy Siepmann | ||
| 210. | Sacrae Symphoniae: No. 12: Canzon in echo duodecimi toni for 10 parts 3:18 | |
| Composed by Giovanni Gabrieli | ||
| Conducted by Eric Crees | ||
| Performed by London Symphony Orchestra | ||
| 211. | The Instruments of the Orchestra, narration with musical excerpts: Brass: The trombone in the eighteenth century 0:36 | |
| Composed by Jeremy Siepmann | ||
| Performed by Jeremy Siepmann | ||
| 212. | Trombone Concerto in B flat: Finale 3:06 | |
| Composed by Johann Georg Albrechtsberger | ||
| Performed by Alain Trudel and Northern Sinfonia Chorus | ||
| 213. | The Instruments of the Orchestra, narration with musical excerpts: Brass: The tone of the tenor trombone. Includes ex 2:18 | |
| Composed by Jeremy Siepmann | ||
| Performed by Michael Schade, Jeremy Siepmann, Toronto Mendelssohn Choir, Patrick Wedd, Alain Trudel, Elora Festival Orchestra and Toronto Mendelssohn Youth Choir | ||
| Conducted by Noel Edison | ||
| 214. | Hosannah (Alleluja del Cantico del sol), for organ & trombone ad lib, S. 677 (LW F2): Excerpt 1:20 | |
| Composed by Franz Liszt | ||
| Performed by Patrick Wedd and Alain Trudel | ||
| 215. | The Instruments of the Orchestra, narration with musical excerpts: Brass: The trombones become part of the orchestra 0:47 | |
| Composed by Jeremy Siepmann | ||
| Performed by Jeremy Siepmann | ||
| 216. | Symphony No. 5 in C minor ("Fate") Op. 67: Finale (excerpt) 2:46 | |
| Composed by Ludwig van Beethoven | ||
| Conducted by Bela Drahos | ||
| Performed by Budapest Nicolaus Esterhazy Sinfonia | ||
| 217. | The Instruments of the Orchestra, narration with musical excerpts: Brass: The Wagnerian trombone. Includes excerpt fr 1:04 | |
| Composed by Jeremy Siepmann | ||
| Performed by Ivar Andrésen, Bayreuther Festspiele Chor, Maria Muller, Bayreuther Festspiele Orchester, Jeremy Siepmann, Ruth Jost-Arden and Sigismund Pilinszky | ||
| Conducted by Karl Elmendorff | ||
| 218. | The Instruments of the Orchestra, narration with musical excerpts: Brass: The trombone as a caricaturist 0:13 | |
| Composed by Jeremy Siepmann | ||
| Performed by Jeremy Siepmann | ||
| 219. | Pulcinella, ballet with song in 1 act, for 3 vocal soloists & orchestra: No. 19: Vivo (excerpt) 1:37 | |
| Composed by Igor Stravinsky | ||
| Performed by Ian Bostridge, Bournemouth Sinfonietta and Fiona James | ||
| Conducted by Stefan Sanderling | ||
| 220. | The Instruments of the Orchestra, narration with musical excerpts: Brass: The trombone as raspberry. Includes excerpt 1:46 | |
| Composed by Jeremy Siepmann | ||
| Performed by BRT Philharmonic Orchestra and Jeremy Siepmann | ||
| Conducted by Alexander Rahbari | ||
| 221. | The Instruments of the Orchestra, narration with musical excerpts: Brass: The horn and the hunt 0:40 | |
| Composed by Jeremy Siepmann | ||
| Performed by Jeremy Siepmann | ||
| 222. | Horn Concerto No. 4 in E flat major, K. 495: Finale 3:39 | |
| Composed by Wolfgang Amadeus Mozart | ||
| Performed by Bournemouth Sinfonietta and Michael Thompson | ||
| 223. | The Instruments of the Orchestra, narration with musical excerpts: Brass: The challenging horn of the Baroque 0:42 | |
| Composed by Jeremy Siepmann | ||
| Performed by Jeremy Siepmann | ||
| 224. | Les Boréades (Abaris), tragédie en musique: Menuet 1:20 | |
| Composed by Jean-Philippe Rameau | ||
| Performed by Capella Savaria | ||
| Conducted by Mary Terey-Smith | ||
| 225. | The Instruments of the Orchestra, narration with musical excerpts: Brass: The scarcity of first-rate players in Hande 0:24 | |
| Composed by Jeremy Siepmann | ||
| Performed by Jeremy Siepmann | ||
| 226. | Water Music Suite, No.1 for orchestra in F major, HWV 348: Minuet 1 1:57 | |
| Composed by George Frideric Handel | ||
| Performed by Capella Istropolitana | ||
| Conducted by Bohdan Warchal | ||
| 227. | The Instruments of the Orchestra, narration with musical excerpts: Brass: The horn as magician. Includes excerpt fron 0:59 | |
| Composed by Jeremy Siepmann | ||
| Performed by BRT Philharmonic Orchestra and Jeremy Siepmann | ||
| Conducted by Alexander Rahbari | ||
| 228. | The Instruments of the Orchestra, narration with musical excerpts: Brass: horns and the sound of nobility 0:12 | |
| Composed by Jeremy Siepmann | ||
| Performed by Jeremy Siepmann | ||
| 229. | Tannhäuser, opera, WWV 70: Overutre: Opening (excerpt) 0:56 | |
| Composed by Richard Wagner | ||
| Performed by Ivar Andrésen, Bayreuther Festspiele Chor, Maria Muller, Bayreuther Festspiele Orchester, Ruth Jost-Arden and Sigismund Pilinszky | ||
| Conducted by Karl Elmendorff | ||
| 230. | The Instruments of the Orchestra, narration with musical excerpts: Brass: the special sound of the horn in its higher 0:11 | |
| Composed by Jeremy Siepmann | ||
| Performed by Jeremy Siepmann | ||
| 231. | Mass in B minor, BWV 232: Quoniam tu solus sanctus 4:15 | |
| Composed by Johann Sebastian Bach | ||
| Performed by Capella Istropolitana, Hartmut Elbert, Marina Koppelstetter, Markus Schafer, Slovak Philharmonic Choir, Friderike Wagner and Faridah Schäfer-Subrata | ||
| Conducted by Karl Elmendorff | ||
| 232. | The Instruments of the Orchestra, narration with musical excerpts: Brass: The trumpet-like sound of massed horns 0:21 | |
| Composed by Jeremy Siepmann | ||
| Performed by Jeremy Siepmann | ||
| 233. | Symphony No. 3 in D minor: Movement 1 (opening) (excerpt) 0:38 | |
| Composed by Gustav Mahler | ||
| Performed by Krakow Philharmonic Choir, Polish Radio and Television National Symphony Orchestra, Ewa Podles and Krakow Boy's Choir | ||
| Conducted by Antoni Wit | ||
| 234. | The Instruments of the Orchestra, narration with musical excerpts: Brass: The tuba - Unfairly maligned? 0:49 | |
| Composed by Jeremy Siepmann | ||
| Performed by Jeremy Siepmann | ||
| 235. | Symphony No. 6 in E flat minor, Op. 111: Movement 3 (excerpt) 1:07 | |
| Composed by Sergey Prokofiev | ||
| Conducted by Theodore Kuchar | ||
| Performed by National Symphony Orchestra of Ukraine | ||
| 236. | The Instruments of the Orchestra, narration with musical excerpts: Brass: The tuba perfectly cast by Ravel 0:26 | |
| Composed by Jeremy Siepmann | ||
| Performed by Jeremy Siepmann | ||
| 237. | Pictures at an Exhibition (Kartinki s vďstavski), for orchestra, orchestrated by Ravel: Bydlo 3:00 | |
| Composed by Modest Mussorgsky | ||
| Performed by Slovak Philharmonic Orchestra | ||
| Conducted by Daniel Nazareth | ||
| 238. | The Instruments of the Orchestra, narration with musical excerpts: Percussion: Introduction. And we begin with a bang 1:02 | |
| Composed by Jeremy Siepmann | ||
| Performed by Jeremy Siepmann | ||
| 239. | The Instruments of the Orchestra, narration with musical excerpts: Percussion: The bass drum on the battlefields. Inc 1:03 | |
| Composed by Jeremy Siepmann | ||
| Performed by Slovak Radio Symphony Orchestra (Bratislava) and Jeremy Siepmann | ||
| Conducted by Stephen Gunzenhauser and Ondrej Lenard | ||
| 240. | The Instruments of the Orchestra, narration with musical excerpts: Percussion: At the opposite extreme is the triangl 0:26 | |
| Composed by Jeremy Siepmann | ||
| Performed by Jeremy Siepmann | ||
| 241. | Piano Concerto No. 1, for piano & orchestra in E-flat major, S. 124 (LW H4): Scherzo (excerpt) 1:21 | |
| Composed by Franz Liszt | ||
| Performed by Joseph Banowetz and Slovak Radio Symphony Orchestra (Bratislava) | ||
| Conducted by Oliver von Dohnanyi | ||
| 242. | The Instruments of the Orchestra, narration with musical excerpts: Percussion: Categories of percussion: tuned and un 0:36 | |
| Composed by Jeremy Siepmann | ||
| Performed by Jeremy Siepmann | ||
| 243. | La gazza ladra (The Thieving Magpie), opera: Overture: Opening (excerpt) 0:52 | |
| Composed by Gioachino Rossini | ||
| Conducted by Michael Halász | ||
| Performed by Zagreb Festival Orchestra | ||
| 244. | The Instruments of the Orchestra, narration with musical excerpts: Percussion: The side drum in an effective but unex 1:08 | |
| Composed by Jeremy Siepmann | ||
| Conducted by Kees Bakels | ||
| Performed by Bournemouth Sinfonietta, Jeremy Siepmann, Kevin Banks and Bournemouth Symphony Orchestra | ||
| 245. | The Instruments of the Orchestra, narration with musical excerpts: Percussion: The tambourine. One of the oldest inst 0:21 | |
| Composed by Jeremy Siepmann | ||
| Performed by Jeremy Siepmann | ||
| 246. | Den hoboecken dans 1:43 | |
| Composed by Anonymous | ||
| Performed by Convivium Musicum Gothenburgense | ||
| 247. | The Instruments of the Orchestra, narration with musical excerpts: Percussion: Even older is the originally oriental 0:28 | |
| Composed by Jeremy Siepmann | ||
| Performed by Jeremy Siepmann | ||
| 248. | Ma mčre l'oye, for piano, 4 hands (or orchestra): Laideronette (excerpt) 1:00 | |
| Composed by Maurice Ravel | ||
| Performed by Slovak Radio Symphony Orchestra (Bratislava) and Johnny Morris | ||
| Conducted by Kenneth Jean | ||
| 249. | The Instruments of the Orchestra, narration with musical excerpts: Percussion: No single instrument can match the gon 1:00 | |
| Composed by Jeremy Siepmann | ||
| Conducted by Myer Fredman | ||
| Performed by New Zealand Symphony Orchestra and Jeremy Siepmann | ||
| 250. | Gymnopedie for piano No.2, for piano 1:02 | |
| Composed by Erik Satie | ||
| Conducted by Peter Breiner | ||
| Performed by Gerald Garcia and Czecho-Slovak Radio State Philharmonic Orchestra | ||
| 251. | The Instruments of the Orchestra, narration with musical excerpts: Percussion: The cymbals are generally discovered e 1:28 | |
| Composed by Jeremy Siepmann | ||
| Performed by English Northern Philharmonia and Jeremy Siepmann | ||
| Conducted by David Lloyd-Jones | ||
| 252. | The Instruments of the Orchestra, narration with musical excerpts: Percussion: Other untuned percussion instruments i 1:05 | |
| Composed by Jeremy Siepmann | ||
| Performed by Slovak Radio Symphony Orchestra (Bratislava), Polish Radio and Television National Symphony Orchestra, Jeremy Siepmann and Francois-Joël Thiollier | ||
| Conducted by Ondrej Lenard and Antoni Wit | ||
| 253. | The Instruments of the Orchestra, narration with musical excerpts: Percussion: More versatile than the whip are the w 0:31 | |
| Composed by Jeremy Siepmann | ||
| Performed by Jeremy Siepmann | ||
| 254. | Rodeo, complete ballet: Hoe-Down (excerpt) 0:44 | |
| Composed by Aaron Copland | ||
| Performed by Slovak Radio Symphony Orchestra (Bratislava) | ||
| Conducted by Stephen Gunzenhauser | ||
| 255. | The Instruments of the Orchestra, narration with musical excerpts: Percussion: Related to the wood blocks, by sound, 1:09 | |
| Composed by Jeremy Siepmann | ||
| Conducted by Keith Clark | ||
| Performed by Slovak Radio Symphony Orchestra (Bratislava) and Jeremy Siepmann | ||
| 256. | Damigella tutta bella, madrigal for 3 voices (from Scherzi musicali), SV 235: Excerpt 1:50 | |
| Composed by Claudio Monteverdi | ||
| Conducted by Sergio Vartolo | ||
| Performed by Concerto delle Dame di Ferrara | ||
| 257. | The Instruments of the Orchestra, narration with musical excerpts: Percussion: A still earlier example from fifteenth 0:30 | |
| Composed by Jeremy Siepmann | ||
| Performed by Jeremy Siepmann | ||
| 258. | Yo m'enamori d'un ayre 1:06 | |
| Composed by Sephardic Traditional | ||
| Conducted by Thomas Wimmer | ||
| Performed by Ensemble Accentus and Carmen Cano | ||
| 259. | The Instruments of the Orchestra, narration with musical excerpts: Percussion: The birth of the bongo 0:33 | |
| Composed by Jeremy Siepmann | ||
| Performed by Jeremy Siepmann | ||
| 260. | Symphonic Dances (9) for orchestra from "West Side Story": Excerpt 1:39 | |
| Composed by Leonard Bernstein | ||
| Performed by Florida Philharmonic Orchestra | ||
| Conducted by James Judd | ||
| 261. | The Instruments of the Orchestra, narration with musical excerpts: Percussion: From the streets of New York to the bl 1:08 | |
| Composed by Jeremy Siepmann | ||
| Performed by Budapest Chorus, Maurizio Frusoni, Hungarian State Opera Orchestra, Jeremy Siepmann, Daniela Longhi and Irina Tschistiakova | ||
| Conducted by Will Humburg | ||
| 262. | The Instruments of the Orchestra, narration with musical excerpts: Percussion: Desert-island decibels. Includes excer 1:27 | |
| Composed by Jeremy Siepmann | ||
| Performed by Bournemouth Sinfonietta, Polish Radio and Television National Symphony Orchestra, Jeremy Siepmann, Maryse Castets and Bournemouth Symphony Orchestra | ||
| Conducted by Christopher Lyndon-Gee and William T. Stromberg | ||
| 263. | The Instruments of the Orchestra, narration with musical excerpts: Percussion: From one vegetable to another: the hum 1:20 | |
| Composed by Jeremy Siepmann | ||
| Conducted by Enrique Bátiz | ||
| Performed by Jeremy Siepmann and Mexico Festival Orchestra | ||
| 264. | The Instruments of the Orchestra, narration with musical excerpts: Percussion: Onwards to the tuned percussion. First 0:14 | |
| Composed by Jeremy Siepmann | ||
| Performed by Jeremy Siepmann | ||
| 265. | Also sprach Zarathustra (Thus Spoke Zoroaster), tone poem for orchestra, Op. 30: Introduction (excerpt) 1:48 | |
| Composed by Richard Strauss | ||
| Conducted by Zdenek Kosler | ||
| Performed by Slovak Philharmonic Orchestra | ||
| 266. | The Instruments of the Orchestra, narration with musical excerpts: Percussion: But the drum roll can be more effectiv 0:29 | |
| Composed by Jeremy Siepmann | ||
| Performed by Polish Radio and Television National Symphony Orchestra, Jadwiga Rappe, Jeremy Siepmann, Polish Radio Chorus Cracow and Hanna Lisowska | ||
| Conducted by Antoni Wit | ||
| 267. | The Instruments of the Orchestra, narration with musical excerpts: Percussion: Not one drum roll, but many. Includes 0:37 | |
| Composed by Jeremy Siepmann | ||
| Performed by Bournemouth Sinfonietta, San Diego Symphony Orchestra, Jeremy Siepmann and Bournemouth Symphony Orchestra | ||
| Conducted by Yoav Talmi and William T. Stromberg | ||
| 268. | The Instruments of the Orchestra, narration with musical excerpts: Percussion: Taking advantage of tunability 0:22 | |
| Composed by Jeremy Siepmann | ||
| Performed by Jeremy Siepmann | ||
| 269. | Music for Strings, Percussion, & Celesta, Sz. 106, BB 114: Movement 2 (excerpt) 2:25 | |
| Composed by Béla Bartók | ||
| Performed by BRT Philharmonic Orchestra | ||
| Conducted by Alexander Rahbari | ||
| 270. | The Instruments of the Orchestra, narration with musical excerpts: Percussion: The Russian composer Rodion Shchedrin 1:01 | |
| Composed by Jeremy Siepmann | ||
| Conducted by Theodore Kuchar | ||
| Performed by Jeremy Siepmann and Ukrainian State Symphony Orchestra | ||
| 271. | The Instruments of the Orchestra, narration with musical excerpts: Percussion: Introducing the glockenspiel. Includes 1:15 | |
| Composed by Jeremy Siepmann | ||
| Conducted by Theodore Kuchar | ||
| Performed by Jeremy Siepmann and Ukrainian State Symphony Orchestra | ||
| 272. | The Instruments of the Orchestra, narration with musical excerpts: Percussion: Saint-Saëns and the xylophone 0:16 | |
| Composed by Jeremy Siepmann | ||
| Performed by Jeremy Siepmann | ||
| 273. | Carnival of the Animals, zoological fantasy for 2 pianos & ensemble, complete: Fossils 1:18 | |
| Composed by Camille Saint-Saëns | ||
| Performed by Slovak Radio Symphony Orchestra (Bratislava) | ||
| Conducted by Ondrej Lenard | ||
| 274. | The Instruments of the Orchestra, narration with musical excerpts: Percussion: Ravel and the xylophone 0:11 | |
| Composed by Jeremy Siepmann | ||
| Performed by Jeremy Siepmann | ||
| 275. | Ma mčre l'oye, for piano, 4 hands (or orchestra): Laideronette 2:37 | |
| Composed by Maurice Ravel | ||
| Performed by Slovak Radio Symphony Orchestra (Bratislava) and Johnny Morris | ||
| Conducted by Kenneth Jean | ||
| 276. | The Instruments of the Orchestra, narration with musical excerpts: Percussion: Introducing the marimba. Includes exce 0:38 | |
| Composed by Jeremy Siepmann | ||
| Conducted by Theodore Kuchar | ||
| Performed by Jeremy Siepmann and Ukrainian State Symphony Orchestra | ||
| 277. | The Instruments of the Orchestra, narration with musical excerpts: Percussion: Introducing the vibraphone 0:20 | |
| Composed by Jeremy Siepmann | ||
| Performed by Jeremy Siepmann | ||
| 278. | Treasure of the Sierra Madre, film score: Narange dolce 1:25 | |
| Composed by Max Steiner | ||
| Conducted by William T. Stromberg | ||
| Performed by Moscow Symphony Orchestra and Moscow Symphony Choir | ||
| 279. | The Instruments of the Orchestra, narration with musical excerpts: Percussion: The vibraphone goes Russian.... Includ 0:57 | |
| Composed by Jeremy Siepmann | ||
| Conducted by Theodore Kuchar | ||
| Performed by Ukrainian State Symphony Orchestra and Moscow Symphony Orchestra | ||
| 280. | The Instruments of the Orchestra, narration with musical excerpts: Percussion: Introducing the Hungarian cimbalom 0:23 | |
| Composed by Jeremy Siepmann | ||
| Performed by Jeremy Siepmann | ||
| 281. | Work(s): Folk Dances 3:00 | |
| Composed by Traditional | ||
| Performed by Ferenc Sánta & His Gypsy Band and Ferenc Sánta | ||
| 282. | The Instruments of the Orchestra, narration with musical excerpts: Percussion: The cimbalom and the symphony orchestr 0:10 | |
| Composed by Jeremy Siepmann | ||
| Performed by Jeremy Siepmann | ||
| 283. | Háry János-Suite, Op 35a/1-6, complete: No. 3 (excerpt) 1:30 | |
| Composed by Zoltán Kodály | ||
| Conducted by Matyas Antal | ||
| Performed by Hungarian State Symphony Orchestra | ||
| 284. | The Instruments of the Orchestra, narration with musical excerpts: Percussion: Introducing the tubular bells 0:17 | |
| Composed by Jeremy Siepmann | ||
| Performed by Jeremy Siepmann | ||
| 285. | Háry János-Suite, Op 35a/1-6, complete: Viennese Musical Clock 2:04 | |
| Composed by Zoltán Kodály | ||
| Conducted by Matyas Antal | ||
| Performed by Hungarian State Symphony Orchestra | ||
| 286. | The Instruments of the Orchestra, narration with musical excerpts: Percussion: A more "up-front" approach from Rodion 0:06 | |
| Composed by Jeremy Siepmann | ||
| Performed by Jeremy Siepmann | ||
| 287. | Carmen-Suite (based on themes of Georges Bizet): Introduction 1:08 | |
| Composed by Rodion Shchedrin | ||
| Conducted by Theodore Kuchar | ||
| Performed by Ukrainian State Symphony Orchestra | ||
| 288. | The Instruments of the Orchestra, narration with musical excerpts: Percussion: But the bells can also make the sinist 0:38 | |
| Composed by Jeremy Siepmann | ||
| Conducted by Kees Bakels | ||
| Performed by Linda Russell, Jeremy Siepmann, Waynflete Singers and Bournemouth Symphony Orchestra | ||
| 289. | The Instruments of the Orchestra, narration with musical excerpts: Percussion: Introducing the celeste 0:14 | |
| Composed by Jeremy Siepmann | ||
| Performed by Jeremy Siepmann | ||
| 290. | Nutcracker, ballet, Op.71: Dance of the Sugar Plum Fairy 2:10 | |
| Composed by Peter Ilich Tchaikovsky | ||
| Performed by Slovak Radio Symphony Orchestra (Bratislava) | ||
| Conducted by Ondrej Lenard | ||
| 291. | The Instruments of the Orchestra, narration with musical excerpts: Percussion: Magic, in the use of collective percus 0:19 | |
| Composed by Jeremy Siepmann | ||
| Performed by Jeremy Siepmann | ||
| 292. | Miroirs, for piano (or orchestra): La Vallée des cloches 1:39 | |
| Composed by Maurice Ravel | ||
| Conducted by Geoffrey Simon | ||
| Performed by Philharmoniz | ||
| 293. | The Instruments of the Orchestra, narration with musical excerpts: Percussion: Plucked instruments: the 'undercover p 1:25 | |
| Composed by Jeremy Siepmann | ||
| Conducted by Theodore Kuchar | ||
| Performed by Jeremy Siepmann and Ukrainian State Symphony Orchestra | ||
| 294. | The Instruments of the Orchestra, narration with musical excerpts: Percussion: A prime case in point is the harp, irr 1:16 | |
| Composed by Jeremy Siepmann | ||
| Conducted by Matyas Antal and Ondrej Lenard | ||
| Performed by Slovak Radio Symphony Orchestra (Bratislava), Hungarian State Symphony Orchestra and Jeremy Siepmann | ||
| 295. | The Instruments of the Orchestra, narration with musical excerpts: Percussion: The traditionally subservient role of 0:48 | |
| Composed by Jeremy Siepmann | ||
| Performed by Jeremy Siepmann | ||
| 296. | Brandenburg Concerto No. 2 in F major, BWV 1047: Andante 3:11 | |
| Composed by Johann Sebastian Bach | ||
| Performed by Christian Hommel, Winfried Rademacher, Nadja Schubert and Jürgen Schuster | ||
| 297. | The Instruments of the Orchestra, narration with musical excerpts: Percussion: The piano: king of the tuned percussio 1:28 | |
| Composed by Jeremy Siepmann | ||
| Performed by Slovak Radio Symphony Orchestra (Bratislava), Jeremy Siepmann and Imrich Szabo | ||
| Conducted by Stephen Gunzenhauser | ||
| 298. | Petrushka, ballet (burlesque) in 4 scenes for orchestra (1911 version): Russian Dance 4:28 | |
| Composed by Igor Stravinsky | ||
| Performed by BRT Philharmonic Orchestra | ||
| Conducted by Alexander Rahbari | ||
| 299. | The Instruments of the Orchestra, narration with musical excerpts: Percussion: The anti-Romantic piano as an integral 0:23 | |
| Composed by Jeremy Siepmann | ||
| Performed by Jeremy Siepmann | ||
| 300. | Music for Strings, Percussion, & Celesta, Sz. 106, BB 114: Last mvt 5:06 | |
| Composed by Béla Bartók | ||
| Performed by BRT Philharmonic Orchestra | ||
| Conducted by Alexander Rahbari | ||
| 301. | The Instruments of the Orchestra, narration with musical excerpts: Interlopers: Keyboard instruments in the orchestra 0:18 | |
| Composed by Jeremy Siepmann | ||
| Performed by Jeremy Siepmann | ||
| 302. | Symphony No. 3 ("Organ"), in C minor, Op. 78: Finale (excerpt) 1:49 | |
| Composed by Camille Saint-Saëns | ||
| Performed by Slovak Radio Symphony Orchestra (Bratislava) and Imrich Szabo | ||
| Conducted by Stephen Gunzenhauser | ||
| 303. | The Instruments of the Orchestra, narration with musical excerpts: Interlopers: But things in Handel's day were very 0:15 | |
| Composed by Jeremy Siepmann | ||
| Performed by Jeremy Siepmann | ||
| 304. | Organ Concerto in G minor, Op.4/3, HWV 291: Last movement 3:44 | |
| Composed by George Frideric Handel | ||
| Performed by Simon Lindley and Northern Sinfonia Chorus | ||
| Conducted by Bradley Creswick | ||
| 305. | The Instruments of the Orchestra, narration with musical excerpts: Interlopers: The organ is difficult to classify 0:24 | |
| Composed by Jeremy Siepmann | ||
| Performed by Jeremy Siepmann | ||
| 306. | The Instruments of the Orchestra, narration with musical excerpts: Interlopers: An unexpected, organ-related guest 0:14 | |
| Composed by Jeremy Siepmann | ||
| Performed by Jeremy Siepmann | ||
| 307. | Concerto in C "Zampogna": last mvt 1:59 | |
| Composed by Joseph Bodin de Boismortier | ||
| Performed by Le Concert Spirituel Orchestra & Chorus and Laurent Le Chenadec | ||
| Conducted by Hervé Niquet | ||
| 308. | The Instruments of the Orchestra, narration with musical excerpts: Interlopers: Peasant-fancying... and a touch of th 0:40 | |
| Composed by Jeremy Siepmann | ||
| Performed by Jeremy Siepmann | ||
| 309. | Les Miserables, musical: Drink with Me (excerpt) 1:02 | |
| Composed by Claude-Michel Schönberg | ||
| Performed by Richard Hayman and Richard Hayman & His Symphony Orchestra | ||
| 310. | The Instruments of the Orchestra, narration with musical excerpts: Interlopers: Outside artefacts and the power of as 1:16 | |
| Composed by Jeremy Siepmann | ||
| Performed by Capella Istropolitana and Jeremy Siepmann | ||
| Conducted by Johannes Wildner | ||
| 311. | The Instruments of the Orchestra, narration with musical excerpts: Interlopers: Mahler's sleighbells. Includes excerp 0:47 | |
| Composed by Jeremy Siepmann | ||
| Performed by Polish Radio and Television National Symphony Orchestra, Lynda Russell and Jeremy Siepmann | ||
| Conducted by Antoni Wit | ||
| 312. | The Instruments of the Orchestra, narration with musical excerpts: Interlopers: In another symphony Mahler used cowbe 0:53 | |
| Composed by Jeremy Siepmann | ||
| Performed by Polish Radio and Television National Symphony Orchestra and Jeremy Siepmann | ||
| Conducted by Antoni Wit | ||
| 313. | The Instruments of the Orchestra, narration with musical excerpts: Interlopers: A roll-call of some unusual guests. I 2:46 | |
| Composed by Jeremy Siepmann | ||
| Performed by Richard Hayman, Orchestre Symphonique et Lyrique de Nancy, Richard Hayman & His Symphony Orchestra and Jeremy Siepmann | ||
| Conducted by Jerome Kaltenbach | ||
| 314. | The Instruments of the Orchestra, narration with musical excerpts: Interlopers: Chains, and more. Includes excerpt fr 2:35 | |
| Composed by Jeremy Siepmann | ||
| Conducted by Richard Hayman and Christopher Lyndon-Gee | ||
| Performed by Richard Hayman, Slovak Radio Symphony Orchestra (Bratislava), Polish Radio and Television National Symphony Orchestra, Richard Hayman & His Symphony Orchestra, Kathryn Selby, Jeremy Siepmann, Slovak Philharmonic Orchestra and Maryse Castets | ||
| 315. | The Instruments of the Orchestra, narration with musical excerpts: Interlopers: Purpose-built oddities: wind machines 1:42 | |
| Composed by Jeremy Siepmann | ||
| Conducted by Kees Bakels | ||
| Performed by Bournemouth Sinfonietta, Lynda Russell, Jeremy Siepmann, Waynflete Singers and Bournemouth Symphony Orchestra | ||
| 316. | Don Quixote, fantastic variations for cello & orchestra, Op. 35: Variation VIII 1:13 | |
| Composed by Richard Strauss | ||
| Performed by National Symphony Orchestra of Ireland and Alexander Rudin | ||
| Conducted by Gerhard Markson | ||
| 317. | The Instruments of the Orchestra, narration with musical excerpts: Interlopers: National calling cards: the guitar fo 0:56 | |
| Composed by Jeremy Siepmann | ||
| Performed by Norbert Kraft, Northern Chamber Orchestra and Jeremy Siepmann | ||
| Conducted by Nicholas Ward | ||
| 318. | The Instruments of the Orchestra, narration with musical excerpts: Interlopers: And the guitar's poor American relati 0:19 | |
| Composed by Jeremy Siepmann | ||
| Performed by Jeremy Siepmann, Pete Seeger and Almanac Singers | ||
| 319. | The Instruments of the Orchestra, narration with musical excerpts: Interlopers: And poorer still, the mouth organ. In 0:18 | |
| Composed by Jeremy Siepmann | ||
| Performed by Jeremy Siepmann, Moscow Symphony Orchestra, Moscow Symphony Choir and Dino Soldo | ||
| Conducted by William T. Stromberg | ||
| 320. | The Instruments of the Orchestra, narration with musical excerpts: Interlopers: The Balalaika for Russia. Includes ex 0:13 | |
| Composed by Jeremy Siepmann | ||
| Conducted by Andrew Mogrelia | ||
| Performed by National Symphony Orchestra of Ukraine and Jeremy Siepmann | ||
| 321. | The Instruments of the Orchestra, narration with musical excerpts: Interlopers: The maracas for Mexico. Includes exce 0:18 | |
| Composed by Jeremy Siepmann | ||
| Performed by Jeremy Siepmann, Moscow Symphony Orchestra, Moscow Symphony Choir and Dino Soldo | ||
| Conducted by William T. Stromberg | ||
| 322. | The Instruments of the Orchestra, narration with musical excerpts: Interlopers: The bongos and the congas and a whole 0:26 | |
| Composed by Jeremy Siepmann | ||
| Performed by Jeremy Siepmann | ||
| 323. | The Instruments of the Orchestra, narration with musical excerpts: Interlopers: The sitar for India. Includes excerpt 0:17 | |
| Composed by Jeremy Siepmann | ||
| Performed by Jeremy Siepmann and Irshad Khan | ||
| 324. | The Instruments of the Orchestra, narration with musical excerpts: Interlopers: The accordion for France (especially 0:20 | |
| Composed by Jeremy Siepmann | ||
| Performed by Richard Hayman, Richard Hayman & His Symphony Orchestra and Jeremy Siepmann | ||
| 325. | The Instruments of the Orchestra, narration with musical excerpts: Interlopers: The zither for Vienna. Includes excer 0:25 | |
| Composed by Jeremy Siepmann | ||
| Performed by Jeremy Siepmann | ||
| 326. | The Instruments of the Orchestra, narration with musical excerpts: Interlopers: The cimbalom for Hungary. Includes ex 0:21 | |
| Composed by Jeremy Siepmann | ||
| Performed by Jeremy Siepmann, Ferenc Sánta & His Gypsy Band and Ferenc Sánta | ||
| 327. | The Instruments of the Orchestra, narration with musical excerpts: Interlopers: The guitar as an integral part of the 1:20 | |
| Composed by Jeremy Siepmann | ||
| Conducted by Igor Golovschin | ||
| Performed by Jeremy Siepmann and Moscow Symphony Orchestra | ||
| 328. | The Instruments of the Orchestra, narration with musical excerpts: Interlopers: there are whole orchestras of balalai 1:02 | |
| Composed by Jeremy Siepmann | ||
| Performed by Jeremy Siepmann and Ossipov Balalaika Orchestra | ||
| Conducted by Nikolai Kalinin | ||
| 329. | The Instruments of the Orchestra, narration with musical excerpts: Interlopers: The effect of the wordless human voic 1:27 | |
| Composed by Jeremy Siepmann | ||
| Conducted by Kees Bakels | ||
| Performed by Bournemouth Sinfonietta, Linda Russell, Jeremy Siepmann, Waynflete Singers and Bournemouth Symphony Orchestra | ||
| 330. | Sirčnes, for female chorus & orchestra (Nocturne No. 3), L. 91/3: Unspecified excerpt 4:15 | |
| Composed by Claude Debussy | ||
| Performed by BRT Philharmonic Orchestra | ||
| Conducted by Alexander Rahbari | ||
| 331. | The Instruments of the Orchestra, narration with musical excerpts: Interlopers: Instruments and the imitation of natu 0:42 | |
| Composed by Jeremy Siepmann | ||
| Performed by Jeremy Siepmann | ||
| 332. | Carnival of the Animals, zoological fantasy for 2 pianos & ensemble, complete: The Cuckoo 1:46 | |
| Composed by Camille Saint-Saëns | ||
| Performed by Slovak Radio Symphony Orchestra (Bratislava) | ||
| Conducted by Ondrej Lenard | ||
| 333. | The Instruments of the Orchestra, narration with musical excerpts: Interlopers: The flute as an all-purpose aviary 0:14 | |
| Composed by Jeremy Siepmann | ||
| Performed by Jeremy Siepmann | ||
| 334. | Carnival of the Animals, zoological fantasy for 2 pianos & ensemble, complete: The Aviary 1:08 | |
| Composed by Camille Saint-Saëns | ||
| Performed by Slovak Radio Symphony Orchestra (Bratislava) | ||
| Conducted by Ondrej Lenard | ||
| 335. | The Instruments of the Orchestra, narration with musical excerpts: Interlopers: The oboe as a duck 0:36 | |
| Composed by Jeremy Siepmann | ||
| Performed by Jeremy Siepmann | ||
| 336. | Peter and the Wolf, children's tale for narrator & orchestra, Op. 67: The Duck 1:55 | |
| Composed by Sergey Prokofiev | ||
| Performed by Slovak Radio Symphony Orchestra (Bratislava) | ||
| Conducted by Ondrej Lenard | ||
| 337. | The Instruments of the Orchestra, narration with musical excerpts: Interlopers: The recording of reality. Does it wor 0:12 | |
| Composed by Jeremy Siepmann | ||
| Performed by Jeremy Siepmann | ||
| 338. | Pini di Roma (The Pines of Rome), symphonic poem, P. 141: The Pines of the Janiculum (excerpt) 1:17 | |
| Composed by Ottorino Respighi | ||
| Conducted by Enrique Bátiz | ||
| Performed by Royal Philharmonic Orchestra | ||
| 339. | The Instruments of the Orchestra, narration with musical excerpts: Interlopers: The recording of reality electronical 0:32 | |
| Composed by Jeremy Siepmann | ||
| Performed by Jeremy Siepmann | ||
| 340. | Cantus Arcticus (Concerto for Birds & Orchestra), for orchestra & taped bird songs, Op. 61: Excerpt (movement 2) 1:12 | |
| Composed by Einojuhani Rautavaara | ||
| Performed by Royal Scottish National Orchestra and Laura Mikkola | ||
| Conducted by Hannu Lintu | ||
| 341. | The Instruments of the Orchestra, narration with musical excerpts: Interlopers: Beethoven turns avian: cuckoo, nighti 0:26 | |
| Composed by Jeremy Siepmann | ||
| Performed by Jeremy Siepmann | ||
| 342. | Symphony No. 6 in F major ("Pastoral") Op. 68: Andante molto mosso (excerpt) 1:12 | |
| Composed by Ludwig van Beethoven | ||
| Conducted by Bela Drahos | ||
| Performed by Nicolaus Esterházy Sinfonia | ||
| 343. | The Instruments of the Orchestra, narration with musical excerpts: Interlopers: Some improbable casting: the violin a 0:33 | |
| Composed by Jeremy Siepmann | ||
| Performed by Jeremy Siepmann | ||
| 344. | Carnival of the Animals, zoological fantasy for 2 pianos & ensemble, complete: Persons with Long Ears 0:47 | |
| Composed by Camille Saint-Saëns | ||
| Performed by Slovak Radio Symphony Orchestra (Bratislava) | ||
| Conducted by Ondrej Lenard | ||
| 345. | The Instruments of the Orchestra, narration with musical excerpts: Interlopers: A truly orchestral hee-haw to be reck 0:09 | |
| Composed by Jeremy Siepmann | ||
| Performed by Jeremy Siepmann | ||
| 346. | A Midsummer Night's Dream, overture, Op. 21: Excerpt 0:29 | |
| Composed by Felix Mendelssohn | ||
| Conducted by Oliver von Dohnanyi | ||
| Performed by Slovak Philharmonic Orchestra | ||
| 347. | The Instruments of the Orchestra, narration with musical excerpts: Interlopers: A thunderstorm in a million 0:17 | |
| Composed by Jeremy Siepmann | ||
| Performed by Jeremy Siepmann | ||
| 348. | Symphony No. 6 in F major ("Pastoral") Op. 68: Allegro - Allegretto (excerpt) 3:57 | |
| Composed by Ludwig van Beethoven | ||
| Conducted by Bela Drahos | ||
| Performed by Nicolaus Esterházy Sinfonia | ||
| 349. | The Instruments of the Orchestra, narration with musical excerpts: Interlopers: The instrumental depiction of a silen 2:07 | |
| Composed by Jeremy Siepmann | ||
| Performed by Jeremy Siepmann | ||
| 350. | Carnival of the Animals, zoological fantasy for 2 pianos & ensemble, complete: The Aquarium 2:20 | |
| Composed by Camille Saint-Saëns | ||
| Performed by Slovak Radio Symphony Orchestra (Bratislava) | ||
| Conducted by Ondrej Lenard | ||
| 351. | The Instruments of the Orchestra, narration with musical excerpts: Interlopers: Saint-Saëns' menagerie takes a curtai 0:24 | |
| Composed by Jeremy Siepmann | ||
| Performed by Jeremy Siepmann | ||
| 352. | Carnival of the Animals, zoological fantasy for 2 pianos & ensemble, complete: Finale 2:09 | |
| Composed by Camille Saint-Saëns | ||
| Performed by Slovak Radio Symphony Orchestra (Bratislava) | ||
| Conducted by Ondrej Lenard | ||
| 353. | The Instruments of the Orchestra, narration with musical excerpts: The Orchestra: The grouping of instrumental famili 1:20 | |
| Composed by Jeremy Siepmann | ||
| Performed by Jeremy Siepmann | ||
| 354. | Duos (44), for 2 violins, Volumes 1-4, Sz. 98, BB 104: No. 4 0:47 | |
| Composed by Béla Bartók | ||
| Performed by Gyorgy Pauk and Kazuki Sawa | ||
| 355. | The Instruments of the Orchestra, narration with musical excerpts: The Orchestra: A greater contrast, both pitch and 0:27 | |
| Composed by Jeremy Siepmann | ||
| Performed by Jeremy Siepmann | ||
| 356. | Duo for violin & viola No. 2 in B flat major, K. 424: Finale. Variations 1 & 2 2:18 | |
| Composed by Wolfgang Amadeus Mozart | ||
| Performed by Ralf Ehlers and Catherine Manson | ||
| 357. | The Instruments of the Orchestra, narration with musical excerpts: The Orchestra: Arrival at the standard string trio 0:12 | |
| Composed by Jeremy Siepmann | ||
| Performed by Jeremy Siepmann | ||
| 358. | String Trio in B flat major, D. 581: Menuetto (excerpt) 1:09 | |
| Composed by Franz Schubert | ||
| Performed by Ensemble Villa Musica | ||
| 359. | The Instruments of the Orchestra, narration with musical excerpts: The Orchestra: The string quartet: two violins, vi 0:20 | |
| Composed by Jeremy Siepmann | ||
| Performed by Jeremy Siepmann | ||
| 360. | String Quartet No. 1 in F major, Op. 18/1: Excerpt (Movement 3) 1:53 | |
| Composed by Ludwig van Beethoven | ||
| Performed by Kodaly Quartet | ||
| 361. | The Instruments of the Orchestra, narration with musical excerpts: The Orchestra: The string quintet - when the extra 0:30 | |
| Composed by Jeremy Siepmann | ||
| Performed by Jeremy Siepmann | ||
| 362. | Quintet for 2 violins, 2 violas & cello, No. 5 in D major ("String Quintet No. 5"), K. 593: Adagio (excerpt) 2:21 | |
| Composed by Wolfgang Amadeus Mozart | ||
| Performed by Eder Quartet and János Fehérvári | ||
| 363. | The Instruments of the Orchestra, narration with musical excerpts: The Orchestra: The string quintet - when the extra 0:19 | |
| Composed by Jeremy Siepmann | ||
| Performed by Jeremy Siepmann | ||
| 364. | Quintet for 2 violins, viola & 2 cellos in C major, D. 956 (Op. posth. 163): Movement 3 (excerpt) 2:12 | |
| Composed by Franz Schubert | ||
| Performed by Ensemble Villa Musica | ||
| 365. | The Instruments of the Orchestra, narration with musical excerpts: The Orchestra: The string sextet: two violins, two 0:16 | |
| Composed by Jeremy Siepmann | ||
| Performed by Jeremy Siepmann | ||
| 366. | String Sextet No. 1 in B flat major, Op. 18: Movement 2 (excerpt) 1:27 | |
| Composed by Johannes Brahms | ||
| Performed by Stuttgart Soloists | ||
| 367. | The Instruments of the Orchestra, narration with musical excerpts: The Orchestra: The string octet: the standard stri 0:20 | |
| Composed by Jeremy Siepmann | ||
| Performed by Jeremy Siepmann | ||
| 368. | Octet for strings in E flat major, Op. 20: Movement 1 (excerpt) 2:16 | |
| Composed by Felix Mendelssohn | ||
| Performed by London Divertimenti | ||
| 369. | The Instruments of the Orchestra, narration with musical excerpts: The Orchestra: Double the string octet: a fully fl 0:15 | |
| Composed by Jeremy Siepmann | ||
| Performed by Jeremy Siepmann | ||
| 370. | Symphony No. 2 in B flat major ("Lobgesang", "Hymn of Praise"), Op. 52: Finale (excerpt) 2:12 | |
| Composed by Felix Mendelssohn | ||
| Performed by Northern Chamber Orchestra | ||
| Conducted by Nicholas Ward | ||
| 371. | The Instruments of the Orchestra, narration with musical excerpts: The Orchestra: The massed strings of a symphony or 0:37 | |
| Composed by Jeremy Siepmann | ||
| Performed by Jeremy Siepmann | ||
| 372. | Fantasia on a Theme by Thomas Tallis, for 2 string orchestras: Excerpt 2:58 | |
| Composed by Ralph Vaughan Williams | ||
| Conducted by James Judd | ||
| Performed by New Zealand Symphony Orchestra | ||
| 373. | The Instruments of the Orchestra, narration with musical excerpts: The Orchestra: Contrasts of pitch and instrumental 0:44 | |
| Composed by Jeremy Siepmann | ||
| Performed by Jeremy Siepmann | ||
| 374. | Woodwind Quintet in A minor, Op.100/5: Theme 1:10 | |
| Composed by Antoine Reicha | ||
| Performed by Michael Thompson Wind Quintet | ||
| 375. | The Instruments of the Orchestra, narration with musical excerpts: The Orchestra: In the First Variation it's the hor 0:05 | |
| Composed by Jeremy Siepmann | ||
| Performed by Jeremy Siepmann | ||
| 376. | Woodwind Quintet in A minor, Op.100/5 1:28 | |
| Composed by Antoine Reicha | ||
| Performed by Michael Thompson Wind Quintet | ||
| 377. | The Instruments of the Orchestra, narration with musical excerpts: The Orchestra: In Variation Two the torch is hande 0:07 | |
| Composed by Jeremy Siepmann | ||
| Performed by Jeremy Siepmann | ||
| 378. | Woodwind Quintet in A minor, Op.100/5: Variation 2 1:08 | |
| Composed by Antoine Reicha | ||
| Performed by Michael Thompson Wind Quintet | ||
| 379. | The Instruments of the Orchestra, narration with musical excerpts: The Orchestra: in Variation Three the oboe leads 0:13 | |
| Composed by Jeremy Siepmann | ||
| Performed by Jeremy Siepmann | ||
| 380. | Woodwind Quintet in A minor, Op.100/5: Variation 3 1:12 | |
| Composed by Antoine Reicha | ||
| Performed by Michael Thompson Wind Quintet | ||
| 381. | The Instruments of the Orchestra, narration with musical excerpts: The Orchestra: Variation Four: conversation before 0:07 | |
| Composed by Jeremy Siepmann | ||
| Performed by Jeremy Siepmann | ||
| 382. | Woodwind Quintet in A minor, Op.100/5: Variation 4 1:17 | |
| Composed by Antoine Reicha | ||
| Performed by Michael Thompson Wind Quintet | ||
| 383. | The Instruments of the Orchestra, narration with musical excerpts: The Orchestra: And Variation Five is dominated by 0:04 | |
| Composed by Jeremy Siepmann | ||
| Performed by Jeremy Siepmann | ||
| 384. | Woodwind Quintet in A minor, Op.100/5: Variation 5 1:12 | |
| Composed by Antoine Reicha | ||
| Performed by Michael Thompson Wind Quintet | ||
| 385. | The Instruments of the Orchestra, narration with musical excerpts: The Orchestra: The next to be featured is the virt 0:07 | |
| Composed by Jeremy Siepmann | ||
| Performed by Jeremy Siepmann | ||
| 386. | Woodwind Quintet in A minor, Op.100/5: Variation 6 1:22 | |
| Composed by Antoine Reicha | ||
| Performed by Michael Thompson Wind Quintet | ||
| 387. | The Instruments of the Orchestra, narration with musical excerpts: The Orchestra: Individual farewells and a closing 0:19 | |
| Composed by Jeremy Siepmann | ||
| Performed by Jeremy Siepmann | ||
| 388. | Woodwind Quintet in A minor, Op.100/5: Variation 7 0:40 | |
| Composed by Antoine Reicha | ||
| Performed by Michael Thompson Wind Quintet | ||
| 389. | The Instruments of the Orchestra, narration with musical excerpts: The Orchestra: A mixed group: clarinet, bassoon, h 0:19 | |
| Composed by Jeremy Siepmann | ||
| Performed by Jeremy Siepmann | ||
| 390. | Octet for clarinet, horn, bassoon & strings in F major, D. 803 (Op. posth. 166): Movement 3 (excerpt) 2:01 | |
| Composed by Franz Schubert | ||
| Performed by Schubert Ensemble, Budapest | ||
| 391. | The Instruments of the Orchestra, narration with musical excerpts: The Orchestra: The early classical symphony orches 0:34 | |
| Composed by Jeremy Siepmann | ||
| Performed by Jeremy Siepmann | ||
| 392. | Symphony No. 29 in A major, K. 201 (K. 186a): Finale (excerpt) 3:32 | |
| Composed by Wolfgang Amadeus Mozart | ||
| Performed by Capella Istropolitana | ||
| Conducted by Barry Wordsworth | ||
| 393. | The Instruments of the Orchestra, narration with musical excerpts: The Orchestra: Strings, wind, but no brass. What H 0:34 | |
| Composed by Jeremy Siepmann | ||
| Performed by Jeremy Siepmann | ||
| 394. | Canzon No. 28 ("Sol sol la sol fa mi"), for 8 parts 1:39 | |
| Composed by Giovanni Gabrieli | ||
| Conducted by Eric Crees | ||
| Performed by London Symphony Orchestra | ||
| 395. | The Instruments of the Orchestra, narration with musical excerpts: The Orchestra: Beethoven's Fifth: two horns, two t 0:58 | |
| Composed by Jeremy Siepmann | ||
| Performed by Jeremy Siepmann | ||
| 396. | Symphony No. 5 in C minor ("Fate") Op. 67: Finale (excerpt) 4:28 | |
| Composed by Ludwig van Beethoven | ||
| Conducted by Bela Drahos | ||
| Performed by Nicolaus Esterházy Sinfonia | ||
| 397. | The Instruments of the Orchestra, narration with musical excerpts: The Orchestra: From Beethoven to the massive orche 0:27 | |
| Composed by Jeremy Siepmann | ||
| Performed by Jeremy Siepmann | ||
| 398. | The Instruments of the Orchestra, narration with musical excerpts: The Orchestra: Beethoven changed the face of the s 0:47 | |
| Composed by Jeremy Siepmann | ||
| Performed by Jeremy Siepmann | ||
| 399. | Symphony No. 6 in A minor ("Tragic"): Movement 1 (excerpt) 1:44 | |
| Composed by Gustav Mahler | ||
| Performed by Polish Radio and Television National Symphony Orchestra | ||
| Conducted by Antoni Wit | ||
| 400. | The Instruments of the Orchestra, narration with musical excerpts: The Orchestra: The cult of orchestral elephantiasi 1:04 | |
| Composed by Jeremy Siepmann | ||
| Performed by Jeremy Siepmann | ||
| 401. | Symphony No. 1 in D minor for soloists, chorus, brass bands & orchestra, "The Gothic": VI: Te ergo quaesumus (excerpt) 1:43 | |
| Composed by Havergal Brian | ||
| Performed by Bratislava Children's Choir, Czecho-Slovak Radio Symphony Orchestra, Slovak Philharmonic Choir, Slovak Philharmonic Orchestra, Bratislava City Chorus, Lunica Chorus, Slovak Folk Ensemble Chorus, Youth Echo Choir and Slovak Opera Chorus | ||
| Conducted by Ondrej Lenard | ||
| 402. | The Instruments of the Orchestra, narration with musical excerpts: The Orchestra: When large doesn't necessarily mean 1:10 | |
| Composed by Jeremy Siepmann | ||
| Performed by Jeremy Siepmann | ||
| 403. | Images (3), for orchestra, L. 122: Gigues (excerpt) 1:50 | |
| Composed by Claude Debussy | ||
| Performed by BRT Philharmonic Orchestra | ||
| Conducted by Alexander Rahbari | ||
| 404. | The Instruments of the Orchestra, narration with musical excerpts: The Orchestra: A crisis of confidence; the orchest 2:41 | |
| Composed by Jeremy Siepmann | ||
| Performed by Jeremy Siepmann | ||
| 405. | Turangalîla-symphonie, for piano, ondes martenot, & orchestra, I/29: Chant d'amour 1 (excerpt) 1:14 | |
| Composed by Olivier Messiaen | ||
| Performed by Thomas Bloch, Polish Radio and Television National Symphony Orchestra and François Weigel | ||
| Conducted by Antoni Wit | ||
| 406. | The Instruments of the Orchestra, narration with musical excerpts: The Orchestra: The advent of the 'early music' mov 0:57 | |
| Composed by Jeremy Siepmann | ||
| Performed by Jeremy Siepmann | ||
| 407. | Xerxčs, ballet: Gavotte en rondeau (excerpt) 0:47 | |
| Composed by Jean-Baptiste Lully | ||
| Conducted by Kevin Mallon | ||
| Performed by Aradia Baroque Ensemble | ||
| 408. | The Instruments of the Orchestra, narration with musical excerpts: The Orchestra: Computer and synthesiser: friends o 1:35 | |
| Composed by Jeremy Siepmann | ||
| Performed by Jeremy Siepmann | ||
| 409. | Concerto for 2 violins & strings in D minor ("Double"), BWV 1043: Largo (excerpt) 2:13 | |
| Composed by Johann Sebastian Bach | ||
| Performed by Mandred Clynes | ||
| 410. | The Instruments of the Orchestra, narration with musical excerpts: The Orchestra: A speculative look ahead. Includes 3:24 | |
| Composed by Jeremy Siepmann | ||
| Conducted by Christian Brembeck | ||
| Performed by Capella Istropolitana, Hartmut Elbert, Marina Koppelstetter, Markus Schafer, Jeremy Siepmann, Slovak Philharmonic Choir, Friderike Wagner and Faridah Schäfer-Subrata | ||
Product Details
- Format: CD
- Release Date: 12/03/2002
- Label: NAXOS
- Catalog No.: 8558040-46
- UPC: 636943804025
- Sales Rank: 23,190
Related EssentiaListsuiAction=GetRelatedListsByEanFromProductPage&page=List&pageType=list&ean=636943804025&productCode=MU&maxCount=5&threshold=10
loading...
Fans of this CDuiAction=GetProfileBlurbsWithEANinFavorites&page=UserProfile&pageType=profile&eanInput=636943804025
loading...
loading...
© 2009 All Media Guide, LLC