Barnes & Noble
While generally considered to be one-third of the tragic troika of late-'60s rock -- along with Jim Morrison and Jimi Hendrix -- Janis Joplin has never been the subject of the extensive vault raiding that followed the deaths of her contemporaries. This well-paced two-disc set doesn't extend far beyond what most fans already know, although the previously unreleased live (at Woodstock) versions of "To Love Somebody" and "Kozmic Blues" do burn appropriately red-hot and cool. The collection's compilers have, however, done a nice job of remastering the classic recordings, punching up Joplin's remarkable voice without casting an artificial sheen over the top. That's particularly evident on the live material -- highlighted by poignant takes on "Flower in the Sun" and "Farewell Song" -- but also on the studio takes of lesser-known songs like "Women Is Losers" and "A Woman Left Lonely." Essential's 30 songs comprise tracks recorded during Joplin's stint with Big Brother & the Holding Company, as well as solo material; among them are her most widely heard songs, from the easygoing "Mercedes-Benz" to the rough-hewn "Piece of My Heart" to that shiver-inducing cover of "Summertime." It's a perfect way to celebrate what would've been Joplin's 60th birthday, and a nice kickoff to what Legacy promises will be an extensive reissue campaign. David Sprague
All Music Guide
Columbia has managed to squeeze an impressive, perhaps excessive, number of compilations out of Janis Joplin's relatively slim body of recordings. With this two-CD set, The Essential Janis Joplin, the label's at it again, though it's a good one to get if you don't want to collect all the Joplin releases, and certainly don't want to get the expensive Joplin boxes, but want more than what fits onto a single disc. Including both solo recordings and highlights of her stint with Big Brother & the Holding Company, it has all the songs fans and critics would consider milestones in her career: "Ball and Chain" (a version recorded live in 1967 at the Monterey Pop Festival, not the more familiar one from Cheap Thrills), "Piece of My Heart," "Down on Me," "Summertime," "Try (Just a Little Bit Harder)," "Tell Mama" (the live 1970 performance from the expanded edition of Pearl), "Get It While You Can," "Mercedes Benz," and "Me and Bobby McGee." And there are also good tracks that aren't as overly familiar, like "Coo Coo," "Misery'n," "Maybe," "Work Me, Lord," and "A Woman Left Lonely." The substitution of the less familiar renditions of "Ball and Chain" and "Tell Mama" might rankle some consumers expecting to hear the more common ones, but that's frankly unlikely. So what does the set offer to those Joplin fans who already have a lot of her material? Well, not much, but in the time-honored manner of attaching bonus tracks to oft-recycled material, this does have a couple of previously unissued live cuts ("Kozmic Blues" and the Bee Gees' "To Love Somebody") from her 1969 set at Woodstock. Those songs are actually reasonably good, but aren't worth buying the whole set for. They would have been a better deal if served out as part of a legit collection of her Woodstock performances, or as a collection of previously unreleased live Joplin performances, if enough high-caliber stuff of the sort was available. Richie Unterberger
Rolling Stone
This two-disc, thirty-track anthology gets the balance right for everyone but collectors and completists. Barry Walters