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What do people mean when they talk about the "Golden Age of Opera"? One of the most compelling explanations is to be found in this ten-CD anthology. Originally conceived in two enormous volumes, THE RECORD OF SINGING set out to survey vocal recordings from the earliest years up to 1925. Then, in 1985, this third and final volume was issued (on LP) to cover the years from 1926 to 1939. Many of the names here are famous and have been revered by generations of operaphiles: Marian Anderson, Jussi Björling, Feodor Chaliapin, Beniamino Gigli, John McCormack, Lauritz Melchior, Claudia Muzio, Magda Olivero, Ezio Pinza, Rosa Ponselle, Tito Schipa, Conchita Supervia, Lawrence Tibbett -- the list goes on and on. But most of the set's 209 tracks of opera arias and art songs present long-forgotten names attached to voices that beckon from the past, and that's what makes this compilation so invaluable. In a brief review, one can't do justice to the bountiful offerings. All you have to do is randomly "drop the needle," however, and you'll hear what the fuss is about. For example, only the most fanatical opera aficionado will recognize the name Jean Planel, but this tenor's sweetly plangent and oh-so-French tone make one eager to hear more of him. Florica Cristoforeanu is surely unfamiliar, too, but this Romanian-born mezzo's big, expressively fluid voice provides three all-too-brief minutes of musical delight. THE RECORD OF SINGING is organized by national schools, and this volume has a particularly strong representation of German artists. One of them, soprano Delia Reinhardt, may not have been an artist of Traubel or Flagstad's caliber, but how Wagnerites would prize her strong, pure voice today! Keith Hardwick's digital transfers are superb, as usual, and although no texts are given -- a pity, since many of these selections are rarities -- a brief biographical sketch is provided on every artist. This set is a treasure chest of delights for anyone who cares about the art of singing. Andrew Farach-Colton, Barnes & Noble
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The EMI Record of Singing, Vol. 3 1926-1939 [Box Set] | ||
| 1. | Tannhäuser, opera, WWV 70: Act 1. Dir töne Lob 3:41 | |
| Composed by Richard Wagner | ||
| Conducted by John Barbirolli | ||
| Performed by London Symphony Orchestra and Lauritz Melchior | ||
| 2. | Die Walküre (The Valkyrie), opera, WWV 86b: Act 1. Winterstürme 2:39 | |
| Composed by Richard Wagner | ||
| Performed by Berlin State Opera Orchestra and Max Lorenz | ||
| Conducted by Ernst Viebig | ||
| 3. | Lohengrin, opera, WWV 75: Act 3. Mein lieber Schwan 4:01 | |
| Composed by Richard Wagner | ||
| Performed by Berlin State Opera Orchestra and Franz Völker | ||
| Conducted by Johannes Heidenreich | ||
| 4. | Königsballade, ballade, for voice & piano (or orchestra): Euren König 3:55 | |
| Composed by Wille | ||
| Performed by Berlin State Opera Orchestra and Helge Rosvaenge | ||
| Conducted by Bruno Seidler-Winkler | ||
| 5. | Tiefland, opera, Op. 34: Act 1. Zwei Vaterunser bet' ich vor dem Schlafenge 4:26 | |
| Composed by Eugen d'Albert | ||
| Performed by Berlin State Opera Orchestra and Torsten Ralf | ||
| Conducted by Bruno Seidler-Winkler | ||
| 6. | Die Fledermaus (The Bat), operetta (RV 503): Act 2. Dieser Anstand 3:53 | |
| Composed by Johann Strauss II | ||
| Performed by Richard Tauber and Staatskapelle Berlin | ||
| Conducted by Frieder Weissmann | ||
| 7. | Der Evangelimann, opera, Op. 45: Act 2. Selig sind with Children's Chorus 4:03 | |
| Composed by Wilhelm Kienzl | ||
| Performed by Berlin State Opera Orchestra and Marcel Wittrisch | ||
| Conducted by Cornelius Kun | ||
| 8. | Der Rosenkavalier, opera, Op. 59 (TrV 227): Act 1. Di rigori armato 2:47 | |
| Composed by Richard Strauss | ||
| Performed by Berlin State Opera Orchestra and Herbert Ernst Groh | ||
| Conducted by Otto Dobrindt | ||
| 9. | Die tote Stadt (The Dead City), opera, Op. 12: Act 1. Glück, das mir verblieb 3:15 | |
| Composed by Erich Wolfgang Korngold | ||
| Performed by Berlin State Opera Orchestra and Joseph Schmidt | ||
| Conducted by Otto Dobrindt | ||
| 10. | Die Entführung aus dem Serail (The Abduction from the Seraglio), opera, K. 384: Act 1. Konstanze... O wie ängstlich, o wie feurig 4:30 | |
| Composed by Wolfgang Amadeus Mozart | ||
| Performed by Berlin State Opera Orchestra and Julius Patzak | ||
| Conducted by Leo Blech | ||
| 11. | Der Wachtelschlag, song for voice & piano ("Ach, mir schallt's dorten"), WoO 129 3:59 | |
| Composed by Ludwig van Beethoven | ||
| Performed by Karl Erb and Bruno Seidler-Winkler | ||
| 12. | Liederkreis, 12 songs for voice & piano, Op. 39: 5. Mondnacht 3:16 | |
| Composed by Robert Schumann | ||
| Performed by Leo Slezak | ||
| 13. | Hänsel und Gretel, opera: Act 1. Ach, wir armen, armen Leute 4:22 | |
| Composed by Engelbert Humperdinck | ||
| Performed by Berlin State Opera Orchestra, Deutschen Staatsopernchor Berlin and Gerhard Hüsch | ||
| Conducted by Hans Udo Muller | ||
| 14. | Zar und Zimmermann, opera: Act 3. Sonst spielt' ich mit Zepter 3:40 | |
| Composed by Albert Lortzing | ||
| Performed by Berlin State Opera Orchestra and Heinrich Schlusnus | ||
| 15. | Verschwiegene Liebe ("Über Wipfel und Saaten"), song for voice & piano (Eichendorff Lieder) 2:34 | |
| Composed by Hugo Wolf | ||
| Performed by Franz Rupp and Heinrich Schlusnus | ||
| 16. | Schwanengesang (Swan Song), song cycle for voice & piano, D. 957: 11. Die Stadt 2:55 | |
| Composed by Franz Schubert | ||
| Performed by Herbert Janssen and Gerald Moore | ||
| 17. | Das Nachtlager von Granada, opera: Act 1. Ein Schütz bin ich 2:25 | |
| Composed by Conradin Kreutzer | ||
| Performed by Berlin State Opera Orchestra and Willi Domgraf-Fassbaender | ||
| Conducted by Erich Orthmann | ||
| 18. | Die tote Stadt (The Dead City), opera, Op. 12: Act 2. Mein Sehnen 3:34 | |
| Composed by Erich Wolfgang Korngold | ||
| Conducted by Carl Alwin | ||
| Performed by Vienna State Opera Chorus, Karl Hammes and Vienna State Opera Orchestra | ||
| 19. | Die Meistersinger von Nürnberg, opera, WWV 96: Act 3. Verachtet mir die Meister nicht 4:36 | |
| Composed by Richard Wagner | ||
| Conducted by Clemens Schmalstich | ||
| Performed by Rudolf Bockelmann, Berlin State Opera Orchestra and Deutschen Staatsopernchor Berlin | ||
| 20. | Elijah (Elias), oratorio, Op. 70: Lord God of Abraham 3:47 | |
| Composed by Felix Mendelssohn | ||
| Conducted by John Barbirolli | ||
| Performed by London Symphony Orchestra and Friedrich Schorr | ||
| 21. | Das Rheingold (The Rhine Gold), opera, WWV 86a: Abendlich strahlt 3:04 | |
| Composed by Richard Wagner | ||
| Performed by Berlin State Opera Orchestra and Hans Hermann Nissen | ||
| Conducted by Bruno Seidler-Winkler | ||
| 22. | Arabella, opera, Op. 79 (TrV 263): Act 2. So wie sind sie 3:19 | |
| Composed by Richard Strauss | ||
| Performed by Berlin State Opera Orchestra, Alfred Jerger and Viorica Ursuleac | ||
| Conducted by Clemens Krauss | ||
| 23. | Zar und Zimmermann, opera: Act 1. O Sancta Justitia 7:17 | |
| Composed by Albert Lortzing | ||
| Performed by Berlin Philharmonic Orchestra and Leo Schutzendorf | ||
| 24. | Die Lustigen Weiber von Windsor, opera: Act 2. Als Büblein klein 3:14 | |
| Composed by Otto Nicolai | ||
| Performed by Berlin State Opera Orchestra, Deutschen Staatsopernchor Berlin and Wilhelm Strienz | ||
| Conducted by Bruno Seidler-Winkler | ||
| 25. | Macbeth, opera: Act 2. Studia il passo... Come dal ciel precipita 3:37 | |
| Composed by Giuseppe Verdi | ||
| Performed by Ivar Andrésen | ||
| 26. | Der Wildschütz, opera: Act 2. Fünftausend Thaler 4:34 | |
| Composed by Albert Lortzing | ||
| Performed by Alexander Kipnis and Berlin State Opera Orchestra | ||
| Conducted by Erich Orthmann | ||
| 27. | Le prophète, grand opera in 5 acts: Act 5. O prêtres de Baal 4:32 | |
| Composed by Giacomo Meyerbeer | ||
| Conducted by Rosario Bourdon | ||
| Performed by Sigrid Onegin | ||
| 28. | La Gioconda, opera in 4 acts: Act 1. Voce di donna 3:34 | |
| Composed by Amilcare Ponchielli | ||
| Performed by Karin Branzell and Staatskapelle Berlin | ||
| Conducted by Frieder Weissmann | ||
| 29. | Samson et Dalila, opera in 3 acts, Op. 47: Act 2. Mon cœur s'ouvre à ta voix 2:54 | |
| Composed by Camille Saint-Saëns | ||
| Performed by Kerstin Thorborg and Odeon Opera Orchestra | ||
| Conducted by Frieder Weissmann | ||
| 30. | Schwanengesang (Swan Song), song cycle for voice & piano, D. 957: 5. Aufenthal 3:26 | |
| Composed by Franz Schubert | ||
| Performed by Maria Olszewska and George Greeves | ||
| 31. | Nicht mehr zu dir zu gehen, song for voice & piano, Op. 32/2 3:12 | |
| Composed by Johannes Brahms | ||
| Performed by Margarete Klose | ||
| 32. | La Clemenza di Tito, opera, K. 621: Act 1. Parto, parto 4:04 | |
| Composed by Wolfgang Amadeus Mozart | ||
| Conducted by Carl Alwin | ||
| Performed by Rosette Anday | ||
| 33. | Die Allmacht ("Gross ist Jehovah"), song for voice & piano, D. 852 (Op. 79/2) 4:32 | |
| Composed by Franz Schubert | ||
| Performed by Marta Fuchs and Michael Raucheisen | ||
| 34. | Feldeinsamkeit ("Ich ruhe still im hohen grünen Gras"), song for voice & piano, Op. 86/2 3:56 | |
| Composed by Johannes Brahms | ||
| Performed by Coenraad van Bos and Elena Gerhardt | ||
| 35. | German folk songs (49) for voice & piano (Nos. 44-49 w/ chorus ad lib), WoO 33: 15. Schwesterlein 2:58 | |
| Composed by Johannes Brahms | ||
| Performed by Lula Mysz-Gmeiner and Julius Dahlke | ||
| 36. | Paulus (Saint Paul), oratorio, Op. 36: Jerusalem 4:07 | |
| Composed by Felix Mendelssohn | ||
| Performed by Jo Vincent | ||
| 37. | Songs (8) from Goethe, for voice & piano, Op. 19a: No. 4, Mit einem gemalten Bande 2:18 | |
| Composed by Othmar Schoeck | ||
| Performed by Paul Baumgartner and Ria Ginster | ||
| 38. | Die Lotosblume ("Die Lotosblume ängstigt sich..."), song for voice & piano (Myrthen), Op. 25/7 1:52 | |
| Composed by Robert Schumann | ||
| Performed by Arpad Sandor and Ursula van Diemen | ||
| 39. | Marienlied, for voice & orchestra 2:54 | |
| Composed by Joseph Marx | ||
| Conducted by Carl Alwin | ||
| Performed by Vienna State Opera Orchestra and Elisabeth Schumann | ||
| 40. | Soirées musicales, song collection for voices & piano: 7. L'invito 2:27 | |
| Composed by Gioachino Rossini | ||
| Performed by Berlin State Opera Orchestra and Lotte Schoene | ||
| Conducted by Erich Orthmann | ||
| 41. | Alessandro Stradella, opera: Act 2. Seid meiner Wonne 4:02 | |
| Composed by Friedrich von Flotow | ||
| Performed by Berlin State Opera Orchestra and Fritzi Jokl | ||
| Conducted by Frieder Weissmann | ||
| 42. | Un ballo in maschera, opera: Act 3. Saper vorreste 2:45 | |
| Composed by Giuseppe Verdi | ||
| Performed by Adele Kern and Berlin-Charlottenburg Orchestra | ||
| Conducted by Julius Prüwer | ||
| 43. | The Tsar's Bride (Tsarskaya nevesta), opera in 4 acts: Act 2. In Novgorod 4:02 | |
| Composed by Nikolai Rimsky-Korsakov | ||
| Performed by Berlin State Opera Orchestra and Miliza Korjus | ||
| Conducted by Bruno Seidler-Winkler | ||
| 44. | Weine du nicht, for voice, oboe & harpsichord 2:56 | |
| Composed by Robert Oboussier | ||
| Performed by Erna Berger, Eta Harich-Schneider and Hans-Walter Schleif | ||
| 45. | Es muss ein Wunderbares sein, song for voice & piano, S. 314 (LW N49) 2:51 | |
| Composed by Franz Liszt | ||
| Performed by Emmy Bettendorf | ||
| Conducted by Otto Dobrindt | ||
| 46. | Le Postillon de Lonjumeau, opera: Act 2. Je vais donc le revoir 5:04 | |
| Composed by Adolphe Adam | ||
| Performed by Felicie Huni-Mihacsek | ||
| 47. | Nachtlied for voice & piano, Op. 20/13 3:21 | |
| Composed by Othmar Schoeck | ||
| Performed by Othmar Schoeck and Margherita Perras | ||
| 48. | Turandot, opera: Act 3. Tu che di gel sei cinta 3:00 | |
| Composed by Giacomo Puccini | ||
| Performed by Berlin State Opera Orchestra and Luise Helletsgruber | ||
| 49. | The Tsar's Bride (Tsarskaya nevesta), opera in 4 acts: Act 3. Ivan Sergeich, come into the garden 4:00 | |
| Composed by Nikolai Rimsky-Korsakov | ||
| Performed by Meta Seinemeyer and Grosses Opern-Orchester | ||
| Conducted by Frieder Weissmann | ||
| 50. | Daphne, opera, Op. 82 (TrV 272): O wie gerne blieb'ich bei dir 3:45 | |
| Composed by Richard Strauss | ||
| Conducted by Karl Bohm | ||
| Performed by Dresden Staatskapelle and Margarete Teschemacher | ||
| 51. | Die Meistersinger von Nürnberg, opera, WWV 96: Act 3. O Sachs, mein Freund! 2:41 | |
| Composed by Richard Wagner | ||
| Conducted by Georges Sebastian | ||
| Performed by Delia Reinhardt | ||
| 52. | Arabella, opera, Op. 79 (TrV 263): Act 1. Nach dem Matteo? 4:28 | |
| Composed by Richard Strauss | ||
| Performed by Berlin State Opera Orchestra and Tiana Lemnitz | ||
| Conducted by Bruno Seidler-Winkler | ||
| 53. | La bohème, opera: Act 1. Sì, mi chiamano Mimì 4:13 | |
| Composed by Giacomo Puccini | ||
| Performed by Berlin State Opera Orchestra and Maria Cebotari | ||
| Conducted by Fritz Zweig | ||
| 54. | L' Africaine, grand opera in 5 acts: Act 1. Adieu, mon doux rivage 3:12 | |
| Composed by Giacomo Meyerbeer | ||
| Performed by Elisabeth Rethberg and Odeon Opera Orchestra | ||
| Conducted by Frieder Weissmann | ||
| 55. | Die Ägyptische Helena (The Egyptian Helen), opera, Op. 75 (TrV 255): Zweite Brautnacht! 3:56 | |
| Composed by Richard Strauss | ||
| Performed by Berlin State Opera Orchestra and Rose Pauly | ||
| Conducted by Fritz Busch | ||
| 56. | Tannhäuser, opera, WWV 70: Act 1. Geliebte, komm! 5:03 | |
| Composed by Richard Wagner | ||
| Conducted by Lawrance Collingwood | ||
| Performed by Gota Ljungberg, London Symphony Orchestra and Walter Widdop | ||
| 57. | Der Rosenkavalier, opera, Op. 59 (TrV 227): Act 1. Oh, sei er gut, Quinquin 4:12 | |
| Composed by Richard Strauss | ||
| Performed by Berlin State Opera Orchestra and Lotte Lehmann | ||
| Conducted by Manfred Gurlitt | ||
| 58. | Waldeinsamkeit (Solitude in the Woods: "Gestern abend in der stillen Ruh' "), song for voice & piano, Op. 76/3 1:56 | |
| Composed by Max Reger | ||
| Performed by Maria Muller and Ivor Newton | ||
| 59. | Zum Schlafen ("Oben in dem Birnenbaum"), song for voice & piano, Op. 76/59 2:11 | |
| Composed by Max Reger | ||
| Performed by Maria Muller and Ivor Newton | ||
| 60. | Die Königin von Saba, opera, Op. 27: Act 1. Der Freund ist dein 4:51 | |
| Composed by Karl Goldmark | ||
| Conducted by Carl Alwin | ||
| Performed by Vienna State Opera Chorus, Maria Nemeth and Vienna State Opera Orchestra | ||
| 61. | Der fliegende Holländer (The Flying Dutchman), opera, WWV 63: Act 2. Jo-ho-hoe!... Traft ihr das Schiff 5:02 | |
| Composed by Richard Wagner | ||
| Conducted by Manfred Gurlitt | ||
| Performed by Elisabeth Ohms | ||
| 62. | Siegfried, opera, WWV 86c: Act 3. Ewig war ich 4:05 | |
| Composed by Richard Wagner | ||
| Performed by Nanny Larsen-Todsen | ||
| Conducted by Eduard Mörike | ||
| 63. | Wesendonk Lieder, songs (5) for voice & piano (or orchestra), WWV 91: 4. Schmerzen 2:43 | |
| Composed by Richard Wagner | ||
| Conducted by John Barbirolli | ||
| Performed by Frida Leider and London Symphony Orchestra | ||
| 64. | Die Walküre (The Valkyrie), opera, WWV 86b: Act 1. Du bist der Lenz 2:09 | |
| Composed by Richard Wagner | ||
| Performed by Kirsten Flagstad and Philadelphia Orchestra | ||
| Conducted by Eugene Ormandy | ||
| 65. | Zingari in Fiera, opera: Chi vuol la zingarella 2:02 | |
| Composed by Giovanni Paisiello | ||
| Conducted by Antonio Capdevila | ||
| Performed by Conchita Supervia | ||
| 66. | Have You Seen But A Whyte Lilie Grow? for voice & piano 1:58 | |
| Composed by English Traditional | ||
| Performed by Ivor Newton and Conchita Supervia | ||
| 67. | Carmen, opéra-comique in 4 acts: Act 3. Voyons, que j'essaie 3:31 | |
| Composed by Georges Bizet | ||
| Performed by La Scala Theater Orchestra and Gianna Pederzini | ||
| Conducted by Carlo Sabajno | ||
| 68. | Requiem Mass, for soloists, chorus & orchestra (Manzoni Requiem): Liber scriptus 4:41 | |
| Composed by Giuseppe Verdi | ||
| Performed by La Scala Theater Chorus, Irene Minghini-Cattaneo and La Scala Theater Orchestra | ||
| Conducted by Carlo Sabajno | ||
| 69. | Samson et Dalila, opera in 3 acts, Op. 47: Act 1. A la nuit tombante 3:16 | |
| Composed by Camille Saint-Saëns | ||
| Conducted by Umberto Berrettoni | ||
| Performed by Ebe Stignani | ||
| 70. | La favorita, opera: Act 3. O mon Fernand 3:12 | |
| Composed by Gaetano Donizetti | ||
| Performed by Florica Cristoforeanu | ||
| 71. | Mefistofele, opera in prologue, 4 acts & epilogue: Act 3. L'altra notte 4:24 | |
| Composed by Arrigo Boito | ||
| Conducted by Franco Ghione | ||
| Performed by La Scala Theater Orchestra and Pia Tassinari | ||
| 72. | I Lombardi alla prima Crociata, opera: Act 1. Te, Vergin santa 3:47 | |
| Composed by Giuseppe Verdi | ||
| Performed by Giannina Arangi-Lombardi | ||
| 73. | Loreley, opera (azione romantica) in 3 acts: Act 3. O forze recondite 3:44 | |
| Composed by Alfredo Catalani | ||
| Performed by Bianca Scacciati | ||
| 74. | La forza del destino, opera: Act 4. Pace, pace mio Dio 4:18 | |
| Composed by Giuseppe Verdi | ||
| Conducted by John Barbirolli | ||
| Performed by Dusolina Giannini | ||
| 75. | Siberia, opera: Act 3. Qual vergogna 2:42 | |
| Composed by Umberto Giordano | ||
| Conducted by Giuseppe Antonicelli | ||
| Performed by Maria Caniglia and La Scala Theater Orchestra | ||
| 76. | Andrea Chénier, opera: Act 3. La mamma morta 3:35 | |
| Composed by Umberto Giordano | ||
| Performed by Lina Bruna Rasa | ||
| 77. | La fanciulla del West (The Girl of the Golden West), opera: Act 1. L'amore è un'altra cosa... Laggiù nel Solid 2:40 | |
| Composed by Giacomo Puccini | ||
| Performed by Gina Cigna | ||
| 78. | Ernani, opera: Act 1. Ernani, involami 2:35 | |
| Composed by Giuseppe Verdi | ||
| Conducted by Lorenzo Molajoli | ||
| Performed by La Scala Theater Orchestra and Iva Pacetti | ||
| 79. | Madama Butterfly (Madame Butterfly), opera: Act 3. Con onor muore 4:34 | |
| Composed by Giacomo Puccini | ||
| Performed by Margaret Sheridan and Browning Mummery | ||
| 80. | Maristella, opera: Ma zitte, zitte!... Uno strano canto arcano 3:06 | |
| Composed by Giuseppe Pietri | ||
| Performed by Rosetta Pampanini | ||
| 81. | Colombetta for voice & piano (or orchestra) 2:09 | |
| Composed by Arturo Buzzi-Peccia | ||
| Conducted by Lorenzo Molajoli | ||
| Performed by Claudia Muzio | ||
| 82. | Otello, opera: Act 4. Piangea cantando 4:34 | |
| Composed by Giuseppe Verdi | ||
| Performed by La Scala Theater Orchestra and Hina Spani | ||
| Conducted by Carlo Sabajno | ||
| 83. | Iris, opera (melodramma) in 3 acts: Act 2. Io pingo 3:53 | |
| Composed by Pietro Mascagni | ||
| Performed by Maria Franeti | ||
| 84. | Turandot, opera: Act 2. Tu che di gel sei cinta 2:36 | |
| Composed by Giacomo Puccini | ||
| Performed by Maria Zamboni | ||
| 85. | Lodoletta, opera in 3 acts: Act 3. Ah! che suo nome... Flammen perdonami 4:02 | |
| Composed by Pietro Mascagni | ||
| Performed by Mafalda Favero | ||
| 86. | Manon Lescaut, opera: Act 2. In quelle trine morbide 2:38 | |
| Composed by Giacomo Puccini | ||
| Performed by Licia Albanese | ||
| 87. | Turandot, opera: Act 1. Signore, ascolta 2:18 | |
| Composed by Giacomo Puccini | ||
| Conducted by Franco Ghione | ||
| Performed by Magda Olivero and EIAR Orchestra, Turin | ||
| 88. | Il Guarany, opera: Act 2. Gentile di cuore 3:32 | |
| Composed by Carlos Gomes | ||
| Performed by Bidu Sayao and Orchestra of RCA Victor Brasiliana | ||
| Conducted by Armando Giannotti | ||
| 89. | Tonadillas al estilo antiguo, songs (10) for voice & piano, H. 136: 2. El majo discreto / 4. El majo timido 2:36 | |
| Composed by Enriqué Granados | ||
| Performed by Conchita Badia and Donato Oscar Colacelli | ||
| 90. | Adriana Lecouvreur, opera: Act 4. No, la mia fronte 4:41 | |
| Composed by Francesco Cilea | ||
| Conducted by Franco Ghione | ||
| Performed by La Scala Theater Orchestra, Adelaide Saraceni and Piero Pauli | ||
| 91. | Il Re, opera: O Colombello, sposarti 3:03 | |
| Composed by Umberto Giordano | ||
| Performed by Mercedes Capsir | ||
| 92. | Maori Lullaby for voice & orchestra 3:01 | |
| Composed by William Garrett James | ||
| Performed by La Scala Theater Orchestra and Toti Dal Monte | ||
| Conducted by Carlo Sabajno | ||
| 93. | Rigoletto, opera: Act 1. Gualtier Maldé... Caro nome 4:56 | |
| Composed by Giuseppe Verdi | ||
| Performed by La Scala Theater Orchestra and Lina Pagliughi | ||
| Conducted by Carlo Sabajno | ||
| 94. | Requiem Mass, for soloists, chorus & orchestra (Manzoni Requiem): Confutatis maledictis 3:34 | |
| Composed by Giuseppe Verdi | ||
| Performed by La Scala Theater Orchestra and Ezio Pinza | ||
| Conducted by Carlo Sabajno | ||
| 95. | La bohème, opera: Act 4. Vecchia zimarra 1:52 | |
| Composed by Giacomo Puccini | ||
| Performed by Tancredi Pasero | ||
| 96. | Mefistofele, opera in prologue, 4 acts & epilogue: Act 2. Ecco il mondo 2:30 | |
| Composed by Arrigo Boito | ||
| Performed by Nazzareno de Angelis | ||
| 97. | Crispino e la Comare, opera: Fermola!... Dapprima, figuratevi 3:16 | |
| Composed by Federico Ricci | ||
| Performed by Salvatore Baccaloni and Irma Mion | ||
| 98. | Don Pasquale, opera: Act 3. Cheti, cheti, immantinente 6:34 | |
| Composed by Gaetano Donizetti | ||
| Performed by Ernesto Badini, La Scala Theater Orchestra and Afro Poli | ||
| Conducted by Carlo Sabajno | ||
| 99. | Falstaff, opera: Act 1. L'onore! Ladri! 3:21 | |
| Composed by Giuseppe Verdi | ||
| Performed by Mariano Stabile | ||
| 100. | Il Figliuol Prodigo, opera: Era dessa!... Raccogli el calma 4:45 | |
| Composed by Amilcare Ponchielli | ||
| Performed by Mario Basiola Jr. and Marco Basiola | ||
| 101. | Zazà, opera: Act 2. Buona Zazà 2:04 | |
| Composed by Ruggero Leoncavallo | ||
| Performed by Apollo Granforte and La Scala Theater Orchestra | ||
| Conducted by Carlo Sabajno | ||
| 102. | Andrea Chénier, opera: Act 3. Nemico della patria 3:54 | |
| Composed by Umberto Giordano | ||
| Performed by Cesare Formichi | ||
| 103. | Guglielmo Ratcliff, opera (tragedia) in 4 acts: Act 1. E'sempre il vecchio andazzo 2:31 | |
| Composed by Pietro Mascagni | ||
| Performed by Carlo Galeffi | ||
| 104. | Andrea Chénier, opera: Act 1. Son sessnat' anni 2:44 | |
| Composed by Umberto Giordano | ||
| Performed by Benvenuto Franci | ||
| 105. | Tosca, opera: Act 2. La povera mia cena fu interrotta 3:20 | |
| Composed by Giacomo Puccini | ||
| Conducted by John Barbirolli | ||
| Performed by Giovanni Inghilleri | ||
| 106. | Mistica, for voice & instrumental ensemble 4:03 | |
| Composed by Pietro Adolfo Tirindelli | ||
| Performed by Carlo Tagliabue | ||
| 107. | Ideale for voice & piano (or orchestra) 3:43 | |
| Composed by Paolo Tosti | ||
| Performed by Riccardo Stracciari | ||
| 108. | La sonnambula, opera: Act 2. D'un pensiero 3:34 | |
| Composed by Vicenzo Bellini | ||
| Performed by La Scala Theater Chorus, Marina Gentile, Ida Mannarini, La Scala Theater Orchestra, Dino Borgioili and Gina Pedroni | ||
| 109. | Do Not Go, My Love for voice & piano (or orchestra) 2:48 | |
| Composed by Richard Hageman | ||
| Performed by Ivor Newton and Dino Borgioili | ||
| 110. | La sonnambula, opera: Act 1. Prendi, l'anel ti dono 2:52 | |
| Composed by Vicenzo Bellini | ||
| Performed by Ivor Newton and Enzo De Muro Lomanto | ||
| 111. | Werther, lyric drama in 4 acts: ACt 3. Traduire... Pourqoui me réveiller? 3:46 | |
| Composed by Jules Massenet | ||
| Performed by Tito Schipa and La Scala Theater Orchestra | ||
| Conducted by Franco Ghione | ||
| 112. | En Effeuillant la Marguerite for voice & orchestra 3:14 | |
| Composed by Federico Longas | ||
| Conducted by Dino Olivieri | ||
| Performed by Tito Schipa and La Scala Theater Orchestra | ||
| 113. | Los Gavilanes, zarzuela: Flor Roja 4:33 | |
| Composed by Jacinto Guerrero | ||
| Performed by Tino Folgar | ||
| 114. | Anima Allegra, opera: È arrivata primavera 2:49 | |
| Composed by Franco Vittadini | ||
| Performed by Luigi Fort | ||
| 115. | Turandot, opera: Act 3. Nessum dorma 3:08 | |
| Composed by Giacomo Puccini | ||
| Conducted by Franco Ghione | ||
| Performed by La Scala Theater Orchestra and Alessandro Ziliani | ||
| 116. | Lodoletta, opera in 3 acts: Act 3. Se Franz dicesse il vero 4:21 | |
| Composed by Pietro Mascagni | ||
| Performed by Galliano Masini | ||
| 117. | Manon Lescaut, opera: Act 1. Donna non vidi mai 2:35 | |
| Composed by Giacomo Puccini | ||
| Performed by Francesco Merli | ||
| 118. | Otello, opera: Act 3. Dio, mi potevi scagliar 4:05 | |
| Composed by Giuseppe Verdi | ||
| Conducted by John Barbirolli | ||
| Performed by Renato Zanelli | ||
| 119. | Aprile for voice & piano (or orchestra) 4:05 | |
| Composed by Paolo Tosti | ||
| Conducted by Lawrance Collingwood | ||
| Performed by Beniamino Gigli | ||
| 120. | La belle Hélène, operetta in 3 acts: Act 1. Au Mont Ida 3:26 | |
| Composed by Jacques Offenbach | ||
| Performed by Jussi Björling | ||
| Conducted by Nils Grevillius | ||
| 121. | Andrea Chénier, opera: Act 2. Credo a una possanza 3:07 | |
| Composed by Umberto Giordano | ||
| Performed by Antonio Cortis and La Scala Theater Orchestra | ||
| Conducted by Carlo Sabajno | ||
| 122. | Manon Lescaut, opera: Act 3. Che avvien?... Ah, non m'avvicinate 3:04 | |
| Composed by Giacomo Puccini | ||
| Conducted by Franco Ghione | ||
| Performed by Giacome Lauri-Volpi, La Scala Theater Orchestra and Luigi Borgonovo | ||
| 123. | Adriana Lecouvreur, opera: Act 1. La dolcissima effigie 2:22 | |
| Composed by Francesco Cilea | ||
| Performed by La Scala Theater Orchestra and Aureliano Pertile | ||
| Conducted by Carlo Sabajno | ||
| 124. | Parysatis, incidental music: Le Rossignol et la rose 2:50 | |
| Composed by Camille Saint-Saëns | ||
| Conducted by Gustave Cloez | ||
| Performed by Lily Pons | ||
| 125. | Hippolyte et Aricie, tragédie lyrique: Rossignols amoureux 4:25 | |
| Composed by Jean-Philippe Rameau | ||
| Performed by Pierre Jamet, Leila Ben Sedira and Gaston Grunelle | ||
| 126. | Les brigands, operetta in 3 acts: Act 1. Après avoir pris à droite 2:19 | |
| Composed by Jacques Offenbach | ||
| Conducted by Gustave Cloez | ||
| Performed by Emma Luart | ||
| 127. | Lakmé, opera: Act 3. Tu m'as donné 2:15 | |
| Composed by Léo Delibes | ||
| Conducted by Elie Cohen | ||
| Performed by Germaine Feraldy | ||
| 128. | Guillaume Tell (William Tell), opera: Act 2. Sombre forêt 3:25 | |
| Composed by Gioachino Rossini | ||
| Conducted by H. Defosse | ||
| Performed by Eide Norena | ||
| 129. | Les berceaux, song for voice & piano in B flat minor, Op. 23/1 2:49 | |
| Composed by Gabriel Fauré | ||
| Performed by Marguerite Long and Ninon Vallin | ||
| 130. | Tu lo sai, aria 3:30 | |
| Composed by Giuseppe Torelli | ||
| Performed by Povla Frijsh and Daisy Bucktrout | ||
| 131. | Chansons de Bilitis (3), song cycle for voice & piano, L. 90: 2. La chevelure 2:45 | |
| Composed by Claude Debussy | ||
| Performed by Jane Bathori and Jane Bathori | ||
| 132. | Kaddisch, song for voice & piano (Mélodie hébraïque No. 1) 3:39 | |
| Composed by Maurice Ravel | ||
| Performed by Madeleine Grey | ||
| 133. | Marie-Magdeleine, sacred drama in 3 acts: O mes sœurs... C'est ici-même 5:08 | |
| Composed by Jules Massenet | ||
| Performed by Germaine Martinelli | ||
| 134. | Sapho, opera: Act 4. Ces gens que je connais... Viens, m'ami 4:13 | |
| Composed by Charles Gounod | ||
| Conducted by Gustave Cloez | ||
| Performed by Suzanne Cesbron-Viseur | ||
| 135. | Ariane et Barbe-Bleue, opera: Act 1. Oh! mes clairs diamants 4:00 | |
| Composed by Paul Dukas | ||
| Conducted by Elie Cohen | ||
| Performed by Suzanne Balguerie | ||
| 136. | Lohengrin, opera, WWV 75: Act 1. Einsam in trüben Tagen 4:11 | |
| Composed by Richard Wagner | ||
| Conducted by H. Defosse | ||
| Performed by Germaine Lubin | ||
| 137. | Sapho, opera: Act 1. Petite, voice ta lampe 2:46 | |
| Composed by Charles Gounod | ||
| Conducted by Gustave Cloez | ||
| Performed by Germaine Cernay and Opéra-Comique Orchestra | ||
| 138. | Jeune Fille Parle for voice & piano 2:59 | |
| Composed by Pierre De Breville | ||
| Performed by Pierre De Breville and Claire Croiza | ||
| 139. | Orphée et Eurydice (French version), opera in 3 acts, Wq. 41: Act 2. Quel nouveau ciel 4:29 | |
| Composed by Christoph Willibald Gluck | ||
| Conducted by Henri Tomasi | ||
| Performed by Alice Raveau and Orchestre Symphonique de Paris | ||
| 140. | Sigurd, opera: Act 2. Le bruit de chants... Esprits, gardiens de 4:32 | |
| Composed by Ernest Reyer | ||
| Conducted by Eugene Bigot | ||
| Performed by Georges Thill | ||
| 141. | Hérodiade, opera in 4 acts: Act 4. Ne pouvant réprimer... Adieu donc, vains ob 4:02 | |
| Composed by Jules Massenet | ||
| Conducted by Piero Coppola | ||
| Performed by Rene Maison | ||
| 142. | Polyeucte, opera: Act 4. Source délicieuse 4:45 | |
| Composed by Charles Gounod | ||
| Conducted by Eugene Bigot | ||
| Performed by Jose Luccione | ||
| 143. | Sigurd, opera: Act 4. Un souvenir poignant 2:44 | |
| Composed by Ernest Reyer | ||
| Performed by Cesar Vezzani | ||
| Conducted by G. Lauweryns | ||
| 144. | La Juive, opera: Act 2. Dieu, que ma voix tremblante 3:00 | |
| Composed by Jacques-François Fromental Halévy | ||
| Conducted by H. Defosse | ||
| Performed by R. Verdiere | ||
| 145. | Mireille, opera: Act 3. Mon cœur est plein... Ange du Paradis 2:55 | |
| Composed by Charles Gounod | ||
| Conducted by Gustave Cloez | ||
| Performed by Gaston Micheletti and Opéra-Comique Orchestra | ||
| 146. | L'Illustre Fregona, opera: Mélancolique tombe le soir 2:54 | |
| Composed by Raoul Laparra | ||
| Performed by Miguel Villabella | ||
| 147. | Maître Pathelin, opera: Je pense à vous (Romance de Charlot) 3:01 | |
| Composed by François Bazin | ||
| Conducted by Maurice Bastin | ||
| Performed by Andre d'Arkor and Théâtre La Monnaie Royal Opera Orchesta | ||
| 148. | Luisa Miller, opera: Act 2. Quando le sere al placido 3:32 | |
| Composed by Giuseppe Verdi | ||
| Performed by Giuseppe Lugo | ||
| 149. | Le Roi d'Ys, opera in 3 acts: Act 3. Puisqu'on ne peut fléchir... Vainement, ma 3:55 | |
| Composed by Edouard Lalo | ||
| Performed by Joseph Rogachevsky | ||
| 150. | L' Enfance du Christ, oratorio for soprano, 2 tenors, Baritone, 3 basses, chorus & orchetsra ("trilogie sacrée") H. 130 (Op. 25): Les Pélerins étant venus 4:19 | |
| Composed by Hector Berlioz | ||
| Conducted by Francois Ruhlmann | ||
| Performed by Orchestre Symphonique de Paris and Jean Planel | ||
| 151. | La Damnation de Faust, for mezzo-soprano, tenor, baritone, bass, chorus and orchestra, ("légende dramatique") H. 111 (Op. 24): Scene 2. Esprits des flammes! 2:27 | |
| Composed by Hector Berlioz | ||
| Conducted by Piero Coppola | ||
| Performed by Pasdeloup Concert Association Orchestra and Charles Panzèra | ||
| 152. | D'une prison, for voice and piano (from "Melodies, Book I") 3:03 | |
| Composed by Reynaldo Hahn | ||
| Performed by Charles Panzèra and Magdeleine Panzéra-Baillot | ||
| 153. | Songs (2) for voice & piano, Op. 1 1:53 | |
| Composed by Gabriel Fauré | ||
| Performed by Francis Poulenc and Pierre Bernac | ||
| 154. | Don Quichotte à Dulcinée, song cycle for voice & orchestra (or piano): Chanson épique 3:07 | |
| Composed by Maurice Ravel | ||
| Conducted by Piero Coppola | ||
| Performed by Martial Singher | ||
| 155. | Lydia, song for voice & piano in F Major, Op. 4/2 3:04 | |
| Composed by Gabriel Fauré | ||
| Performed by Roger Bourdin | ||
| 156. | Guercoeur, opera, Op 12: Act 2. Si cruelle... Le calme rentre dans mon cœur 4:24 | |
| Composed by Albéric Magnard | ||
| Performed by Arthur Endreze | ||
| Conducted by Francois Ruhlmann | ||
| 157. | Patrie, opera: C'est ici le berceau de notre liberté 4:03 | |
| Composed by Emile Paladilhe | ||
| Performed by Concerts Colonne Orchestra and Robert Couzinou | ||
| Conducted by Albert Wolff | ||
| 158. | Robert Macaire, opera: À la belle étoile 3:16 | |
| Composed by Berthomieu | ||
| Conducted by Godfroy Andolfi | ||
| Performed by Andre Balbon | ||
| 159. | Les contes d'Hoffmann, opera in 4 acts: Act 2. C'est moi, Coppélius... Je me nomme Coppéli 2:53 | |
| Composed by Jacques Offenbach | ||
| Conducted by Gustave Cloez | ||
| Performed by Andre Pernet | ||
| 160. | L'Ombre, opera: Act 2. Quand je monte Cocotte 2:48 | |
| Composed by Friedrich von Flotow | ||
| Conducted by Elie Cohen | ||
| Performed by Lucien Fugere | ||
| 161. | Plaisir d'amour, for voice & piano (or orchestra) 4:38 | |
| Composed by Jean-Paul-Gilles Martini (aka J.P. Schwarzendorf) | ||
| Performed by Vanni-Marcoux and Lucien Petitjean | ||
| 162. | La Grande-Duchesse de Gérolstein, operetta in 3 acts: Act 2. Dites-lui qu'on l'a remarque 2:49 | |
| Composed by Jacques Offenbach | ||
| Performed by Yvonne Printemps and Henri Husser | ||
| 163. | La boulangère a des écus, operetta in 3 acts: Les Charbonniers et fariniers / Que voulez-vous fa 2:39 | |
| Composed by Jacques Offenbach | ||
| Performed by Reynaldo Hahn and Reynaldo Hahn | ||
| 164. | Falstaff, opera: Act 2. E' sogno, o realtà? 4:23 | |
| Composed by Giuseppe Verdi | ||
| Conducted by Rosario Bourdon | ||
| Performed by Lawrence Tibbett | ||
| 165. | Hamlet, incidental music: Act 2. O vin, dissipe la tristesse 3:18 | |
| Composed by Virgil Thomson | ||
| Performed by John Charles Thomas | ||
| Conducted by Nathaniel Finston | ||
| 166. | Il barbière di Siviglia (The Barber of Seville), opera: Act 1. Largo al factorum 4:00 | |
| Composed by Gioachino Rossini | ||
| Performed by Dennis Noble | ||
| 167. | Hamlet, incidental music: Act 5. Comme une pâle fleur 2:55 | |
| Composed by Virgil Thomson | ||
| Performed by John Brownlee | ||
| Conducted by G. Lauweryns | ||
| 168. | Onaway, Awake Beloved for voice & piano 2:25 | |
| Composed by Frederic H. Cowen | ||
| Performed by Harold Williams | ||
| 169. | Messiah, oratorio, HWV 56: Why do the nations? 4:46 | |
| Composed by George Frideric Handel | ||
| Conducted by Lawrance Collingwood | ||
| Performed by Peter Dawson | ||
| 170. | The Bitterness of Love, for voice & piano 2:19 | |
| Composed by James Philip Dunn | ||
| Performed by John McCormack and Edwin Schneider | ||
| 171. | Scherzi musicali a tre voci, arias & madrigals for 3 voices, SV 230-244: Maledetto sia l'aspetto 1:33 | |
| Composed by Claudio Monteverdi | ||
| Performed by Reginald Boardman and Roland Hayes | ||
| 172. | Les contes d'Hoffmann, opera in 4 acts: Act 3. O Dieu! de quelle ivresse 2:44 | |
| Composed by Jacques Offenbach | ||
| Performed by Charles Kullmann | ||
| Conducted by Otto Dobrindt | ||
| 173. | La Jolie Fille de Perth, opera in 4 acts: Act 2. À la voix (Sérénade) 4:29 | |
| Composed by Georges Bizet | ||
| Performed by Heddle Nash | ||
| 174. | Esmeralda, opera: And she says true... O vision entrancing 3:42 | |
| Composed by Arthur Goring Thomas | ||
| Performed by Tom Burke | ||
| 175. | Tosca, opera: Act 1. Recondita armonia 2:55 | |
| Composed by Giacomo Puccini | ||
| Conducted by Clemens Schmalstich | ||
| Performed by Berlin State Opera Orchestra and Richard Crooks | ||
| 176. | Acis and Galatea, oratorio, HWV 49: Love in her eyes sits playing 4:55 | |
| Composed by George Frideric Handel | ||
| Conducted by Lawrance Collingwood | ||
| Performed by Walter Widdop | ||
| 177. | The Tempest, or, The Enchanted Island, semi-opera, Z. 631: Act 2. Arise, ye subterranean winds 3:42 | |
| Composed by Henry Purcell | ||
| Performed by Norman Allin | ||
| 178. | Carmen, opéra-comique in 4 acts: Act 1. Près des remparts de Séville 2:08 | |
| Composed by Georges Bizet | ||
| Performed by Ivor Newton and Marguerite D'Alvarez | ||
| 179. | Minuet 3:13 | |
| Composed by Padre Martini | ||
| Performed by Charles Cahier | ||
| 180. | Paulus (Saint Paul), oratorio, Op. 36: And he journeyed... But the Lord is mindful 3:16 | |
| Composed by Felix Mendelssohn | ||
| Performed by Muriel Brunskill | ||
| 181. | The Lost Chord, song for voice & piano 4:15 | |
| Composed by Arthur Sullivan | ||
| Performed by Clara Butt | ||
| 182. | Der Tod und das Mädchen ("Vorüber, ach vorüber"), song for voice & piano, D. 531 (Op. 7/3) 3:00 | |
| Composed by Franz Schubert | ||
| Performed by Marian Anderson and Kosti Vehanen | ||
| 183. | Le secret ("Je veux que le matin l'ignore le nom"), song for voice & piano in D flat Major, Op. 23/3 2:13 | |
| Composed by Gabriel Fauré | ||
| Performed by Gerald Moore and Susan Metcalfe-Casals | ||
| 184. | La bohème, opera: Act 1. Sì, mi chiamano Mimì 4:37 | |
| Composed by Giacomo Puccini | ||
| Performed by Grace Moore and Victory Symphony Orchestra | ||
| Conducted by Wilfred Pelletier | ||
| 185. | Baylèro 4:22 | |
| Composed by Anonymous | ||
| Conducted by Jean Paul Morel | ||
| Performed by RCA Victor Orchestra and Gladys Swarthout | ||
| 186. | La bohème, opera: Act 1. Sì, mi chiamano Mimì 4:17 | |
| Composed by Giacomo Puccini | ||
| Conducted by Alberto Erede | ||
| Performed by Ina Souez | ||
| 187. | Psyché for voice & piano 2:49 | |
| Composed by Emile Paladilhe | ||
| Performed by Gerald Moore and Maggie Teyte | ||
| 188. | Theodora, oratorio, HWV 68: Angels ever bright and fair 4:28 | |
| Composed by George Frideric Handel | ||
| Performed by Isobel Baillie | ||
| 189. | Irmelin, opera, RT i/2 3:54 | |
| Composed by Frederick Delius | ||
| Conducted by Thomas Beecham | ||
| Performed by Dora Labbette | ||
| 190. | Madama Butterfly (Madame Butterfly), opera: Act 2. Un bel dì vedremo 4:00 | |
| Composed by Giacomo Puccini | ||
| Performed by Joan Cross | ||
| 191. | A Pastoral Song ("My mother bids me bind my hair"), song for voice & keyboard (English Canzonettas I), H. 26a/27 3:29 | |
| Composed by Franz Joseph Haydn | ||
| Performed by Florence Easton and Gerald Moore | ||
| 192. | La Vestale, opera: Act 2. O nume tutelar 3:28 | |
| Composed by Gaspare Spontini | ||
| Performed by Rosa Ponselle | ||
| 193. | Sigurd, opera: Act 4. O palais radieux! 3:48 | |
| Composed by Ernest Reyer | ||
| Conducted by Piero Coppola | ||
| Performed by Marjorie Lawrence and Pasdeloup Concert Association Orchestra | ||
| 194. | Turandot, opera: Act 2. In questa reggia 5:46 | |
| Composed by Giacomo Puccini | ||
| Performed by Eva Turner | ||
| Conducted by Lorenzo Molajoli | ||
| 195. | Stabat mater for 2 sopranos, tenor, bass, chorus & orchestra: Inflammatus 4:28 | |
| Composed by Gioachino Rossini | ||
| Performed by Florence Austral, Chorus of The Royal Opera and Orchestra of The Royal Opera | ||
| Conducted by John Barbirolli | ||
| 196. | Rusalka, opera, B. 203 (Op. 114): Act 3. My hair is golden 3:11 | |
| Composed by Antonin Dvorák | ||
| Performed by Jarmila Novotna and Arpad Sandor | ||
| 197. | The Tsar's Bride (Tsarskaya nevesta), opera in 4 acts: Act 3. Ivan Sergeich, come into the garden 3:20 | |
| Composed by Nikolai Rimsky-Korsakov | ||
| Performed by Nathalie Vechor | ||
| 198. | Rusalka, opera, B. 203 (Op. 114): Act 1. O lovely moon 4:12 | |
| Composed by Antonin Dvorák | ||
| Performed by Ada Nordenova | ||
| 199. | Work(s): The wounded birch, Op. 1, No. 2 / Snowflakes, Op. 3:43 | |
| Composed by Alexander Grechaninov | ||
| Performed by Alexander Grechaninov and Maria Kurenko | ||
| 200. | Eastern Song: The nightingale enslaved by the rose (Vostochnïy romans), song for voice and piano, Op. 2/2 3:07 | |
| Composed by Nikolai Rimsky-Korsakov | ||
| Performed by Xenia Belmas | ||
| Conducted by Alexander Kitschin | ||
| 201. | Pamietam Ciche, Jasne, Zlote Dnie for voice & piano ("I Remember Golden Days") 2:01 | |
| Composed by Mieczyslaw Karlowicz | ||
| Performed by Otto Schulhof and Ada Sari | ||
| 202. | Kolybel'naia (Lullaby), for voice & piano, Op. 1/5 2:29 | |
| Composed by Alexander Grechaninov | ||
| Performed by Percy B. Kahn and Oda Slobodskaya | ||
| 203. | Leave me alone (Lasst mich allein), song for voice & piano, B. 157/1 (Op. 82/1) 4:05 | |
| Composed by Antonin Dvorák | ||
| Performed by Jozka Charvat and Maria Krasová | ||
| 204. | Fekete fód / Asszonyok, for voice & piano: 1. Fekete fód / 2. Asszonyok 2:40 | |
| Composed by Hungarian Traditional | ||
| Performed by Béla Bartók and Maria Basilides | ||
| 205. | Salvator Rosa, opera: Act 3. Di sposo, di padre 2:59 | |
| Composed by Carlos Gomes | ||
| Performed by Albert Coates and Mark Reizen | ||
| 206. | The Sierra Nevada Was Covered with Mist, for voice & piano 2:20 | |
| Composed by Alexander Sergeyevich Dargomizhsky | ||
| Performed by Feodor Chaliapin and Piero Coppola | ||
| 207. | Háry János, opera, Op. 15: 9. Tiszán innen, Dunán tûl 4:09 | |
| Composed by Zoltán Kodály | ||
| Conducted by Sandor Rekai | ||
| Performed by Orchestra of the Budapest Opera, Izabella Nagy and Imry Palló | ||
| 208. | Poems by Nekrasov (21) for voice & piano, Op 62: No. 17, Hunger 3:05 | |
| Composed by César Cui | ||
| Performed by Ivor Newton and Vladimir Rozing | ||
| 209. | Tranquility for voice & piano 3:11 | |
| Composed by Kashevarov | ||
| Performed by Sergei Lemeshev and A.V. Slutzky | ||
What do people mean when they talk about the "Golden Age of Opera"? One of the most compelling explanations is to be found in this ten-CD anthology. Originally conceived in two enormous volumes, THE RECORD OF SINGING set out to survey vocal recordings from the earliest years up to 1925. Then, in 1985, this third and final volume was issued (on LP) to cover the years from 1926 to 1939. Many of the names here are famous and have been revered by generations of operaphiles: Marian Anderson, Jussi Björling, Feodor Chaliapin, Beniamino Gigli, John McCormack, Lauritz Melchior, Claudia Muzio, Magda Olivero, Ezio Pinza, Rosa Ponselle, Tito Schipa, Conchita Supervia, Lawrence Tibbett -- the list goes on and on. But most of the set's 209 tracks of opera arias and art songs present long-forgotten names attached to voices that beckon from the past, and that's what makes this compilation so invaluable. In a brief review, one can't do justice to the bountiful offerings. All you have to do is randomly "drop the needle," however, and you'll hear what the fuss is about. For example, only the most fanatical opera aficionado will recognize the name Jean Planel, but this tenor's sweetly plangent and oh-so-French tone make one eager to hear more of him. Florica Cristoforeanu is surely unfamiliar, too, but this Romanian-born mezzo's big, expressively fluid voice provides three all-too-brief minutes of musical delight. THE RECORD OF SINGING is organized by national schools, and this volume has a particularly strong representation of German artists. One of them, soprano Delia Reinhardt, may not have been an artist of Traubel or Flagstad's caliber, but how Wagnerites would prize her strong, pure voice today! Keith Hardwick's digital transfers are superb, as usual, and although no texts are given -- a pity, since many of these selections are rarities -- a brief biographical sketch is provided on every artist. This set is a treasure chest of delights for anyone who cares about the art of singing. Andrew Farach-Colton
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