About this Artist

• Biography

Editorial Reviews

At six foot three and 270 pounds, Chester Burnett was a bear of a man, but his voice, rough and harsh as broken Delta glass, was what really gave him dimension. A powerful blues shouter out of the Charley Patton mold, Burnett (or Howlin' Wolf, as he came to be known) brought a feral fire to his vocals that made him sound like a gale force hurricane in front of the microphone. But he was far from a loose cannon. He had remarkable control over that voice, as the first track from this wonderful collection of his classic Chess sides makes clear. "Moanin' at Midnight," recorded in 1958 for Sam Phillips (Phillips promptly sold the master to Chicago's Chess Records), is nothing more than an amped-up and electrified field holler, but Wolf's subtle, wordless vocal phrasing makes it carry enough pain, suffering, pride, desperation, and resignation to fill the world to breaking, all in a single rocking performance that hits like a brick to the head. The Chess brothers recorded Wolf frequently in the next dozen or so years, wisely pairing him with guitarist Hubert Sumlin and bassist/songwriter Willie Dixon more often than not, and Wolf's output for the label between 1958 and 1964 forms the core of one of the greatest legacies in the history of the blues. All of his key Chess singles are here, including "Smokestack Lightning," his redefinitions of the Mississippi Sheiks' "Sittin' on Top of the World" and Skip James' "Hard Time Killin' Floor Blues" (reborn as "Killing Floor" in Wolf's hands), and his signature versions of Dixon's "Backdoor Man," "Spoonful," "The Red Rooster," and "I Ain't Superstitious," making this set a marvelous introduction to one of the most powerful voices in recorded history. What you need to hear is here. Steve Leggett, All Music Guide

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