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The great American mezzo-soprano Marilyn Horne celebrated her 70th birthday in January 2004, the same year that also marked 50 years since her professional debut.
Horne’s debut in 1954 took place in Los Angeles. Her name and voice was brought to many more people than could ever hear her in the opera house through the 1954 film Carmen Jones in which she sang the dubbed voice of Dorothy Dandridge. But it was with Joan Sutherland that Marilyn Horne found the perfect vocal partner. Their performances in the great bel canto operas by Rossini, Bellini and Donizetti took the opera world by storm in the 1960s and early 1970s.
By the time she retired in 1998, Marilyn Horne’s long and distinguished career embraced an enormous variety of operatic roles, as well as a wide variety of solo repertoire ranging from Schubert, Schumann and Mahler through to modern American songs. Such a wide repertory was due to the sheer range of her voice and its remarkable flexibility, a voice that could sustain long lines of melody as well as negotiate the most florid vocal pyrotechnics.
Marilyn Horne participated in a number of complete opera recordings (among them classic recordings of Norma and Semiramide with Joan Sutherland), as well as ten recital programs for Decca. The complete recitals are now reissued in their entirety as a Collector Edition on this 11-CD set. The original LP cover art is reproduced for the CD sleeves. From the Label
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The Complete Decca Recitals | ||
| 1. | Il barbière di Siviglia (The Barber of Seville), opera: Una voce poco fa 6:45 | |
| Composed by Gioachino Rossini | ||
| Performed by Marilyn Horne and L'Orchestre de la Suisse Romande | ||
| Conducted by Henry Lewis | ||
| 2. | I Capuleti e i Montecchi, opera: Se Romeo t'uccise un figlio... La tremenda ultrice 7:39 | |
| Composed by Vicenzo Bellini | ||
| Performed by Geneva Grand Theater Choir, Marilyn Horne and L'Orchestre de la Suisse Romande | ||
| Conducted by Henry Lewis | ||
| 3. | Fidelio, opera, Op. 72: Abscheulicher! Wo eilst du hin?... Komm, Hoffnung 7:29 | |
| Composed by Ludwig van Beethoven | ||
| Performed by Marilyn Horne and L'Orchestre de la Suisse Romande | ||
| Conducted by Henry Lewis | ||
| 4. | Otello, opera: Assisa a piè d'un salice (Willow Song) 12:05 | |
| Composed by Gioachino Rossini | ||
| Performed by Marilyn Horne, L'Orchestre de la Suisse Romande and Robert McEwan | ||
| Conducted by Henry Lewis | ||
| 5. | Tancredi, opera: Di tanti palpiti 2:55 | |
| Composed by Gioachino Rossini | ||
| Performed by Marilyn Horne and L'Orchestre de la Suisse Romande | ||
| Conducted by Henry Lewis | ||
| 6. | Semiramide, opera: Bel raggio lusinghier 6:58 | |
| Composed by Gioachino Rossini | ||
| Performed by Geneva Grand Theater Choir, Marilyn Horne and L'Orchestre de la Suisse Romande | ||
| Conducted by Henry Lewis | ||
| 7. | L'italiana in Algeri (The Italian Girl in Algiers), opera: Pronti abbiamo e ferri e mani... Pensa alla patria 10:29 | |
| Composed by Gioachino Rossini | ||
| Performed by Geneva Grand Theater Choir, Marilyn Horne and L'Orchestre de la Suisse Romande | ||
| Conducted by Henry Lewis | ||
| 8. | Orphée et Eurydice (French version), opera in 3 acts, Wq. 41: J'ai perdu mon Eurydice 3:38 | |
| Composed by Christoph Willibald Gluck | ||
| Performed by Marilyn Horne and L'Orchestre de la Suisse Romande | ||
| Conducted by Henry Lewis | ||
| 9. | Sapho, opera: Où suis-je?... O ma lyre immortelle 6:57 | |
| Composed by Charles Gounod | ||
| Performed by Marilyn Horne and L'Orchestre de la Suisse Romande | ||
| Conducted by Henry Lewis | ||
| 10. | Le prophète, grand opera in 5 acts: Ah! mon fils, soit béni! 4:34 | |
| Composed by Giacomo Meyerbeer | ||
| Performed by Marilyn Horne and L'Orchestre de la Suisse Romande | ||
| Conducted by Henry Lewis | ||
| 11. | Alceste (French version), opera in 3 acts, Wq. 44: Divinités du Styx 4:38 | |
| Composed by Christoph Willibald Gluck | ||
| Performed by Marilyn Horne and L'Orchestre de la Suisse Romande | ||
| Conducted by Henry Lewis | ||
| 12. | Il Trovatore, opera: Stride la vampa!... Condotta ell'era in ceppi 7:44 | |
| Composed by Giuseppe Verdi | ||
| Performed by Marilyn Horne and L'Orchestre de la Suisse Romande | ||
| Conducted by Henry Lewis | ||
| 13. | Magnificat, for 5 voices, 5-part chorus, orchestra & continuo in D major, BWV 243 (BC E14): Et exultavit spiritus meus 2:31 | |
| Composed by Johann Sebastian Bach | ||
| Performed by Marilyn Horne and Vienna Cantata Orchestra | ||
| Conducted by Henry Lewis | ||
| 14. | Magnificat, for 5 voices, 5-part chorus, orchestra & continuo in D major, BWV 243 (BC E14): Esurientes implevit bonis 2:39 | |
| Composed by Johann Sebastian Bach | ||
| Performed by Marilyn Horne and Vienna Cantata Orchestra | ||
| Conducted by Henry Lewis | ||
| 15. | Weihnachtsoratorium (Christmas Oratorio), in six parts, BWV 248 (BC D7): Schlafe mein Liebster, genieße der Ruh 9:54 | |
| Composed by Johann Sebastian Bach | ||
| Performed by Marilyn Horne and Vienna Cantata Orchestra | ||
| Conducted by Henry Lewis | ||
| 16. | St. Matthew Passion (Matthäuspassion), for soloists, double chorus, & double orchestra, BWV 244 (BC D3b): Erbame dich, mein Gott 7:20 | |
| Composed by Johann Sebastian Bach | ||
| Performed by Marilyn Horne and Vienna Cantata Orchestra | ||
| Conducted by Henry Lewis | ||
| 17. | Bist du bei mir, for voice & continuo 3:23 | |
| Composed by Gottfried Heinrich Stölzel | ||
| Performed by Marilyn Horne and Vienna Cantata Orchestra | ||
| Conducted by Henry Lewis | ||
| 18. | Messiah, oratorio, HWV 56: O thou that tellest good tidings to Zion 4:57 | |
| Composed by George Frideric Handel | ||
| Performed by Marilyn Horne and Vienna Cantata Orchestra | ||
| Conducted by Henry Lewis | ||
| 19. | Messiah, oratorio, HWV 56: I know that my Redeemer liveth 7:38 | |
| Composed by George Frideric Handel | ||
| Performed by Marilyn Horne and Vienna Cantata Orchestra | ||
| Conducted by Henry Lewis | ||
| 20. | Rodelinda, regina de' Langobardi, opera, HWV 19: Scacciata dal suo nido 6:09 | |
| Composed by George Frideric Handel | ||
| Performed by Marilyn Horne and Vienna Cantata Orchestra | ||
| Conducted by Henry Lewis | ||
| 21. | Rodelinda, regina de' Langobardi, opera, HWV 19: Dove sei, amato bene? 6:55 | |
| Composed by George Frideric Handel | ||
| Performed by Marilyn Horne and Vienna Cantata Orchestra | ||
| Conducted by Henry Lewis | ||
| 22. | Rodelinda, regina de' Langobardi, opera, HWV 19: Vivi, tiranno 5:56 | |
| Composed by George Frideric Handel | ||
| Performed by Marilyn Horne and Vienna Cantata Orchestra | ||
| Conducted by Henry Lewis | ||
| 23. | Semiramide, opera: Eccomi alfine in Babilonia... Ah! quel giomo ognor 11:11 | |
| Composed by Gioachino Rossini | ||
| Performed by Marilyn Horne and Royal Opera House Covent Garden Chorus and Orchestra | ||
| Conducted by Henry Lewis | ||
| 24. | Le prophète, grand opera in 5 acts: Ô prêtres de Baal... Ô toi qui m'abbandonnes 9:41 | |
| Composed by Giacomo Meyerbeer | ||
| Performed by Marilyn Horne and Royal Opera House Covent Garden Chorus and Orchestra | ||
| Conducted by Henry Lewis | ||
| 25. | La Clemenza di Tito, opera, K. 621: Parto, parto, ma tu, ben mio 7:13 | |
| Composed by Wolfgang Amadeus Mozart | ||
| Performed by Marilyn Horne and Royal Opera House Covent Garden Chorus and Orchestra | ||
| Conducted by Henry Lewis | ||
| 26. | Les Huguenots, grand opera in 5 acts: Nobles seigneurs, salut! 4:11 | |
| Composed by Giacomo Meyerbeer | ||
| Performed by Marilyn Horne and Royal Opera House Covent Garden Chorus and Orchestra | ||
| Conducted by Henry Lewis | ||
| 27. | L'italiana in Algeri (The Italian Girl in Algiers), opera: Cruda sorte! amor tiranno! 4:49 | |
| Composed by Gioachino Rossini | ||
| Performed by Marilyn Horne and Royal Opera House Covent Garden Chorus and Orchestra | ||
| Conducted by Henry Lewis | ||
| 28. | La fille du régiment, opera: Deciso è dunque... Le ricchezze ed il grado 6:21 | |
| Composed by Gaetano Donizetti | ||
| Performed by Marilyn Horne and Royal Opera House Covent Garden Chorus and Orchestra | ||
| Conducted by Henry Lewis | ||
| 29. | La cenerentola (Cinderella), opera: Nacqui all'affanno e al pianto... Non più mesta ac 7:36 | |
| Composed by Gioachino Rossini | ||
| Performed by Marilyn Horne and Royal Opera House Covent Garden Chorus and Orchestra | ||
| Conducted by Henry Lewis | ||
| 30. | Le siège de Corinthe (The Siege of Corinth), opera: Avanziam... Non temer, d'un basso affetto... I des 24:39 | |
| Composed by Gioachino Rossini | ||
| Performed by Ambrosian Opera Chorus, Marilyn Horne, John McCarthy and Royal Philharmonic Orchestra | ||
| Conducted by Henry Lewis | ||
| 31. | Le siège de Corinthe (The Siege of Corinth), opera: L'ora fatal s'appressa... Giusto ciel 7:11 | |
| Composed by Gioachino Rossini | ||
| Performed by Ambrosian Opera Chorus, Marilyn Horne, John McCarthy and Royal Philharmonic Orchestra | ||
| Conducted by Henry Lewis | ||
| 32. | La donna del lago (The Lady of the Lake), opera: Mura felici 10:53 | |
| Composed by Gioachino Rossini | ||
| Performed by Marilyn Horne and Royal Philharmonic Orchestra | ||
| Conducted by Henry Lewis | ||
| 33. | La donna del lago (The Lady of the Lake), opera: Tanti affetti in tal momento 9:08 | |
| Composed by Gioachino Rossini | ||
| Performed by Ambrosian Opera Chorus, Marilyn Horne, John McCarthy and Royal Philharmonic Orchestra | ||
| Conducted by Henry Lewis | ||
| 34. | Werther, lyric drama in 4 acts: Air des lettres. Werther! Werther! 7:37 | |
| Composed by Jules Massenet | ||
| Performed by Marilyn Horne and Vienna State Opera Orchestra | ||
| Conducted by Henry Lewis | ||
| 35. | Werther, lyric drama in 4 acts: Air des larmes. Va! Laisse couler mes larmes 2:50 | |
| Composed by Jules Massenet | ||
| Performed by Marilyn Horne and Vienna State Opera Orchestra | ||
| Conducted by Henry Lewis | ||
| 36. | Mignon, opera in 3 acts: Connais-tu le pays? 6:46 | |
| Composed by Ambroise Thomas | ||
| Performed by Marilyn Horne and Vienna State Opera Orchestra | ||
| Conducted by Henry Lewis | ||
| 37. | Mignon, opera in 3 acts: C'est moi... Me voici dans son boudoir 2:56 | |
| Composed by Ambroise Thomas | ||
| Performed by Marilyn Horne and Vienna State Opera Orchestra | ||
| Conducted by Henry Lewis | ||
| 38. | Mignon, opera in 3 acts: Elle est là, près de lui! 4:42 | |
| Composed by Ambroise Thomas | ||
| Performed by Marilyn Horne and Vienna State Opera Orchestra | ||
| Conducted by Henry Lewis | ||
| 39. | Carmen, opéra-comique in 4 acts: L'amour est un oiseau rebelle 4:14 | |
| Composed by Georges Bizet | ||
| Performed by Marilyn Horne and Vienna State Opera Orchestra | ||
| Conducted by Henry Lewis | ||
| 40. | Carmen, opéra-comique in 4 acts: Près des remparts de Séville 4:16 | |
| Composed by Georges Bizet | ||
| Performed by Marilyn Horne and Vienna State Opera Orchestra | ||
| Conducted by Henry Lewis | ||
| 41. | Samson et Dalila, opera in 3 acts, Op. 47: Printemps qui commence 5:25 | |
| Composed by Camille Saint-Saëns | ||
| Performed by Marilyn Horne and Vienna State Opera Orchestra | ||
| Conducted by Henry Lewis | ||
| 42. | Samson et Dalila, opera in 3 acts, Op. 47: Mon coeur s'ouvre à ta voix 6:29 | |
| Composed by Camille Saint-Saëns | ||
| Performed by Marilyn Horne and Vienna State Opera Orchestra | ||
| Conducted by Henry Lewis | ||
| 43. | Ich atmet' einen linden Duft, song for voice & piano (or orchestra) in D major (Rückert Lieder No. 2) 2:54 | |
| Composed by Gustav Mahler | ||
| Performed by Marilyn Horne and Los Angeles Philharmonic Orchestra | ||
| Conducted by Zubin Mehta | ||
| 44. | Liebst du um Schönheit, song for voice & piano in C major (Rückert Lieder No. 5) 2:41 | |
| Composed by Gustav Mahler | ||
| Performed by Marilyn Horne and Los Angeles Philharmonic Orchestra | ||
| Conducted by Zubin Mehta | ||
| 45. | Blicke mir nicht in die Lieder, song for voice & piano (or orchestra) in F major (Rückert Lieder No. 1) 1:15 | |
| Composed by Gustav Mahler | ||
| Performed by Marilyn Horne and Los Angeles Philharmonic Orchestra | ||
| Conducted by Zubin Mehta | ||
| 46. | Um Mitternacht, song for voice & piano (or orchestra) in B minor (Rückert Lieder No. 4) 6:34 | |
| Composed by Gustav Mahler | ||
| Performed by Marilyn Horne and Los Angeles Philharmonic Orchestra | ||
| Conducted by Zubin Mehta | ||
| 47. | Ich bin der Welt abhanden gekommen, song for voice & piano (or orchestra) (Rückert Lieder No. 3) 7:13 | |
| Composed by Gustav Mahler | ||
| Performed by Marilyn Horne and Los Angeles Philharmonic Orchestra | ||
| Conducted by Zubin Mehta | ||
| 48. | Lieder eines fahrenden Gesellen, song cycle for voice & piano (or orchestra) 17:21 | |
| Composed by Gustav Mahler | ||
| Performed by Marilyn Horne and Los Angeles Philharmonic Orchestra | ||
| Conducted by Zubin Mehta | ||
| 49. | Kindertotenlieder, song cycle for voice & piano (or orchestra) 29:37 | |
| Composed by Gustav Mahler | ||
| Performed by Marilyn Horne and Royal Philharmonic Orchestra | ||
| Conducted by Henry Lewis | ||
| 50. | Der Engel ("In der Kinkheit frühen Tagen"), song for voice & piano (or orchestra) (Wesendonk Lieder), WWV 91/1 3:20 | |
| Composed by Richard Wagner | ||
| Performed by Marilyn Horne and Royal Philharmonic Orchestra | ||
| Conducted by Henry Lewis | ||
| 51. | Stehe still! ("Sausendes, brausendes Rad der Zeit"), song for voice & piano (or orchestra) (Wesendonk Lieder), WWV 91/2 4:21 | |
| Composed by Richard Wagner | ||
| Performed by Marilyn Horne and Royal Philharmonic Orchestra | ||
| Conducted by Henry Lewis | ||
| 52. | Im Treibhaus ("Hochgewölbe Blätterkronen"), song for voice & piano (or orchestra) (Wesendonck Lieder), WWV 91/3 6:54 | |
| Composed by Richard Wagner | ||
| Performed by Marilyn Horne and Royal Philharmonic Orchestra | ||
| Conducted by Henry Lewis | ||
| 53. | Schmerzen ("Sonne, weinest jeden Abend..."), song for voice & piano (or orchestra) (Wesendonk Lieder), WWV 91/4 2:49 | |
| Composed by Richard Wagner | ||
| Performed by Marilyn Horne and Royal Philharmonic Orchestra | ||
| Conducted by Henry Lewis | ||
| 54. | Träume ("Sag, welch wunderbare Träume"), song for voice & piano (or orchestra) (Wesendonk Lieder), WWV 91/5 5:59 | |
| Composed by Richard Wagner | ||
| Performed by Marilyn Horne and Royal Philharmonic Orchestra | ||
| Conducted by Henry Lewis | ||
| 55. | Im Frühling ("Still sitz ich"), song for voice & piano, D. 882 4:17 | |
| Composed by Franz Schubert | ||
| Performed by Marilyn Horne and Martin Katz | ||
| 56. | Nacht und Träume (Heil'ge Nacht, du sinkest nieder!"), song for voice & piano, D. 827 (Op. 43/2) 4:08 | |
| Composed by Franz Schubert | ||
| Performed by Marilyn Horne and Martin Katz | ||
| 57. | Die junge Nonne ("Wie braust durch die Wipfel"), song for voice & piano, D. 828 (Op. 43/1) 4:27 | |
| Composed by Franz Schubert | ||
| Performed by Marilyn Horne and Martin Katz | ||
| 58. | Fischerweise ("Den Fischer fechten Sorgen"), song for voice & piano, D. 881 (Op. 96/4) 3:10 | |
| Composed by Franz Schubert | ||
| Performed by Marilyn Horne and Martin Katz | ||
| 59. | Die Lotosblume ("Die Lotosblume ängstigt sich..."), song for voice & piano (Myrthen), Op. 25/7 2:00 | |
| Composed by Robert Schumann | ||
| Performed by Marilyn Horne and Martin Katz | ||
| 60. | Aus den Hebräischen Gesängen ("Mein Herz ist schwer..."), song for voice & piano (Myrthen), Op. 25/15 5:41 | |
| Composed by Robert Schumann | ||
| Performed by Marilyn Horne and Martin Katz | ||
| 61. | Die Kartenlegerin ("Schlief die Mutter endlich ein"), song for voice & piano, Op. 31/2 3:19 | |
| Composed by Robert Schumann | ||
| Performed by Marilyn Horne and Martin Katz | ||
| 62. | Abendlied ("Es ist so still geworden"), song for voice & piano, Op. 107/6 6:17 | |
| Composed by Robert Schumann | ||
| Performed by Marilyn Horne and Martin Katz | ||
| 63. | Auf einer Wanderung ("In ein freudliches Städtchen"), song for voice & piano (Möricke Lieder) 5:07 | |
| Composed by Hugo Wolf | ||
| Performed by Marilyn Horne and Martin Katz | ||
| 64. | Der Genesene an die Hoffnung ("Tödlich graute mir der Morgen"), song for voice & piano (Möricke Lieder) 3:45 | |
| Composed by Hugo Wolf | ||
| Performed by Marilyn Horne and Martin Katz | ||
| 65. | Mein Liebster hat zu Tische, song for voice & piano (Italienisches Liederbuch) 0:51 | |
| Composed by Hugo Wolf | ||
| Performed by Marilyn Horne and Martin Katz | ||
| 66. | Mignon ("Kennst du das Land"), song for voice & piano (Goethe Lieder) 7:38 | |
| Composed by Hugo Wolf | ||
| Performed by Marilyn Horne and Martin Katz | ||
| 67. | Schön sind, doch kalt die Himmelssterne, song for voice & piano, Op. 19/3 (TrV 152/3) 2:17 | |
| Composed by Richard Strauss | ||
| Performed by Marilyn Horne and Martin Katz | ||
| 68. | Für fünfzehn Pfennige ("Das Mägdlein will ein' Freier hab'n"), song for voice & piano, Op. 36/2 (TrV 186/2) 2:29 | |
| Composed by Richard Strauss | ||
| Performed by Marilyn Horne and Martin Katz | ||
| 69. | Befreit ("Du wirst nicht weinen"), song for voice & piano (or orchestra), Op. 39/4 (TrV 189/4) 6:24 | |
| Composed by Richard Strauss | ||
| Performed by Marilyn Horne and Martin Katz | ||
| 70. | Chanson d'avril: "Lève-toi! lève-toi!", song for voice & piano (Vingt mélodies No. 1) 3:19 | |
| Composed by Georges Bizet | ||
| Performed by Marilyn Horne and Martin Katz | ||
| 71. | Adieu de l'hôtesse arabe: "Puis'que rein ne t'arrête en cet heureyx pays", song for voice & piano (Vingt mélodies No. 4) 5:26 | |
| Composed by Georges Bizet | ||
| Performed by Marilyn Horne and Martin Katz | ||
| 72. | Vieille chanson, song for voice & piano 5:14 | |
| Composed by Georges Bizet | ||
| Performed by Marilyn Horne and Martin Katz | ||
| 73. | Absence, song for voice & piano 3:20 | |
| Composed by Georges Bizet | ||
| Performed by Marilyn Horne and Martin Katz | ||
| 74. | Chansons de Bilitis (3), song cycle for voice & piano, L. 90 10:42 | |
| Composed by Claude Debussy | ||
| Performed by Marilyn Horne and Martin Katz | ||
| 75. | Popular Spanish Songs (7), for voice & piano, G. 40 14:15 | |
| Composed by Manuel de Falla | ||
| Performed by Marilyn Horne and Martin Katz | ||
| 76. | Villancicos españolas (10), for voice & piano: Villancico Castellano 1:38 | |
| Composed by Joaquin Nin | ||
| Performed by Marilyn Horne and Martin Katz | ||
| 77. | Villancicos españolas (10), for voice & piano: Jesús de Nazareth 3:43 | |
| Composed by Joaquin Nin | ||
| Performed by Marilyn Horne and Martin Katz | ||
| 78. | Villancicos españolas (10), for voice & piano: Villancico Asturiano 3:26 | |
| Composed by Joaquin Nin | ||
| Performed by Marilyn Horne and Martin Katz | ||
| 79. | Villancicos españolas (10), for voice & piano: Villancico Andaluz 2:12 | |
| Composed by Joaquin Nin | ||
| Performed by Marilyn Horne and Martin Katz | ||
| 80. | Jeanie with the Light Brown Hair, for voice & piano 4:23 | |
| Composed by Stephen Foster | ||
| Conducted by Carl Davis | ||
| Performed by Osian Ellis, English Chamber Orchestra and Marilyn Horne | ||
| 81. | Beautiful Dreamer, for voice & piano 3:36 | |
| Composed by Stephen Foster | ||
| Conducted by Carl Davis | ||
| Performed by English Chamber Orchestra and Marilyn Horne | ||
| 82. | If You've Only Got a Moustache for voice & piano 3:05 | |
| Composed by Stephen Foster | ||
| Conducted by Carl Davis | ||
| Performed by English Chamber Orchestra and Marilyn Horne | ||
| 83. | Camptown Races for voice & piano 2:18 | |
| Composed by Stephen Foster | ||
| Conducted by Carl Davis | ||
| Performed by English Chamber Orchestra and Marilyn Horne | ||
| 84. | Sometimes I Feel Like A Motherless Child 4:43 | |
| Composed by Traditional Spiritual | ||
| Conducted by Carl Davis | ||
| Performed by English Chamber Orchestra and Marilyn Horne | ||
| 85. | I've Just Come from the Fountain, spiritual (from American Negro Songs & Spirituals) 1:30 | |
| Composed by John W. Work III | ||
| Conducted by Carl Davis | ||
| Performed by English Chamber Orchestra and Marilyn Horne | ||
| 86. | The Lord's Prayer 3:58 | |
| Composed by Albert Hay Malotte | ||
| Conducted by Carl Davis | ||
| Performed by English Chamber Orchestra and Marilyn Horne | ||
| 87. | Shenandoah, folk song 3:11 | |
| Composed by American Traditional | ||
| Conducted by Carl Davis | ||
| Performed by English Chamber Orchestra and Marilyn Horne | ||
| 88. | Billy Boy, song (Thaunton, Massachusetts) 1:53 | |
| Composed by American Traditional | ||
| Conducted by Carl Davis | ||
| Performed by English Chamber Orchestra and Marilyn Horne | ||
| 89. | Go 'Way from My Window, for voice & piano 3:30 | |
| Composed by John Jacob Niles | ||
| Conducted by Carl Davis | ||
| Performed by English Chamber Orchestra and Marilyn Horne | ||
| 90. | Old American Songs for voice & piano, Books 1 & 2: Simple Gifts (Shaker song) 1:48 | |
| Composed by Aaron Copland | ||
| Conducted by Carl Davis | ||
| Performed by English Chamber Orchestra and Marilyn Horne | ||
| 91. | Old American Songs for voice & piano, Books 1 & 2: Ching-a-ring-Chaw (Minstrel song) 1:36 | |
| Composed by Aaron Copland | ||
| Conducted by Carl Davis | ||
| Performed by English Chamber Orchestra and Marilyn Horne | ||
| 92. | Old American Songs for voice & piano, Books 1 & 2: Long Time Ago (Ballad) 3:19 | |
| Composed by Aaron Copland | ||
| Conducted by Carl Davis | ||
| Performed by English Chamber Orchestra and Marilyn Horne | ||
| 93. | Old American Songs for voice & piano, Books 1 & 2: I Bought Me a Cat (Children's song) 2:20 | |
| Composed by Aaron Copland | ||
| Conducted by Carl Davis | ||
| Performed by English Chamber Orchestra and Marilyn Horne | ||
| 94. | Old American Songs for voice & piano, Books 1 & 2: At the River (Hymn tune) 3:25 | |
| Composed by Aaron Copland | ||
| Conducted by Carl Davis | ||
| Performed by English Chamber Orchestra and Marilyn Horne | ||
| 95. | You're a Grand Old Flag 3:48 | |
| Composed by George M. Cohan | ||
| Conducted by Carl Davis | ||
| Performed by English Chamber Orchestra and Marilyn Horne | ||
| 96. | When Johnny Comes Marching Home, march song 2:03 | |
| Composed by Patrick S. Gilmore | ||
| Conducted by Carl Davis | ||
| Performed by English Chamber Orchestra and Marilyn Horne | ||
| 97. | God Bless America, song 3:06 | |
| Composed by Irving Berlin | ||
| Conducted by Carl Davis | ||
| Performed by English Chamber Orchestra and Marilyn Horne | ||
| 98. | I didn't raise my boy to be a soldier, song 2:24 | |
| Composed by Alfred Bryan & Al Piantodosi | ||
| Conducted by Carl Davis | ||
| Performed by English Chamber Orchestra and Marilyn Horne | ||
| 99. | Battle Hymn of the Republic 3:53 | |
| Composed by G. S. Scofield | ||
| Conducted by Carl Davis | ||
| Performed by English Chamber Orchestra and Marilyn Horne | ||
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