The Classic Singles

Disc 1
1	That Ain't Right 3:11
2	All for You 3:24
3	I'm Lost 3:08
4	Straighten Up and Fly Right 2:26
5	Gee Baby, Ain't I Good to You 2:56
6	If You Can't Smile and Say Yes (Please Don't Cry and Say No) 2:52
7	Sweet Lorraine 3:10
8	It's Only a Paper Moon 2:56
9	I Can't See for Lookin' 3:08
10	I Realize Now 2:55
11	I'm a Shy Guy 2:48
12	Don't Blame Me 3:25
13	Come to Baby, Do! 3:05
14	The Frim Fram Sauce 3:13
15	Route 66 3:02
16	You Call It Madness (But I Call It Love) 3:04
17	(I Love You) For Sentimental Reasons 2:54
18	You Don't Learn That in School 3:06
19	Meet Me at No Special Place (And I'll Be There at No Particular Time) 3:11
20	What'll I Do? 3:03
21	Kee-Mo Ky-Mo (The Magic Song) 2:22
22	Nature Boy 2:40
23	Little Girl 2:23
24	A Boy from Texas, a Girl from Tennessee 2:41
25	Lost April 2:58
26	My Mother Told Me 2:57
Disc 2
1	Exactly Like You 2:42
2	I Almost Lost My Mind 3:02
3	Always You 3:00
4	Mona Lisa 3:15
5	Orange Colored Sky 2:33
6	Jet 2:50
7	Too Young 3:13
8	Because of Rain 3:11
9	Red Sails in the Sunset 3:17
10	Unforgettable 3:12
11	Walkin' My Baby Back Home 2:40
12	Walkin' 2:49
13	The Ruby and the Pearl 3:12
14	Somewhere Along the Way 2:53
15	Funny (Not Much) 2:59
16	Don't Let Your Eyes Go Shopping (For Your Heart) 2:30
17	Strange 2:29
18	Because You're Mine 3:11
19	I'm Never Satisfied 2:14
20	Faith Can Move Mountains 3:12
21	Mother Nature and Father Time 3:12
22	Pretend 2:45
23	A Fool Was I 2:51
24	Lover, Come Back to Me 2:31
25	Can't I? 3:15
26	If Love Is Good to Me 2:47
Disc 3
1	Tenderly 3:00
2	Return to Paradise 2:58
3	Make Her Mine 2:57
4	I Am in Love 3:02
5	Why 2:53
6	Darling, Je Vous Aime Beaucoup 2:51
7	Answer Me, My Love 2:39
8	Alone Too Long 2:56
9	It Happens to Be Me 3:10
10	Unbelievable 3:04
11	Hajji Baba (Persian Lament) 3:09
12	Smile 2:55
13	My One Sin (In Life) 3:00
14	The Sand and the Sea 2:33
15	A Blossom Fell 2:32
16	Forgive My Heart 3:00
17	If I May 3:04
18	Someone You Love 2:55
19	Ask Me 2:57
20	Too Young to Go Steady 2:55
21	Dreams Can Tell a Lie 3:01
22	My Personal Possession 2:59
23	That's All There Is to That 2:21
24	Night Lights 2:49
25	To the Ends of the Earth 2:19
26	Ballerina 2:51
Disc 4
1	Stardust 3:16
2	When I Fall in Love 3:12
3	With You on My Mind 2:39
4	Send for Me 2:39
5	Angel Smile 2:31
6	Looking Back 2:21
7	Acércate Más (Come Closer to Me) 2:48
8	Quizas, Quizas, Quizas (Perhaps, Perhaps, Perhaps) 2:44
9	Non Dimenticar 2:50
10	You Made Me Love You 2:55
11	That's You 2:36
12	Midnight Flyer 2:19
13	My Love 2:41
14	Let True Love Begin 2:32
15	Let There Be Love 2:46
16	Dear Lonely Hearts 3:09
17	Ramblin' Rose 2:49
18	Those Lazy-Hazy-Crazy Days of Summer 2:25
19	That Sunday, That Summer 3:12
20	I Don't Want to Be Hurt Anymore 2:29
21	L-O-V-E 2:33
22	The Christmas Song 3:11
23	L-O-V-E Multi-Lingual Version 2:41

Barnes & Noble

The music of Nat King Cole has been readily available throughout the CD era, but this four-disc overview -- collecting 100 mostly monstrous singles -- stands apart from all the other Cole anthologies. This display of Cole's peerless artistry begins with his first single, 1942's lowdown blues "That Ain't Right" (a No. 1 R&B hit out of the box) and winds up four CDs later with a bonus, multilingual version of his last Top 20 hit, 1964's sweet pop ditty "L-O-V-E," hitting all the commercial high-water marks in between. It's a breathtaking unfolding of immaculate pop and R&B hits, but even more than that, it spotlights a consummate vocalist gracefully melding his approach to the varying styles of great arrangers. Most notable among them are Nelson Riddle and his lush strings; Pete Rugolo and his muscular, orchestral punch; Billy May and his brassy exhortations; and the underappreciated Ralph Carmichael and his seamless integrations of penthouse pop and swinging rock 'n' roll during Cole's later years (the ones behind classics such as "Lazy, Hazy, Crazy Days of Summer" and "That Sunday, That Summer"). For those who prefer their Nat unadulterated, Disc 1 is heavy on the evocative Nat King Cole Trio recordings, including legendary sides such as "Sweet Lorraine," "Straighten Up and Fly Right," and "The Frim Fram Sauce." Enter the above-mentioned Murderer's Row of arrangers, and it's one sweet ride over the next three hit-filled discs. This is quintessential American pop that stands with the best of its era, including Sinatra's great work during the same time frame -- which is to say it stands with the best of all time. David McGee

All Music Guide

If you add up all the songs Nat King Cole placed in the various Billboard singles charts -- including not only the pop and R&B charts, but also the adult contemporary and even country ones, as well as the lists of discs "bubbling under" the main pop chart -- the total comes to a remarkable 123, and that's not including the many repeat appearances of "The Christmas Song (Merry Christmas to You)." The entries begin with "That Ain't Right," the King Cole Trio recording that entered the "Harlem Hit Parade" in the fall of 1942, and end with "Let Me Tell You, Babe," which dropped off the easy listening chart in the summer of 1966 more than two years after Cole's death; they range in popularity from "Straighten Up and Fly Right," which topped the black chart for ten weeks and the country chart for six while also placing in the pop Top Ten in 1944, to "Cappuccina," which spent one week bubbling under the pop chart at number 115 in 1961. Capitol Records chronicles this run of chart singles on a four-disc box set running close to five hours and containing 101 tracks. "Cappuccina" is understandably not among them, and many of Cole's other down-chart discs have been omitted (particularly ones from the late '50s to the '60s, when he was battling the incursion of rock & roll into the singles chart and had trouble making the Top 40). Also, the compilers have taken occasional liberties, including the odd U.K.-only hit, EP track, and, in the case of "Quizas, Quizas, Quizas (Perhaps, Perhaps, Perhaps)" from the Cole Español LP, a song that was never released as a single. (The collection is sequenced chronologically by recording date with the exception of "The Christmas Song," which is held until the end. The running order gives a good sense of Cole's development from his jazzy trio days to his years as a pop singer backed by an orchestra.) But the problem isn't so much what has been excluded, it's what has been included. Cole fans and pop music scholars may be happy to have a close-to-complete collection of the singer's chart singles, but as a listening experience many of the songs turn out to be justly forgotten. With his pleasurable pipes, Cole shared with Bing Crosby the knack for raising mediocre material to listenability, but for the average fan it is still sometimes a long wait from one big hit to the next on this set. Many of these singles really are classic, but many others are not. Capitol's 1992 box Nat King Cole, which mixes in key album tracks, remains a better overview of Cole's career, and a two-disc reduction of this collection focusing on the more popular tracks would be better for most listeners. William Ruhlmann

New York Times

[These singles] provide a valuable way to understand Cole, who belongs to the history of the radio at least as much as to the history of the LP. Ben Ratliff

Blender

[A] dazzling package. Jon Young