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"I'm three hundred pounds of heavenly joy," Howlin' Wolf sings in that unbelievably guttural wail of his and, well, who's going to argue with him? Wolf, and Muddy Waters were the two most influential bluesmen of the postwar era, and Wolf's work connected whatever dots needed connecting between the electric Chicago blues and rock 'n' roll. If there's one word that describes Wolf's material and his approach to it, it's fierce. Whatever emotion he's trying to express -- rage, ecstasy, lust, the threat of violence -- he always has the knobs cranked all the way to 11. THE CHESS BOX collects all of Wolf's best-known material on three discs. There's "Moanin' at Midnight," "Evil," "Sitting on Top of the World," "Spoonful," "Smokestack Lightnin', "Little Red Rooster", "Back Door Man," "How Many More Years," "Killing Floor," "I Ain't Superstitious," and many others, all of them performed in a feral, almost out-of-control manner that was Wolf's stock in trade. When he sings, you absolutely must pay attention. Many of these songs went on to influence a number of rock 'n' rollers, most notably such English groups as the Yardbirds, Cream, and the Jeff Beck Group, all of whom performed his songs even though they couldn't hope to top the originals. Material from Wolf's 1968 sessions with some of these musicians -- which he loathed -- is featured only on a take of "Red Rooster," during which you can hear Wolf giving instructions to the young upstarts. But everything else is pure, uncut Wolf -- beautiful, but positively scary. Daniel Durchholz, Barnes & Noble