The Chess Box

Disc 1
1	Maybellene 2:18
2	Wee Wee Hours 2:02
3	Thirty Days 2:21
4	You Can't Catch Me 2:42
5	No Money Down 2:56
6	Downbound Train 2:49
7	Brown Eyed Handsome Man 2:15
8	Drifting Heart 2:47
9	Roll over Beethoven 2:22
10	Too Much Monkey Business 2:53
11	Havana Moon 3:06
12	School Days 2:40
13	Rock & Roll Music 2:30
14	Oh Baby Doll 2:36
15	I've Changed 3:04
16	Reelin' and Rockin' 3:15
17	Rockin' at the Philharmonic 3:21
18	Sweet Little Sixteen 3:10
19	Johnny B. Goode 2:37
20	Time Was 1:56
21	Around and Around 2:38
22	Beautiful Delilah 2:13
23	House of Blue Lights 2:24
24	Carol 2:46
Disc 2
1	Memphis 2:10
2	Anthony Boy 1:52
3	Jo Jo Gunne 2:45
4	Sweet Little Rock & Roller 2:20
5	Merry Christmas, Baby 3:11
6	Run Rudolph Run 2:43
7	Little Queenie 2:40
8	Almost Grown 2:18
9	Back in the U.S.A. 2:27
10	Betty Jean 2:29
11	Childhood Sweetheart 2:42
12	Let It Rock 1:45
13	Too Pooped to Pop 2:33
14	Bye Bye Johnny 2:03
15	Jaguar and Thunderbird 1:50
16	Down the Road a Piece 2:13
17	Confessin' the Blues 2:07
18	Thirteen Question Method 2:12
19	Crying Steel 2:32
20	I'm Just a Lucky So and So 2:50
21	I'm Talking About You 1:48
22	Come On 1:48
23	Nadine 2:35
24	Crazy Arms 2:12
25	You Never Can Tell 2:40
26	The Things I Used to Do 2:40
27	Promised Land 2:20
Disc 3
1	No Particular Place to Go 2:41
2	Liverpool Drive 2:53
3	You Two 2:08
4	Chuck's Beat 10:35
5	Little Marie 2:34
6	Dear Dad 1:48
7	Sad Day, Long Night 2:42
8	It's My Own Business 2:10
9	It Wasn't Me 2:32
10	Ramona Say Yes 2:40
11	Viva Viva Rock & Roll 2:00
12	Tulane 2:36
13	Have Mercy Judge 2:38
14	My Dream 5:56
15	Reelin' and Rockin' Live 7:02
16	My Ding-A-Ling Live, Single Edit 4:16
17	Johnny B. Goode Live 3:13
18	A Deuce 2:32
19	Woodpecker 3:33
20	Bio 4:22

Barnes & Noble

Beginning in 1955, Chuck Berry served up a distinctive blend of blues, R&B, and country and western seasoned with a unique lyrical sense, and -- sorry, Elvis -- virtually defined the sound and vocabulary of early rock 'n' roll. Berry's signature guitar sound of double-stop phrasing was influenced by bluesman T-Bone Walker and Louis Jordan guitarist Carl Hogan. But Berry's unprecedented command of language -- his ability to write clever lyrics that utilized meter and rhythm -- owed little to anyone. THE CHESS BOX includes 71 tracks (six previously unreleased) on three CDs, featuring classic Chess recordings of "Maybellene," "Roll Over Beethoven," "Johnny B. Goode," and others. Also included is a healthy sampling of Berry's blues, including "Wee Wee Hours" (the B-side of "Maybellene"), the rarely heard '70s original, "Have Mercy Judge," and Guitar Slim's "The Things I Used to Do." Whether you're heading for outer space, a desert island, or a party on the patio, you must take some of his stuff with you. Bryan Powell

All Music Guide

Over the course of three compact discs, The Chess Box contains most of the highlights from Chuck Berry's career, including all of the hit singles. In addition to the familiar items, which are all included here, there are numerous tracks that are lesser-known but equally as good. That's particularly true on the stellar first two discs, where album tracks, B-sides, and forgotten singles like "Downbound Train," "Drifting Heart," "Havana Moon," "Betty Jean," "Bye Bye Johnny," "Down the Road a Piece," and "The Thirteen Question Method" get equal space with "Maybellene," "Thirty Days," "No Money Down," "Roll Over Beethoven," "Too Much Monkey Business," "Brown Eyed Handsome Man," "School Day," "Rock & Roll Music," "Sweet Little Sixteen," "Johnny B. Goode," and "Carol." Some serious fans, however, also found disc one, and especially the earlier songs on that disc, to be very controversial; part of the intrinsic nature of Berry's music was the sheer noisiness of the songs -- tracks like "Maybellene," "Thirty Days," "You Can't Catch Me," and "Brown Eyed Handsome Man" insinuated themselves into listeners' consciousness over the radio and on the jukebox with their sheer raucous, in-your-face sound (frequently near overload). But at the time The Chess Box was done, the philosophy about CD mastering was to clean up the noise in original recordings whenever it was too pronounced, lest the "hot" digital sound make the track too harsh. (Note: this "problem" especially afflicted "Layla" by Derek & the Dominos, so much so that the producers of the Clapton box remixed the song). Thus, the first 15 or so tracks on the first disc of The Chess Box may sound too "clean," lacking some of the raw edge from their vinyl editions. On the plus side, the detail revealed -- every note, and even the action on the guitar on the opening of "Roll Over Beethoven" -- is always interesting, and occasionally fascinating, and it is difficult to complain too loudly about hearing Johnnie Johnson's or Lafayette Leake's piano, or Willie Dixon's upright bass in such sharp relief. Additionally, for many years this set had the only undistorted CD version of "Come On" -- a relatively minor Berry song, but one that provided the Rolling Stones with their debut release -- that you could find, but potential purchasers should also be aware of the compromise in the sound. That caveat aside, the programming manages to get in most of the best album cuts, including tracks like Berry's hot cover of "House of Blue Lights" and the "Memphis Tennessee" "sequel" "Little Marie," though not quite enough material from 1964-1965. And toward the end of the set, the quality of the material begins to sag a bit, but there are still forgotten gems like "Tulane" that prove Berry's songwriting hadn't completely dried up. The now out of print Great Twenty-Eight collection remains the definitive single CD hits collection, and the audio quality on MCA's two-CD Anthology, released a dozen years later, is superior, but The Chess Box offers a flawed but near essential overview of his work for any serious fan, either of Chuck Berry or rock & roll. Bruce Eder