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Director Doug Lumar (Swingers, Go) and composer John Powell (Shrek, Chicken Run) have joined creative forces to make a pulse-quickening action film adapted from Robert Ludlum's novel The Bourne Identity. The first in a trilogy of bestselling espionage thrillers, it introduces Jason Bourne (Matt Damon), a wounded amnesiac found floating in the Mediterranean, who finds himself involved in McGyver-worthy combat and escape tactics that make James Bond seem outdated. For his score, Powell employs synthesizers and a large, string-dominated orchestra to conjure up the film's escalating sense of tension and danger. "Taxi Ride," for instance, erects a shimmering wall of strings, under which the quickening tempo of drumbeats rises and then melts away into ominous, shadowy sound effects. With nary a pause, violins, violas, cellos, basses, and a soupçon of tambourine race into "At the Farmhouse," as drums heighten the excitement. In "Jason Phones It In," a solo piano passage suggests the solitude of an individual caught in a web of bizarre and life-threatening events. Mimicking the film's nail-biting plot, this eerie score isn't something you'd want to hear in a dark alley. Andrew Velez, Barnes & Noble