The Blueprint 3 EXPLICIT LYRICS Jay-Z

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  • Release Date: 09/08/2009
  • Sales Rank: 166
  • Label: ROC NATION
  • UPC: 075678958663

Listener Rating: (10 ratings)

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About this Artist

Editorial Reviews

When Jay-Z first made a series out of his best album, 2001's The Blueprint, it became a game of high expectations. The Blueprint of the first volume was Jay-Z as vital as he'd ever been, storming back to the hardcore after a few years of commercial success. The Blueprint˛: The Gift & the Curse was a complete turn, a set of half-cocked crossovers, bloated to bursting with guest features that obscured his talents. The Blueprint 3 is somewhere between the two, closer to the vitality and energy of the original but not without the crossover bids and guest features of the latter (albeit much better this time). Kanye West is in the producer's chair for seven tracks, and it's clear he was reaching for the same energy level as the original Blueprint (which he produced). "What We Talkin' About" begins the album with a wave of surging, oppressive synth, while Jay-Z enumerates (with an intriguing lack of detail) what he's said and what's been said about him, ending with a nod not to the past but the future (and Barack Obama). West also produced the second, "Thank You," and while it starts with typical Jay-Hova brio, the last verse piles on the unrelenting criticism of unnamed rappers doomed to weak sales. There's plenty more lyrical violence to come, but most of the targets are much safer than they were eight years earlier. (Jay doesn't sound very convincing when he claims in "D.O.A. [Death of Auto-Tune]" that it's not "politically correct" to rail against one of the most reviled trends in pop music during the 2000s.) From there, he branches out with a calculating type of finesse, drawing in certain demographics via a roster of guests, from Young Jeezy (hardcore) to Drake (teens) to Kid Cudi (the backpacker crowd). The king of the crossovers here is "Empire State of Mind," a New York flag-waver with plenty of landmark name-dropping that turns into a great anthem with help on the chorus from Alicia Keys. The Blueprint 3 isn't a one-man tour de force like the first. Jay is upstaged once or twice by his guests, and while the productions are stellar throughout -- Timbaland appears three times, and No I.D. gets multiple credits also -- it's clear there's less on Jay's mind this time. Not tuned out like on Kingdom Come, but more content with his dominance as a rap godfather in 2009. John Bush, All Music Guide



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Customer Reviews

Jay is back with a good album that isnt quite great or memorableby lillysoclean_65

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November 18, 2009: The blueprint 3 should have a subtitle "how to mess up a good thing"

we all jknow blueprint 2 or 2.5 or 3.1 speacial edition with turbo "whatever'lol'" was a mess. this time around Kanye as producer tries to capture the magic jay left behind. The black album could have been at leasta goal of jays to surpass but he isnt even close. The problem with the album is that it doesnt mend well together. Dont get me wrong what Kanye lacks as an emcee he makes up in the studio as a producer. The tracks are solid but theres so much on it cameos and hooks that seem hmm. And allot of times Jay is out performed by the guest on his own tarcks. It was okay for Eminem to out duel him on renegade becasue he is a btter lyricist then jay, and basically provided the highlight of the blueprint 2 fiasco.

I do recommend this to any jay fan and even if you arent one you should bop yourhead to this. I would of appreciated a more personal return for jay highlighting his skill,flow etc but I guess as long as blueprint 2 isnt repeated we can breath eazy.

Jay did it again.by caufield_of_hiphop

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November 11, 2009: It's not quite as good as some of his previous classics but this album is definitely worth the purchase. Jay brings back the swagger and unapologetic lyrics that some of his previous albums must-haves. Certainly tracks 4 and 5 have been played to death on the radio, but there are plenty of other hidden gems waiting later. Swizz Beatz brings his trademark sound to "On To The Next One" and it works well with Jay's lyrical style and "Venus vs. Mars" is just a hot, sexy song. Jay brings it home and rounds out the album with one of the crossover songs he's done so many times before in the form of "Young Forever" and I think this one works out much better than some of his previous attempts. Overall, I'm happy with the purchase, I don't like every song on the album but how often does that happen? Quite alot with Jay-Z albums but maybe that's why I'm willing to cut him some slack...

I Also Recommend: None Shall Pass, The E.N.D. (Energy Never Dies), Loso's Way, Visions of Ghandi, Phrenology.


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