About this Artist

• Biography

Editorial Reviews

After the breakout pop success of their debut album, P.M. Dawn played up the lush, soothing urban-soul qualities of their sound on the follow-up, The Bliss Album...? For all of hardcore rap's hysteria over the duo's gentle demeanor and pop influences, Of the Heart, of the Soul, and of the Cross had been a predominantly rap-oriented album. That changes on The Bliss Album...?, which downplays Prince Be's rapping (only on about a third of the tracks) in favor of dreamy melodies throughout the songs, not just on the choruses. It's a logical move, since P.M. Dawn's most unique moments were often also their most reflective, and they had an obvious knack for crafting original hooks. The Bliss Album...?'s approach also provides more opportunities for the ethereal, layered vocal overdubs that had become one of the duo's signatures. While the results don't quite re-envision hip-hop the way the debut did, they're still tremendously inventive, playing to P.M. Dawn's strengths. The musical landscapes are even more lushly arranged, and the pop numbers positively shimmer thanks to the duo's increasing sense of craft. A couple of the more aggressive rap tracks break up the mood a little, as with "Plastic," a sly rebuttal of the charges leveled by the group's macho detractors. It seems unnecessary, though, since P.M. Dawn's cosmic mysticism and vastly different influences clearly aren't competing on the same turf. Luckily, The Bliss Album...? refuses to acknowledge any artificially imposed purist boundaries, continuing to chart new sonic territory and expanding the possibilities in P.M. Dawn's music. Steve Huey, All Music Guide

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