The Best of Richard Elliot Richard Elliot

BUY THIS ITEM

  • $11.99 List price
    $11.39 Online price
    (Save 5%)
    $10.25 Member price
  • skip to cart
  • Add To List uiAction=GetAllLists&page=List&pageType=list&ean=724353024925&productCode=MU&maxCount=100&threshold=3

GET FREE SHIPPING ON ORDERS OF $25 OR MORE

DELIVERY & GIFT DETAILS:

Usually ships within 24 hours

Delivery Time and Shipping Rates

Eligible for gift wrap & gift message.

Enter a zip code

CD

  • Release Date: 11/21/2000
  • Sales Rank: 39,348
  • Label: BLUE NOTE RECORDS
  • UPC: 724353024925

Customers who bought this also bought

 
  • Overview
  • Tracks
  • Editorial Reviews
  • Details & Credits
Track List
Click on LISTEN or link to hear an audio clip.
To listen to samples you'll need a Windows Media Player

The Best of Richard Elliot

1LISTENSteet Beat 4:37
2LISTENOn the Fly 4:35
3LISTENWhen A Man Loves A Woman 4:10
4LISTENIf You Want My Love 4:31
5LISTENIn the Name Of Love 3:46
6LISTENIn The Groove 4:17
7LISTENOver The Rainbow 3:47
8LISTENTake Your Time 4:37
9LISTENCandlelight 4:38
10LISTENWho? 4:19
11LISTENWhen the Lights Go Out 5:50
12LISTENThe Power Of Suggestion 3:30
13LISTENChill Factor 4:59
14LISTENI'm Not In Love 5:03
15LISTENJust Me And You 4:09
16LISTENHere And Now 5:12

About this Artist

Editorial Reviews

This document of Richard Elliot's Blue Note years showcases a virtual master saxophonist who decided that smooth jazz was the pace for him to make his mark, and his money, and he probably did all right at it. Elliot was a mainstay on "contemporary" or "smooth" jazz radio stations for much of the '90s though he began his run with the label in 1976. These 17 tracks document his years with the label and include all of his radio material as well as some other sides consistent in flavor and sound. What differs most from track to track here is the sound of the production more than Elliot's playing, which remains melodic, slightly funky and soulful in a very abstract manner; his tone, unlike say, David Sanborn's or George Howard's is actually kind of cool and distant instead of deeply emotive. It should also be noted that after leaving the label, first for GRP and then Artizen, his records in the 21st century, while still very accessible and in the smooth jazz vein, are creatively more compelling and more interesting production-wise than his earlier recordings. Thom Jurek, All Music Guide

Customer Reviews

  • Listener Rating:
Be the first to write a review!