|
| 1 |  Die Meistersinger von Nür / Richard Wagner |
| 2 | Aida: Ritorna vincitor! / Giuseppe Verdi |
| 3 | Il trovatore: Di quella p / Giuseppe Verdi |
| 4 | La traviata: Sempre liber / Giuseppe Verdi |
| 5 | Così fan tutte, K 588: Te / Wolfgang Amadeus Moz |
| 6 | Die Zauberflöte, K 620: D / Wolfgang Amadeus Moz |
| 7 | Thaïs: Meditation / Jules Massenet |
| 8 | Manon Lescaut: Sola, perd / Giacomo Puccini |
| 9 | L'Elisir d'Amore: Una fur / Gaetano Donizetti |
| 10 | Die tote Stadt, Op. 12: G / Erich Wolfgang Korng |
| 11 | La Cenerentola: Nacqui al / Gioachino Rossini |
| 12 | I Pagliacci: Din, don! Su / Ruggero Leoncavallo |
| 13 | La Gioconda: Cielo e mar / Amilcare Ponchielli |
| 14 | Alceste: Ombre larve / Christoph Willibald |
| 15 | Carmen: Act 3 Prelude "In / Georges Bizet |
| 16 | Cavalleria Rusticana: Mam / Pietro Mascagni |
|
The Best of Opera, Vol. 4 |
| 1.
| Die Meistersinger von Nürnberg, opera, WWV 96: Overture 9:46
|
| Composed by Richard Wagner |
| Conducted by Johannes Wildner |
| 2.
| Aida, opera: Ritorna vincitor! 3:08
|
| Composed by Giuseppe Verdi |
| Performed by National Symphony Orchestra of Ireland and Maria Dragoni |
| Conducted by Rico Saccani |
| 3.
| Il Trovatore, opera: Manrico?...Di quella pira 4:01
|
| Composed by Giuseppe Verdi |
| Performed by Budapest Chorus,
Hungarian State Opera Orchestra,
Jozsef Mukk and Daniela Longhi |
| Conducted by Will Humburg |
| 4.
| Così fan tutte, opera, K. 588: Come scoglio 4:31
|
| Composed by Wolfgang Amadeus Mozart |
| Performed by Joanna Borowska and Capella Istropolitana |
| Conducted by Johannes Wildner |
| 5.
| Méditation (from opera "Thäis"), violin & orchestra version and various arrangements 4:40
|
| Composed by Jules Massenet |
| Performed by Camerata Transylvanica and Janos Selmeczy |
| Conducted by György Selmeczi |
| 6.
| Manon Lescaut, opera: Sola perduta, abbandonata 4:51
|
| Composed by Giacomo Puccini |
| Performed by BRT Philharmonic Orchestra and Miriam Gauci |
| Conducted by Alexander Rahbari |
| 7.
| L'Elisir d'amore, opera: Una furtiva lagrima 5:11
|
| Composed by Gaetano Donizetti |
| Performed by Hungarian State Opera Orchestra and Vincenzo la Scola |
| Conducted by Pier Giorgio Morandi |
| 8.
| La Traviata, opera: Follie!...Sempre libera 4:42
|
| Composed by Giuseppe Verdi |
| Performed by Czecho-Slovak Radio Symphony Orchestra and Monika Krause |
| Conducted by Alexander Rahbari |
| 9.
| Die tote Stadt (The Dead City), opera, Op. 12: Glück, das mir verblieb 5:32
|
| Composed by Erich Wolfgang Korngold |
| Conducted by Leif Segerstam |
| Performed by Royal Swedish Opera Orchestra and Katarina Dalayman |
| 10.
| Die Zauberflöte (The Magic Flute), opera, K. 620: Dies Bildnis ist bezaubernd schön 3:34
|
| Composed by Wolfgang Amadeus Mozart |
| Performed by Failoni Orchestra and Herbert Lippert |
| Conducted by Michael Halász |
| 11.
| La cenerentola (Cinderella), opera: Nacqui all'affano 7:46
|
| Composed by Gioachino Rossini |
| Performed by Hungarian State Opera Orchestra and Ewa Podles |
| Conducted by Pier Giorgio Morandi |
| 12.
| Pagliacci, opera: Bell Chorus 3:51
|
| Composed by Ruggero Leoncavallo |
| Performed by Czecho-Slovak Radio Symphony Orchestra and Slovak Philharmonic Choir |
| Conducted by Alexander Rahbari |
| 13.
| La Gioconda, opera in 4 acts: Cielo e mar 4:09
|
| Composed by Amilcare Ponchielli |
| Performed by Czecho-Slovak Radio Symphony Orchestra and Thomas Harper Jr. |
| Conducted by Michael Halász |
| 14.
| Alceste (Italian version), opera, in 3 acts, Wq. 37: Ombre larve 3:48
|
| Composed by Christoph Willibald Gluck |
| Performed by Drottningholm Court Theatre Orchestra and Teresa Ringholz |
| Conducted by Arnold Ostman |
| 15.
| Carmen, opéra-comique in 4 acts: Entr' acte, Act 3 3:12
|
| Composed by Georges Bizet |
| Performed by Czecho-Slovak Radio Symphony Orchestra |
| Conducted by Alexander Rahbari |
| 16.
| Cavalleria rusticana, opera in 1 act: Mamma, Quel vino è generoso 5:06
|
| Composed by Pietro Mascagni |
| Performed by Czecho-Slovak Radio Symphony Orchestra and Thomas Harper Jr. |
| Conducted by Michael Halász |
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