Enter a zip code
CD
| 1 | |
| 2 | |
| 3 | |
| 4 | |
| 5 | |
| 6 | |
| 7 | |
| 8 | |
| 9 | |
| 10 | |
| 11 | |
As if further proof were needed of Jerry Douglas’s mastery of dobro, lap steel, and guitar, witness the resonant performances and abiding intelligence marking his new solo effort, The Best Kept Secret. Backed by his redoubtable band, the Brickbats, Douglas shows that when an instrument is made to sing, when breathtaking technical mastery is mated with pure, unadulterated soul, something remarkable and memorable happens. On a spare, somewhat impressionistic rendering of Joe Zawinul’s “A Remark You Made,” Douglas’s yearning, piercing notes are things of beauty: rich in feeling, wistfully articulated, intelligently conceived in the way the pungent single notes melt into robust chordal cries over a lovely sweep of fiddle-drum-guitar ensemble work. At the other extreme, he can flat bring the fire when necessary, as he does on the lap steel in kicking off the album with “She Makes Me Want to Sing,” an a driving, Allmans-flavored dialogue with slide guitarist Derek Trucks that also features a spirited solo workout from Brickbats violinist Gabe Witcher, more than holding his own against these hotshots. When human voices are needed, two of the most formidable show up: Alison Krauss, who may surprise some with the sauciness of her slinky rendering of L.T.D.’s 1977 disco hit, “Back In Love Again”; and John Fogerty, who goes deep into the Mississippi Delta to find his howling rendition of Bob Wills’s “Swing Blues No. 1” and gains a propulsive second voice in Douglas’s angular, wailing Resophonic guitar solos. Fellow progressives Sam Bush and Bela Fleck get some barn-burning action going on “Who’s Your Uncle,” and jazz guitar visionary Bill Frisell joins the fray with a deft, skittering solo that dances around the soundscape on “Lil’ Roro” -- but it always come back to Douglas, a master raconteur fluent in string language. Listen up. David McGee, Barnes & Noble