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November 24, 2005: Uplifting, Spiritual, relaxing music. I imagine this is good to be use as lullabies . I imagine it helps to turn this on very low and light to sleeping babies as background music . I keep my choral CD's durimg my commute for work and errands for years and years and love them . Thanks
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The Best Choral Album in the World...Ever! | ||
| 1. | Gloria, for 3 solo voices, chorus, trumpet, oboe, violin (ad lib), 2 violas, 2 cellos, strings & continuo in D major, RV 589: Gloria in excelsis Deo 2:26 | |
| Composed by Antonio Vivaldi | ||
| Conducted by Neville Marriner | ||
| Performed by Academy of St. Martin-in-the-Fields and Academy of St. Martin-in-the-Fields Chorus | ||
| 2. | Cantata No. 147, "Herz und Mund und Tat und Leben," BWV 147 (BC A174): Jesu, Joy of Man's Desiring 3:34 | |
| Composed by Johann Sebastian Bach | ||
| Conducted by David Willcocks | ||
| Performed by Academy of St. Martin-in-the-Fields and Choir of King's College, Cambridge | ||
| 3. | Zadok the Priest, coronation anthem No. 1 for chorus & orchestra, HWV 258 5:47 | |
| Composed by George Frideric Handel | ||
| Performed by Ambrosian Singers and Menuhin Festival Orchestra | ||
| Conducted by Yehudi Menuhin | ||
| 4. | Miserere mei Deus (Psalm 51), motet for chorus: vv 1-4, 17-20 5:50 | |
| Composed by Gregorio Allegri | ||
| Performed by Timothy Beasley-Murray, Choir of King's College, Cambridge and Gerald Finley | ||
| Conducted by Stephen Cleobury | ||
| 5. | Veni creator spiritus, hymn in mode 8 2:40 | |
| Composed by Gregorian Chant | ||
| Performed by Ismael Fernandez de la Cuesta and Choir of the Monks of the Benedictine Monastery of Santo Domingo de Silos | ||
| 6. | Requiem for soloists, chorus, and orchestra, K. 626: Lacrimosa 3:01 | |
| Composed by Wolfgang Amadeus Mozart | ||
| Performed by David Bell, London Philharmonic Chorus and London Philharmonic Orchestra | ||
| Conducted by Franz Welser-Möst | ||
| 7. | Messiah, oratorio, HWV 56: For unto Us a Child Is Born 4:24 | |
| Composed by George Frideric Handel | ||
| Performed by Ambrosian Singers and English Chamber Orchestra | ||
| Conducted by Charles Mackerras | ||
| 8. | Die Schöpfung (The Creation), oratorio, H. 21/2: The Heavens Are Telling 4:51 | |
| Composed by Franz Joseph Haydn | ||
| Conducted by David Willcocks | ||
| Performed by Academy of St. Martin-in-the-Fields, Choir of King's College, Cambridge, Heather Harper, John Shirley-Quirk and Robert Tear | ||
| 9. | Panis angelicus for tenor, organ, harp, cello & bass 4:58 | |
| Composed by César Franck | ||
| Performed by The Hallé Choir and The Hallé | ||
| Conducted by Maurice Handford | ||
| 10. | Vespers (All-Night Vigil), for alto, tenor & chorus, Op. 37: Ave Maria 2:42 | |
| Composed by Sergey Rachmaninov | ||
| Performed by Groupe Vocal de France and John Poole | ||
| 11. | Symphony No. 9 in D minor ("Choral"), Op. 125: Ode to Joy 3:24 | |
| Composed by Ludwig van Beethoven | ||
| Performed by James Morris, Philadelphia Orchestra and Westminster Choir | ||
| Conducted by Riccardo Muti | ||
| 12. | Nabucco, opera (Nabucodonosor): Va, pensiero 5:32 | |
| Composed by Giuseppe Verdi | ||
| Conducted by Bernard Haitink | ||
| Performed by Royal Opera House Covent Garden Chorus and Orchestra and Royal Opera House Chorus Covent Garden | ||
| 13. | Prince Igor, opera (completed by Rimsky-Korsakov & Glazunov): Chorus of Slave Girls 3:02 | |
| Composed by Alexander Borodin | ||
| Conducted by Jerzy Semkov | ||
| Performed by Chorus of the National Theatre of Sofia and Orchestra of the National Theatre of Sofia | ||
| 14. | Doña Francisquita, zarzuela: Coro de románticos (Chorus of Lovers) 5:12 | |
| Composed by Amadeo Vives | ||
| Conducted by Pablo Sorozabal | ||
| Performed by Orquesta de Conciertos de Madrid and Coro Cantores de Madrid | ||
| 15. | Requiem, for 2 solo voices, chorus, organ & orchestra, Op. 48: In paradisum 3:31 | |
| Composed by Gabriel Fauré | ||
| Performed by Peter Barley, Choir of King's College, Cambridge, English Chamber Orchestra and Jose-Luis Garcia | ||
| Conducted by Stephen Cleobury | ||
| 16. | Totus Tuus, for chorus, Op. 60: Opening 4:12 | |
| Composed by Henryk Mikolaj Górecki | ||
| Performed by Choir of King's College, Cambridge | ||
| Conducted by Stephen Cleobury | ||
| 17. | Song for Athene, for chorus 6:14 | |
| Composed by John Tavener | ||
| Performed by Winchester Cathedral Choir and David Hill | ||
| 18. | Standing Stone, for orchestra & chorus: (Conclusion) Celebration 4:09 | |
| Composed by Paul McCartney | ||
| Conducted by Lawrence Foster | ||
| Performed by London Symphony Chorus and London Symphony Orchestra | ||
| 19. | Jerusalem ("And did those feet in ancient time"), for chorus & organ (or orchestra) 2:28 | |
| Composed by Hubert Parry | ||
| Performed by London Philharmonic Orchestra and Royal Choral Society | ||
| Conducted by Andrew Davis | ||
| 20. | Cantata No. 140, "Wachet auf, ruft uns die Stimme," BWV 140 (BC A166): Zion hört die Wächter 4:50 | |
| Composed by Johann Sebastian Bach | ||
| Performed by Consortium Musicum and South German Madrigal Choir & Consortium Musicum | ||
| Conducted by Wolfgang Gonnenwein | ||
| 21. | Te Deum, motet for 8 voices, chorus & orchestra, H. 146: Pleni sunt coeli et terra 2:26 | |
| Composed by Marc-Antoine Charpentier | ||
| Performed by Academy of St. Martin-in-the-Fields, Charles Brett, Choir of King's College, Cambridge, Eiddwen Harrhy, Felicity Lott, Ian Partridge and Stephen Roberts | ||
| Conducted by Philip Ledger | ||
| 22. | Messiah, oratorio, HWV 56: Hallelujah Chorus 4:04 | |
| Composed by George Frideric Handel | ||
| Performed by Ambrosian Singers and English Chamber Orchestra | ||
| Conducted by Charles Mackerras | ||
| 23. | Funeral Sentences (for the funeral of Queen Mary), Z. 27: Thou knowest, Lord 2:24 | |
| Composed by Henry Purcell | ||
| Performed by Choir of King's College, Cambridge and The Philip Jones Brass Ensemble | ||
| Conducted by Philip Ledger | ||
| 24. | Veni Sancte Spiritus, sequence in mode 1 2:50 | |
| Composed by Gregorian Chant | ||
| Conducted by Francisco Lara | ||
| Performed by Choir of the Monks of the Benedictine Monastery of Santo Domingo de Silos | ||
| 25. | Die Schöpfung (The Creation), oratorio, H. 21/2: Awake the harp 2:14 | |
| Composed by Franz Joseph Haydn | ||
| Performed by City of Birmingham Symphony Orchestra Chorus and City of Birmingham Symphony Orchestra | ||
| Conducted by Simon Rattle | ||
| 26. | Elijah (Elias), oratorio, Op. 70: And then Shall Your Light Break Forth 3:21 | |
| Composed by Felix Mendelssohn Bartholdy | ||
| Conducted by Rafael Frühbeck de Burgos | ||
| Performed by Philharmonia Chorus and New Philharmonia Orchestra of London | ||
| 27. | L' Enfance du Christ, oratorio for soprano, 2 tenors, Baritone, 3 basses, chorus & orchetsra ("trilogie sacrée") H. 130 (Op. 25): L'Adieu des bergers (Shepherds' Farewell) 3:52 | |
| Composed by Hector Berlioz | ||
| Performed by René Duclos Choir and Paris Conservatory Concert Society Orchestra | ||
| Conducted by André Cluytens | ||
| 28. | Requiem, for orchestra, organ & chorus; for organ & chorus; for small ensemble, organ & chorus, Op. 9 (3 versions): Agnus Dei (reduced orchestra version) 3:44 | |
| Composed by Maurice Duruflé | ||
| Performed by Peter Barley, Choir of King's College, Cambridge and English Chamber Orchestra | ||
| Conducted by Stephen Cleobury | ||
| 29. | Cantique de Jean Racine, for 4-part chorus & organ (or orchestra), Op. 11 5:16 | |
| Composed by Gabriel Fauré | ||
| Performed by Downside Abbey Monks and Choirboys | ||
| 30. | Ave verum Corpus, motet for chorus, strings & organ, K. 618 2:43 | |
| Composed by Wolfgang Amadeus Mozart | ||
| Performed by London Classical Players and Schutz Consort | ||
| Conducted by Roger Norrington | ||
| 31. | Tannhäuser, opera, WWV 70: Beglückt darf nun dich, o Heimat (Pilgrim's Chorus 4:29 | |
| Composed by Richard Wagner | ||
| Performed by Bavarian State Opera Chorus and Bavaria Symphony Orchestra | ||
| Conducted by Robert Heger | ||
| 32. | Il Trovatore, opera: Vedi! le fosche notturne spoglie (Anvil Chorus) 2:53 | |
| Composed by Giuseppe Verdi | ||
| Conducted by Bernard Haitink | ||
| Performed by Royal Opera House Covent Garden Chorus and Orchestra and Royal Opera House Chorus Covent Garden | ||
| 33. | Gloria, for soprano, chorus & orchestra, FP 177: Laudamus te 3:01 | |
| Composed by Poulenc | ||
| Performed by French Radio Choir and French National Orchestra | ||
| Conducted by Georges Prêtre | ||
| 34. | Chichester Psalms, for boy soloist, chorus & orchestra: I. Maestoso ma energico (Allegro molto) 3:56 | |
| Composed by Leonard Bernstein | ||
| Performed by Peter Barley, John Bowley, Choir of King's College, Cambridge, David Corkhill, Rachel Masters, Michael Pearce, Daniel Sladden and Peter Winn | ||
| Conducted by Stephen Cleobury | ||
| 35. | The Lamb, for chorus 3:17 | |
| Composed by John Tavener | ||
| Performed by Jeremy Backhouse and Vasari Singers | ||
| 36. | Agnus Dei, for chorus & organ/piano (arr. from 2nd mvt. of String Quartet), Op. 11 7:51 | |
| Composed by Samuel Barber | ||
| Performed by Winchester Cathedral Choir and David Hill | ||
| 37. | Requiem for chorus & orchestra: Requiem aeternam 5:43 | |
| Composed by John Rutter | ||
| Performed by Choir of King's College, Cambridge and City of London Sinfonia | ||
| Conducted by Stephen Cleobury | ||
| 38. | Requiem Mass, for soloists, chorus & orchestra (Manzoni Requiem): (Opening) Dies irae 2:23 | |
| Composed by Giuseppe Verdi | ||
| Conducted by Carlo Maria Giulini | ||
| Performed by Philharmonia Chorus and New Philharmonia Orchestra of London | ||
| 39. | Carmina Burana, scenic cantata for soloists, choruses & orchestra: O Fortuna 2:32 | |
| Composed by Carl Orff | ||
| Performed by London Philharmonic Chorus and London Philharmonic Orchestra | ||
| Conducted by Franz Welser-Möst | ||
| 40. | Pomp and Circumstance March No.1, for orchestra in D major, Op. 39/1 2:36 | |
| Composed by Edward Elgar | ||
| Performed by London Philharmonic Orchestra and Royal Choral Society | ||
| Conducted by Andrew Davis | ||
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