The Anthology 1968-1974: Man of Words Richard Harris

BUY THIS ITEM

  • $21.99 List price
    $18.59 Online price
    (Save 15%)
    $16.73 Member price
  • skip to cart
  • Add To List uiAction=GetAllLists&page=List&pageType=list&ean=612657027325&productCode=MU&maxCount=100&threshold=3

GET FREE SHIPPING ON ORDERS OF $25 OR MORE

DELIVERY & GIFT DETAILS:

Usually ships within 24 hours

Delivery Time and Shipping Rates

Eligible for gift wrap & gift message.

CD

  • Release Date: 03/18/2008
  • Sales Rank: 67,510
  • Label: RAVEN [AUSTRALIA]
  • UPC: 612657027325
 
  • Overview
  • Tracks
  • Editorial Reviews
  • Details & Credits
Track List
Click on LISTEN or link to hear an audio clip.
To listen to samples you'll need a Windows Media Player

The Anthology 1968-1974: Man of Words

1LISTENDidn't We 2:28
2LISTENMacArthur Park 7:24
3LISTENName of My Sorrow 3:17
4LISTENLovers Such as I 3:32
5LISTENA Tramp Shining 2:26
6LISTENThe Yard Went on Forever 5:44
7LISTENGayla 3:24
8LISTENThe Hymns from the Grand Terrace (Second Hymn) 3:32
9LISTENOne of the Nicer Things 3:26
10LISTENWhat a Lot of Flowers 3:29
11LISTENFill the World with Love 3:54
12Beth 1:59
13Sidewalk Song 3:21
14Requiem 4:47
15This Is Where I Came In 3:34
16My Boy 3:13
17How I Spent My Summer 2:48
18There Are Too Many Saviours on My Cross 6:14
19LISTENBallad of "A Man Called Horse" 3:22
20Half of Every Dream 3:08
View all tracks on this disc

About this Artist

Editorial Reviews

The Anthology 1968-1974: Man of Words collects the best cuts of actor/singer Richard Harris' music career beginning with his late-'60s work with legendary songwriter Jimmy Webb. The most well-known of these tracks is Harris' classic version of Webb's enigmatic pop song "MacArthur Park" from the 1968 album A Tramp Shining. Harris was a well-respected, Shakespearean-trained actor in his early thirties when he began his pop career and had his most success with that first album. The follow-up, 1968's The Yard Went on Forever, was more ambitious in scope and failed to register with the public. Despite this, Harris continued to record albums through the mid-'70s and although he never achieved the same acclaim in his music endeavors as in his film work, there is much to appreciate in this collection. Many of these cuts, especially the ones anchored by Webb's superbly melodic and skillful songwriting, evince a strong psych-pop, Baroque pop influence reminiscent of such artists as the Beatles and Paul Williams. Similarly, Harris' emotive delivery, though informed by his theatrical training, never comes off maudlin, or garishly overdone. Instead, he remains a kind of idiosyncratic pop entity much in the spirit of such icons as Jacques Brel and Scott Walker. Matt Collar, All Music Guide

Customer Reviews

  • Listener Rating:
Be the first to write a review!