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Snarling guitars, a hard-driving rhythm section, and growling, macho vocals signal that Tracy Byrd's Ten Rounds is going the distance with a vengeance. The Texas dynamo's distinctive baritone voice has never been more effectively showcased than on the dozen well-turned songs here, which are given added ballast by the backing musicians' sure-handed feel for a variety of styles. The atmospheric "Just Let Me Be in Love" adds a south-of-the-border accent via Spanish guitar, which adds an eerie ambiance to Byrd's mournful plea to the woman of his dreams. On the other hand, a jubilant horn section conjures the appropriate party-hearty atmosphere to a surefire, rock-fueled summer classic, "Ten Rounds of Jose Cuervo," as Byrd shouts it out like he's had to adopt a defensive posture more than once after absorbing a few salt-encrusted concoctions. "Wildfire," Michael Martin Murphey's '70s evergreen, is reenergized by a dramatic, nuanced approach meant to underscore the hopes and dreams the mystical stallion represents. Getting into a hard-country workout, Byrd and Mark Chesnutt blend their voices on the sizzling "A Good Way to Get on My Bad Side," with its lyrical reference to Van Halen echoed in the razor-edged, serpentine guitar solos. Byrd lovers will be woozy when this one's over, because Ten Rounds delivers a flurry of hard punches with maximum impact. Seth Kaufman, Barnes & Noble