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CD
This charming Telemann collection is titled Flute Concertos, which is correct but misleading, for only two of the five works here are for solo flute. No matter. Emmanuel Pahud is a first-rank flutist who shines no matter what he's playing, and he doesn't disappoint here. The Concerto in G (TWV 51:G2) has never been recorded before, as the parts were damaged and required reconstruction by a pair of musicologists. It was worth the effort. The first movement opens like the famous slow movement of the F Minor Clavier Concerto, yet it continues on its own melodic path. The Concerto in A Minor for two flutes and violone (an ancestor of the stringed double bass) is also a first recording, though it's not clear why this piece has been so neglected; the combination of the warbling flutes and the deep sound of the violone is delicious, and the music is written in the elegant French manner that the composer loved so well. It's yet another important discovery for Telemann aficionados. The other works are equally engaging: the well-known Concerto in A for flute, violin, and cello from the collection of Musique de Table; the solo concerto in D (TWV 51:D2), with its folklike melody; and the Concerto in E for flute, oboe d'amore, and viola d'amore, a particularly rich-sounding combination that inspired a beautiful opening Andante that blossoms as radiantly as a sunrise. Pahud's sweet, pure tone is a delight, as always, and the playing of the Berlin Baroque Solists (drawn primarily from the Berlin Philharmonic) is warm and stylish. Delightful! Andrew Farach-Colton, Barnes & Noble