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The daughter of guitarist João Gilberto, bossa nova's architect, and the niece of Brazilian music's poet laureate, Chico Buarque, Bebel Gilberto is certainly steeped in her native country's rich, body-moving musical traditions. But, as she proved on her breezy, groove-filled debut, Tanto Tempo, she's also willing to push the envelope. While Tanto Tempo found Gilberto collaborating with contemporary dance-savvy producers such as Thievery Corporation, Suba, Arto Lindsay, and Towa Tei of Deee-Lite, for this platter of remixes, she handed over the album's existing tracks to a world clique of knob-twiddlers, including Germany's Peter Kruder, Britain's 4 Hero, Tokyo's Chari Chari, and Philadelphia's King Britt. The results are as breezy and groovy as the original album but cast a spotlight on the beats buoying her lighter-than-air English and Portuguese vocals. For example, Germany's Trüby Trio imbue "Sem Contenção" with an undercurrent of acid-jazz rhythm, complementing the original tune's naturally jazzy feel, and Beastie Boys producer Mario Caldato Jr. sprinkles electronic blips and bleeps throughout "So Nice (Summer Samba)" -- he also produced the original -- calling to mind the early synth experiments of Perrey & Kingsley. Elsewhere, British duo Rae & Christian fortify the swinging groove underpinning "Bananeira," and London-via-Brazil group Da Lata pare "August Day Song" down to its essential elements: cool vocal, rubbery bass line, and fluid stream of keyboards. These rhythmic mixes are certainly fit for the dance floor, but their enjoyment should by no means be confined to the bright lights of the disco -- take this one along for your next top-down car trip. Lydia Vanderloo, Barnes & Noble