Sweeping Up the Spotlight: Jefferson Airplane Live at the Fillmore East 1969

1	Volunteers previously unreleased 3:34
2	Good Shepherd previously unreleased 7:16
3	Plastic Fantastic Lover previously unreleased 3:16
4	Uncle Sam Blues previously unreleased 5:07
5	3/5 of a Mile in 10 Seconds previously unreleased 5:48
6	You Wear Your Dresses Too Short previously unreleased 9:16
7	Come Back Baby previously unreleased 6:47
8	Won't You Try/Saturday Afternoon previously unreleased 5:14
9	The Ballad of You & Me & Pooneil previously unreleased 10:26
10	White Rabbit previously unreleased 3:03
11	Crown of Creation previously unreleased 3:25
12	The Other Side of This Life previously unreleased 10:02

All Music Guide

Jefferson Airplane were less focused in 1969 than they had been in the Summer of Love two years before. Recorded at the Fillmore East, these performances find the Airplane coming off their most recent album, Volunteers, released a month earlier, with the band a lot looser (drug use aside) and fractured. The factions in the group were presenting themselves during performances, and this set is no exception. Guitarist Jorma Kaukonen and bassist Jack Cassidy connected and jammed like they would have been just as content without the vocals getting in the way, Grace Slick and Paul Kantner combined their voices and played off each other, while Marty Balin screamed and crammed lyrics together, leaving little space for anyone else. During this era, harmonizing seemed out of the question, especially when the older tracks, like "Plastic Fantastic Lover," were being played at warp speed. Slick and Balin mainly yell over each other, a combination of clashing personalities and competition with the sheer volume of the instruments. In the era of Cream and Hendrix, the Airplane had become entwined with jazz-influenced improvisation and the distorted, electric end of the blues; the softer, folkie side of the band was nowhere to be found. For what the Airplane were doing at the time, there's no doubt that this was exciting and adventurous music, albeit without the intimate yin to the blazing yang. Collectors will want to pick up this set, at the very least, for the inclusion of the rarely heard "Uncle Sam Blues," "You Wear Your Dresses Too Short," and "Come Back Baby." Les Campbell