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The humble harmonica takes center stage on SUPERHARPS with veterans James Cotton, Billy Branch, Charlie Musselwhite, and, from a younger generation, Sugar Ray Norcia, blowing the blues away. Centered on the industrial-strength playing developed and nurtured in the Windy City, this vibrant set finds each player in top form. Cotton, who just seems to play better with age, makes the instrumental "The Hucklebuck" chug along with the power and control of an express train rolling into Chicago from Memphis. Musselwhite moved to the West Coast after his stint in the Windy City, and his playing on "Blues, Why Do You Worry Me" and "If I Should Have Bad Luck" has taken on a laid-back Southern California feel. Branch's playing is the most diverse. He uses jazzy licks to sass up "Route 66," makes the harmonica as greasy as fatback on "Mean Little Mama," and goes for the roadhouse roar on "You're So Fine." A gifted singer as well as a fine harp player, Norcia, who was with Roomful of Blues for five years, uses his sweet vocals to put a '50s country spin on "I'm Gonna Steal Your Baby" and "Life Will Be Better." The grand finale, "Harp to Harp," is an extended jam featuring all four stylists. But mutual admiration reigns over competition. A love fest rather than a cutting session, SUPERHARPS showcases four of the finest blues harpists on the planet. Roberta Penn, Barnes & Noble